One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but, a closer reading with Marx and Engels economic theories in mind, reveals an imposing metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the representations of Gregor, we can gain insight into many of the ideas the writer is trying to convey.
Within the first few pages of the novella, we as readers, quickly discover the proletariat in the story. He labors as a traveling salesman, while trying to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling sales man “Day in, day out-- on the road...I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours...”(Kafka 4). The words he chooses to describe his job, “torture”, “worrying,” “miserable” dramatically show his discontent with his daily labor. Having no option other then to continue working at his monotonous job because he is a member of the class of modern wage labors, who, have no means of prod...
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...which eventually becomes so meager that he starves to death. Upon hearing the news, the family did not show sadness, but instead relief. "Well... now we can thank God!" (Kafka 55). Gregor's father felt relief of the economic burden of supporting his son. Although the exact story told in Kafka's The Metamorphosis could not occur outside the realm of fantasy, it represents the real scenario of a worker being abandoned by his employer and family after becoming unable to work and support them financially. By looking at the novella from a Marxist perspective, we see that the underlying theme of the story is a conflict between proletariat and bourgeoisie. Economics supersedes everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. The result of this abandonment is often, as it was in Gregor Samsa's case, death.
Franz Kafka’s, The Metamorphosis, is a novella about Gregor Samsa, a man who devotes everything to fulfilling the needs of his family. Kafka’s existentialist perspective on the meaning of life is illustrated through the use of the protagonist of Gregor Samsa. Existentialism is a philosophy concerned with finding self and the meaning of life through free will, choice, and personal responsibility (Existentialism). Gregor is unable to fulfill the existentialist view of finding meaning in one’s life; he acted according to what his family wanted. Kafka’s belief that there is no meaning to life and that the individual has to create his own meaning in life is entirely missed by Gregor. Kafka uses the juxtaposing mindsets of Gregor and his family members to express the importance of an individual fulfilling his own needs.
The story of Gregor Samsa and his metamorphosis is one of sorrow, but more a story to unveil the cruelties of Humankind. Kafka’s brilliance and understanding of human nature can not be fully grasped by quickly reading the story, but instead divulging into the hidden messages Kafka inserts within the text.
“The Metamorphosis” by Franz Kafka, not only tells the troubling story of Gregor Samsa but of the underlying autobiographical influences of Kafka himself. The first similarity is the unhappiness in both men’s careers, both induced by their strong-willed fathers. In the short story, when Gregor awakes he realizes the problem is not that “he found himself changed in his bed into a monstrous vermin” but that he will be unable to do his job, that pays for his parent’s debt (1156). Franz spent his life, unhappy but successful just like Gregor. Franz majored in law to please his father. Both men strived for similar family duties, Gregor to pay off his father’s debt and Franz for a false sense of hope that one day his father would love him (1157; Sulkes).
In the novella The Metamorphosis by Franz Kafka, the author analyzes change and its repercussions in its entirety. Kafka offers a unique perspective as he follows the transformation of the main character, Gregor Samsa. The transformation from human to insect, as exemplified by Gregor, helps the reader understand Kafka's portrayal of Samsa as a character. The reaction of Gregor's family and their own transformation throughout the progression of the story also provides readers with Kafka's thoughts on change and alienation as well as other key themes. One may argue that the two most prominent transformations were that of Gregor and his sister Grete. Although Gregor's personality remains relatively consistent throughout, his physical transformation serves as the basis of the plot which strengthens its prominence. Grete goes through several changes throughout the novella as well. Grete's transformation from girl to woman holds nearly as much significance as Gregor's. Ultimately, each member of the Samsa family undergoes transformations of various degrees. Throughout the novella, the relationships between the Samsa family emphasizes the common practice of completely disregarding someone once they have changed in a way that doesn't abide by the standards society has deemed as acceptable. Through the use of Gregor Samsa as well as other characters, Kafka expresses his ideas on change and the stigma that is, at times, associated with it which can lead to alienation; each character can also serves as a metaphor by representing society and our tendency to reject people based on their flaws physically or personality-wise.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
house. This way of narrating it is very opened to us, and makes us feel like we
In The Metamorphosis, Franz Kafka manifests naïveté of Gregor Samsa by prolonging his realization of societal banishment due to underexposure. Revelations made by Samsa later prove his ignorance of his purpose in the eyes of his family. In addition to the many instances in which Gregor is trialed, Kafka’s continuous stream of distractions mimic Gregor’s persona.
Within the first few pages of the novella readers promptly discover the proletariat in the story. Laboring as a traveling salesman, Gregor trys to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling sales man “Day in, day out-- on the road...I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours...”(Kafka 4). The words he chooses to describe his job, “torture”, “worrying,” “miserable” dramatically show his discontent with his daily labor. Having no option other than to continue working at his monotonous job, because he is a member of the class wage labors. They have no means of creating ...
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
‘When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin’. Kafka begins his most famous work of literature with a peculiar yet effective first sentence. The statement is simple in nature but its meaning is much bolder and as a result Kafka is able to grab his readers’ attention. The reader has to contemplate what this could mean and consequently ask ‘why’ such an incident took place. Kafka is very effective in engaging his audience into his text and therefore readers go on to find out more about the peculiar man who turned into a ‘monstrous vermin’.
Franz Kafka’s The Metamorphosis is a novella that follows the story of Gregor Samsa who, one day, wakes up as an insect. On the surface, it’s just a story about a man who’s transformed into a bug; but, when deeper analyzed, you come to understand that it’s a about a man who was always a bug conflicted by his identity in a class struggle between what is known as the proletariat and the bourgeoisie. Kafka’s work was written in a time in history when the struggles between the classes were becoming more defined due to the rise of industrialization and other changing social structures. This story can best be interpreted though a Marxist lens. In Kafka’s The Metamorphosis, his Marxist ideology comes through in the way the characters represent the struggle between the proletariat and bourgeoisie classes during the turn of the century.
On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. The metaphor of the story can be divided into three main parts (although they overlap within the story.) First, Kafka establishes the characters and the economic classes which they represent. Then, he details Gregor's metamorphosis and the way in which it impedes his labor. Finally, he describes the final results of the worker's inability to work: abandonment by his family and death. Although a man cannot literally be transformed into an insect, he can, for one reason or another, become unable to work. Kafka's novella, therefore, is a fantastic portrayal of a realistic scenario and provides us with a valuable insight into the struggles between economic classes.