Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
essay about theory of urbanism
theoies of urbanisation
new urbanism and urban sprawl
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: essay about theory of urbanism
New urbanism is the development of idle land to create utopian environments, which allow for all aspects of contemporary life to coexist within a superficially planned, walk-able environment. The philosophy of new urbanism has redefined the means of subdividing idle land, so as to best utilize the space allocated for a new development. Therefore lot size either for residential or municipal purposes, is restricted based on the determined minimum needed to comfortably occupy the given expanse. The new urbanism philosophy has primarily focused on the process of site analysis and planning, but they have neglected to create architecture which could be considered unique or ideal. Instead they have created shell-like structures and slapped on facades that imitate, for example English Tudor or Colonial architecture. Hence they have created hypothetical signs on “sheds” (Venturi & Brown), which are not avant-garde forms of expression. The site planning within the development is well analyzed and implemented as stated, but the viable connection between the suburban area and the realm of the city has become muddled due to poor means of egress leading to the pre-existing city. These two ideological signs produced by the new urbanist’s utopia, have lead to the failure of this concept, and if not remedied the idea of new urbanism will have limited progressive future.
Local vernacular architecture should be analyzed and infused with modern, not simply copied within new urbanism developments. As mentioned the planning stage of new urbanism project is heavily focused on, and the result is a very sophisticated development that uses land space in the most economical way possible. Despite this, the architecture of the buildings does not showcase a...
... middle of paper ...
...genious, but the existing context of the local environment cannot be ignored. The idea if creating walk-able towns is optimistic and innovative by they need to be placed closer to pre-existing city centers, so as not to promote isolated environments but create an extension of the existing environment. The architecture of these developments needs to evolve and further develop, so as to create a new form of architectural style unique to the local context. Consequently, refining the local vernacular into a style which inhabitants form a new deeper connection with as an alternative to mimicking a connection they may have with a preexisting architectural style. The idealistic signs promoted by the new urbanism development can be used to attract more followers to this movement, once they become evolved and can be deemed as avant-garde and revolutionary formal expression.
The aim of this essay is to analyse unitary urbanism and architecturally relevant ideas of the Situationist International movement through the critical reading of selected texts. To create context for the interpretation of the situationist techniques and experiments the “Situationist Manifesto” that was published in the year 1960 will be interrogated by using a broader range of their publications specifically concentrating on the critique of urbanism by the members of the movement.
Quickened procedures of urbanization in the twenty-first century, as we have seen, are to a great extent moved in urban areas in creating nations, and the greater part of these new urban natives are living in informal or illicit advancements. Urban design, then again, moves past the investigation of space; it is the act of effectively forming the city in a wanted manner (Németh, 2010). It is evident that urban communities can frequently be overpowering places, and that we require a decided state of mind and clear center so as to explore their complexities. Urban originators enhance the livability of urban communities by making an interpretation of arrangements into physical systems, setting up configuration criteria for advancement ventures,
This examination accepts the fact that the majority of towns are from old foundation, their fabric will express indications of sequential periods in its architectural styles and also in the several accidents of layout . The misconception of conformity that is to create an orderly scene with straight roads, buildings that conform to height; allow the urban scene to become symmetrical, balanced and ordered by structures which is after all, the popular conventional purpose of town of planning. However, what is conformity? As Cullen suggest, “There is too much insensitivity in the building of towns, too much reliance on the tank and the armoured car where the telescopic rifle is wanted” . This proposes that when the collective statistics of town planning strategies that conform to the idealistic commonly accepted framework are converted straight into plans, and the plans into buildings; they will be lifeless and tedious. However if the urban fabric of texture and colour, scale and style and of character and individuality are manipulated, juxtaposing them in order to experience harmony and avoiding the result of a three-dimensional diagram in which humans are asked to live . The environment in fact resolves itself to not conform, but the chemistry of ‘this’ and
The second article From Product to Process: Building on Urban Think Tank’s Approach to the Informal City introduce a firm named Urban- think tank (U-TT) that focuses on the city problem and tries to start proposal for the city in building projects in conflict zones. They have designed many projects in different parts of the world. Similar to this urban acupuncture is the way that “cures” the city and social problems by making changes of certain part in the city. Although there are cultural and social specificities, cities are facing problems in common. Connecting the formal and informal city is their main aim of activities. They attempt to put together communities, design ideas and urban actors on the ground that are the stakeholders in order to produce high-quality architecture.
In China, urbanization is at dramatic pace but in static patterns. This leads to the Chinese cities losing their own styles, and being built in the static architecture modes which are introduced from developed countries. Moreover, the traditional architecture cultures are being eroded by the static modern architecture patterns. Some of them are even on the boundary of extinction. Recently, architects in China have shown an increasing interest in the issue of traditional architecture in the modern era. This paper studies on the causes and effects of the erosion of the modernity to the traditional architecture and the possible solutions. It will be divided into three parts: the first part focuses on the causes and effects; the second part presents the combination of modern architecture and traditional culture; the third part concerns the cultivation enhancement of Chinese architects.
