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How is patriarchy presented in the yellow wallpaper
Critical essay on the yellow wallpaper by charlotte perkins gilman
Patriarchal force in the yellow wallpaper
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The unnamed narrator finds herself trapped within a large room lined with yellow wallpaper and hidden away from all visitors by her husband-physician John. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, a summer spent in the large ancestral hall to find healing through rest turns into the manic changes of her mind. The overbearing nature of her husband inspires a program designed to make her better; ironically, her mind takes a turn for the worse when she believes the wallpaper has come to life. In Janice Haney-Peritz’s “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’ ”, she tells that until 1973, Gilman’s story was not seen with a feminist outlook. “The Yellow Wallpaper” was misunderstood and unappreciated when it was published. The patriarchal attitudes of men in this era often left women feeling they had no voice and were trapped in their situations. Although originally interpreted as a horror of insanity, this initial perspective misses the broad, provocative feminist movement that Gilman supported. With the changes in perspective, over time this work has come to have a voice for women and the husband-wife relationship through the theme of feminism. Haney-Peritz first examines the husband-wife relationship of the tale. John portrays the role of the domineering husband in society during this era, the oppressive controller keeping the woman in her assigned role. They set off to the ancestral house for the summer, believing this will be her cure. He convinces her the rest will do her good, but she is not sure. The narrator romanticizes the house as haunted. John naturally renders the ideas as nonsense. He thinks nothing of the whimsical dreams she depicts, telling her instead... ... middle of paper ... ...to identify with the narrator, one must follow the nature of the narrator who links herself with the supposed woman in the wallpaper (122-123). Haney-Peritz states this manuscript has become a model for feminist writers looking at it through a modern day perspective. The story based on the author’s real life experience draws readers to her cause of the women’s movement (114). Gilman accomplishes the portrayal of a dominated woman by her oppressive husband giving the long-awaited voice to women everywhere. Works Cited Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Inside Literature. Ed. R. S. Gwynn and Steven J. Zani. New York, New York: Longman Publishers, 2007. 144-158. Haney-Peritz, Janice. “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’.” Women’s Studies. 12.2 (1986)113-128. EBSCOHost. Web. 10 Mar. 2011.
The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her the price of rent was way too cheap and she even goes on to describe it as “queer”. However she is quickly laughed at and dismissed by her husband who as she puts it “is practical in the extreme.” As the story continues the reader learns that the narrator is thought to be sick by her husband John yet she is not as convinced as him. According
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Modern day feminists' enjoy looking into the past to find examples of female oppression. This tactic is employed in the hopes of demonstrating that oppression of their sex by the evil male populous has been going on for decades. One such work that is cited by feminists to showcase just how terrible women were treated in the first part of the twentieth century is Charlotte Perkins Gilman's "The Yellow Wallpaper." Feminists' are quick to point out that the main character in this story is driven down the path of insanity by her uncaring husband. It is of their opinion that John, the main character's husband, consistently neglects her by keeping her locked away upstairs. Other feminists argue that the main character was not actually insane, rather, she was pushed into a temporary state of delirium as a result of the state of confinement that her husband subjected her to. These same feminists will say that John's consistent misdiagnosis of his wife's condition smacks of incompetence. It is their theory that if the main character were a man during this same period of time, doctors would have treated the condition differently. In other words, men were not diagnosed with hysteria and bedridden for three months when they became depressed. As mentioned before, this is what some modern day feminists think. This is in stark contrast to the interpretation by us modern day realists. John was a good husband that cared deeply about his wife's condition. He is described at the beginning of the story as being "a physician in high standing" (The Norton Anthology, p. 658). This description alone offers deep insight into what kind of treatment his wife was receiving. It is hard to imagine that any woman who is married to an extremely prominent doct...
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
McLay '06, Molly (2003) "A Tale of Two Feminists: Reading Charlotte Perkins Giman's "The Yellow Wallpaper" as an Allusion to Jane Eyre," Undergraduate Review: Vol. 15: Iss. 1, Article 7.Available at: http://digitalcommons.iwu.edu/rev/vol15/iss1/7
What is Feminism? How does feminism affect the world we live in today? Was feminism always present in history, and if so why was it such a struggle for women to gain the respect they rightly deserve? Many authors are able to express their feelings and passions about this subject within their writing. When reading literary works, one can sense the different feminist stages depending on the timeframe that the writing takes place. Two such works are ‘The Yellow Wallpaper’ by, Charlotte Gilman and ‘Everyday Use’ by, Alice Walker; the feminist views within each story are very apparent by the era each author lives in. It is evident that a matter of fifty years can change the stance of an author’s writing; in one story the main character is a confident and strong willed young woman looking to voice her feminist views on the world, while the other story’s main character is a woman trying to hold on to her voice in a man’s world which is driving her insane.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12:2 (1986): 113-128.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
...ble to see that it actually incorporates themes of women’s rights. Gilman mainly used the setting to support her themes. This short story was written in 1892, at that time, there was only one women's suffrage law. Now, because of many determinant feminists, speakers, teachers, and writers, the women’s rights movement has grown increasing large and is still in progress today. This quite recent movement took over more then a century to grant women the rights they deserve to allow them to be seen as equals to men. This story was a creative and moving way to really show how life may have been as a woman in the nineteenth century.
Throughout the story, the reader is called to trust the narrator although it is clear she is going crazy, for she is the only telling the story. Gilman is able to develop the theme through this character’s point of view by showing that the narrator has no choice in the world in which she lives-- she must obey the men in her life above all else. If Gilman chose any other perspective, the story would not have been able to portray the woman’s oppression as well, because the reader would not have been able to see into her mind as it slipped away well into insanity.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.