“Isolation is the sum total of wretchedness to a man,” said 19th century author and philosopher, Thomas Carlyle. Humans are naturally empathetic; without any external human stimulus, the human psyche has no outlet of which to vent this empathetic ability, and the subtle laws that govern our most basic morals and natural tendencies begin to fall apart. In Frankenstein, or the Modern Prometheus, author Mary Shelley incorporates the theme of overwhelming obsession to weave the meaningful and momentous tale of true outcasts that are subjected to the agony of isolation. Victor Frankenstein’s lust for forbidden knowledge leads to the creation of a monster, which he ultimately shuns and abhors with passion. The monster, like a newborn child, is malleable to the world, and as the object of disgust and loathing, is corrupted and driven to murderous deeds by his absolute misery of his lonely isolated life. In Frankenstein, author Mary Shelley creates a powerful story of torment and obsession through the skillful use of the literary devices of symbolism, irony, and foreshadowing.
Mary Shelley uses symbolism to dramatically express the dominant theme of obsession in her gripping novel. By means of a prevalent symbol, light, Victor tells of his feverish obsession to create a living being saying, “No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me” (Shelley 51). In this context, light is thought to be a benevolent force of na...
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...bsessions, loses sight of his own humanity and desires, while his social relationships deteriorate. Victor’s attempts to overstep the bounds of human knowledge and control, violate the very code of nature, and his creation, as well as his whole family, paid dearly for his mistake of not having seen the gravity and danger of what he wrought. Victor’s harsh influence upon his progeny leads to his creation’s thirst for vindication for the life he is forced to live and the unjust burden of isolation he is forced to bear. The creature’s loneliness causes his need for vengeance and retribution, which uncontrollably leads him to murderous acts, for if he is treated a murderous wretch by all of society, the only way he can survive is to embrace the darkness and become a murderous wretch, till his retribution has been felt, and the family of Frankenstein is all but gone.
He never had the choice if his creator was going to abandon him because of his outward ugliness. Paula R. Feldman recognizes this forced isolation, saying, “Frankenstein is accepted by society but chooses isolation, his Creature is an outcast but yearns for companionship… formed only by the cruelty and neglect of society” (Feldman 69). The creature is an outlier of society, but never by choice, and, unlike his creator, who chooses to separate himself from everything in his life, the monster did not have the opportunity to experience life before being forced into solitude. The creature is often is “confined within a state of lonely and insuperable incommunicability” (Schmid 19). The creature wants nothing more than to be accepted by society, and does not receive the affection and relationships that a child should be provided with. He lost the connection with his father right from creation, but never could truly understand why he was abandoned. The creature realizes he will never be accepted by mankind, and wants Victor to make him a companion. He swears revenge on Victor, and displays his disdain for his forced isolation by killing anyone who was close to Victor, including Elizabeth. The acts of violence committed by the monster are a direct effect of having no true relationships, considering that if he had these, he would better understand human interaction, and would not have acted out against Victor in
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Mary Shelley’s, Frankenstein, was written during a period of dramatic revolution. The failed French Revolution and Industrial Revolution seriously mark the novel with hints of moral and scientific revolution. Through Frankenstein, Shelley sends out a clear message that morally irresponsible scientific development can unleash a monster that can destroy its creator.
We as humans want to be with each other. We actively pursue this goal be finding friends and significant others. While a moderate amount of solitude can be good we crave togetherness with others. In Mary Shelley’s Frankenstein isolation is a key theme in the novel. The creature created by Victor Frankenstein is driven into isolation from society based on people’s fear of him. Both the creature and Victor experience first hand the effects that isolation have on the creature's actions. Thus Frankenstein shows very clearly how lifelong isolation keeps someone from developing a moral compass and in turn makes them do wrongful deeds.