The role of vernacular architecture in the 21st century has been kept to a minimum, given the practice of modern-day architects placing aesthetic quality above function, comfort, or ecological benefits. Vernacular architecture is defined by the understanding that form follows function and there is a prevalent usage of local materials taking into consideration the manner of how its intended user will utilise the structure. Vernacular ...
Vernacular architecture is a nineteenth-century invention but it still occupies a marginal position even in a time of rapid technological development and globalization. Today, as culture and tradition are becoming less place-rooted and more information-based in the twenty-first century, main problem about the meaning and function of vernacular traditions therefore arise. Will vernacular traditions be affected by the cultural, ecological and technological changes? What part they will play in them? Will they be able to adapt or response in order to come to terms with the new cultural and ecological circumstances, or will they be forced to disappear? Can certain changes more easily be incorporated than others, and will there be cultural or regional
Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary and traditional construction classical concepts and simply in the field of art and literature. The architectural elements like domes, arches, and classical shapes have lost their identity but the post modernism tries to bridge between these historical forms and contemporary styles. The related architects not only struggled to achieve the image for the buildings but also rejected oversimplified diagrams for living. The post modernism here tries to achieve theoretical base for their designs that creates the excitement in the design program.
It became the first large building to grow the modern movement’s new conception of form and space. The building is not only famous by the use of modern materials in it but also for its representational quality, as it connects w...
Architecture is one of the most prestigious fields of knowledge and the most important expression of human interaction with the society and the environment in which it lives. The research deals with the subjective and objective terms and the relationship between them. The two links are related to the humanities in order to provide the cognitive background of the term and its reflection on functional and aesthetic architectural thought. This literature review focused on the clarification of these two elements in architecture in general and Revivalism, Postmodernism, Critical regionalism, Neo historicism - Pseudo historicism, Symbolism and cultural identity format in particular, as they are interrelated and synchronized, affecting and complementing each other.
These studies are based on a combination of city and countryside. Three spatial designers and/or researchers; George R. Collins (art- and architecture historian), C.F.J. Whebell (geographer) and C. Doxiadis (architect/urban designer) who were actively involved in the discussion on corridor development during the 1960’s are studied. Each of them has studied the concept of corridor development, from their different points of view and different disciplines.
Urban design alongside architecture has long since been considered an art form in itself (ref). Many theories have come into play over the decades to develop movements regarding the visual elements of urban environment such as ‘townscape’, ‘garden city’ and ‘city beautiful’ (ref). These theories have since come into the twentieth century as vital concepts and references for urban designers. Urban design, differs from that of architecture as it doesn’t solely base its concerns on how a structure is seen from a fixed point of view. Urban design focuses more on how urban environments and settings are observed from various standpoints, near or far and different angles by the individual and how it’s then interoperated.
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
Regardless of this ‘label’, Tadao Ando has not used the term “critical Regionalism” in relation to his work, nor has he made any objection about the term being labelled to him. In addition, Frampton’s article “Towards a Critical Regionalism” fails to mention Ando and this provokes an array of questions about whether an appropriate term to describe the architecture of Ando is “critical regionalist” (Frampton, 1983). Furthermore an alternative label, “concrete regionalist” was devised and formulated by Catherine Slessor, currently an editor of the Architectural Review (Slessor, 2000). This expression “concrete regionalist” illustrates Ando’s somewhat poetic and insightful adaptation of concrete with reference to the context of the local area, therefore reducing the ‘critical’ characteristics of both Ando’s theoretical and practical approach towards architecture (2000, p....
First it uncovers how colonisers use architecture as a tool to enforce new social, cultural and political directions in order to continue controlling the colonised substances. This aspect can be observed in colonial cities where the coloniser uses the city “as the spatial materialisation of the ‘civilising mission’, while simultaneously representing the violence of colonisation.” (Hernandez, 2010) By assuming that colonised people are uneducated and in need of learning the European norms and habits which includes living in European fashioned cities, instantaneously the new spatial orders such as orthogonal grids lead onto keeping the colonial leaders in the city’s core and push the locals away from them, either outside the city walls or at the periphery areas of the town. Second it analysis the way history of Architecture has been written to grant authority to the European Architecture. This effect can be easily observed in architectural history books, up until lately, showing non-western architecture as elite architecture only if they are made similar to European style with aspects equivalent to them, works of architects such as Brazilian Oscar Niemeyer, Indian Balkrishna Doshi or Malaysian Ken Yeang that show great amount of European styled