The creator of the monster, Victor Frankenstein is a man full of knowledge and has a strong passion for science. He pushes the boundary of science and creates a monster. Knowledge can be a threat when used for evil purposes. Though Victor did not intend for the being to be evil, society’s judgement on the monster greatly affects him. As a result he develops hatred for his creator as well as all man-kind. Victor’s anguish for the loss of his family facilitates his plan for revenge to the monster whom is the murderer. While traveling on Robert Walton’s ship he and Victor continue their pursuit of the monster. As Victor’s death nears he says, “…or must I die, and he yet live? If I do, swear to me Walton, that he shall not escape, that you will seek him and satisfy my vengeance in his death…Yet, when I am dead if he should appear, if the ministers of vengeance should conduct him to you, swear that he shall not live-swear that he shall not triumph over my accumulated woes and survive to add to the list of his dark crimes” (pg.199). Victor grieves the death of William, Justine, Clerval, Elizabeth and his father. Throughout the novel he experiences the five stages of grief, denial/ isolation, anger, bargaining, depression and finally acceptance. Victor denies ...
Knowledge accompanied by wisdom, is a blessing. Knowledge helped scientists. make the most destructive weapon known to mankind, a nuclear bomb. It was lack of wisdom that caused United States of America to use it as a means of mass destruction, as illustrated in Hiroshima and Nagasaki. Knowledge not accompanied by wisdom, is a curse. Victor Frankenstein, protagonist in Mary Shelley’s Frankenstein, is awed by the science of chemistry and natural philosophy. His desire to gain knowledge leads him to research the secret of life, and after years of research, Victor is convinced he has discovered the meaning of life. With knowledge as his most powerful weapon, Victor embarks on a journey to create something extraordinary out of old body parts. One desperate night, Victor brings his creation to life. However, one glance at the creature was enough to make him realize that he had not created something beautiful, he created a monster. Mary Shelley’s novel Frankenstein demonstrates how knowledge can be dangerous by the damage caused by both the monster and Victor.
One of the most influential contributions in the formation of the monster’s character is Victor’s failure as a creator and a father. As a creator, Victor has the responsibility of providing for his creation, just as God provided for Adam and Eve. At the same time, Victor also falls under the role of a father, and should therefore seek to strengthen the familial bond between the two of them. However, Victor fails in both of these endeavors, because he cannot accept the monster in his deformity. “Frankenstein’s sole regret… is that he did not create an aesthetically pleasing being” (Bond). Victor, due to his skewed vision of humanity, believes outer beauty to be a reflection of inner character, and that because of the monster’s hideous appe...
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Frankenstein by Mary Shelley is a very complex book riddled with underlying messages. From the characteristics of each individual to the main storyline Shelley depicts a world of opposites. Victor Frankenstein, a privileged young man, defies nature when his obsession with life and death has him attempting to bring someone/something to life. He succeeds and quickly goes from obsessed over its creation to disgust with its form. He then rejects his creation, which sets the stage for the terrifying events to come. This is the embodiment of a modern novel as it contains alienation, disillusionment, and a critique of science.
Frankenstein by Mary Shelly Part One = == == === A main theme in Mary Shelly’s Frankenstein is that of birth, childhood and parenthood, this is explored through Shelly’s choice of frame narrative and structure for the novel.
Frankenstein has been interested in natural science since childhood and has described himself to “always have been imbued with a fervent longing to penetrate the secrets of nature”(Shelley 25), which foreshadows his future aspiration to create life, and
Victor Frankenstein is ultimately successful in his endeavor to create life. This, however, does not stop the underlying theme of obsession. Shelley’s shift from Victor’s never-ending quest for knowledge is replaced with an obsession of secrecy. “I had worked har...
The novel, Frankenstein, by Mary Shelley portrays two characters, Victor Frankenstein and the monster. Despite their drastically different appearances and lives, Victor and the monster have many similarities. Although, Victor Frankenstein and the monster share many similarities, there are four significant qualities. These include a need for family, a love of nature, a great want for knowledge, and an isolation from society. Though they're different in many ways, these similarities bond the two.