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acquainted with the night analysis essay
abstract expressionism critical essay
abstract expressionism critical essay
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Recommended: acquainted with the night analysis essay
In 1976 Paul Vogt, speaking as literary historian, expresses his opinion that whether expressionism had existed at all. He also point out that only a few artists described themselves as expressionists.
In twenty century, expressionism shows the essential nature of German art and characters’ position within the context of international artistic developments. Later, expressionism has been written as not only art but also literature.
“Morder, Hoffnug Der Franen” (1910) is the first page of and a drawing of Oskar Kokaschka to his drama. Totally, it describes a strong man, who has a tattoo on his back and bushy hair, trample on a half naked and bleeding woman. Base on the drawing, the guy was going to kill a woman with a knife. Kokoschka wants to remind people the violence of war with the unfair and dark side. It is expressionism drawing because he uses hatching to describe the hair, blood, shadow, and muscles. He does not pay a lot of attention on the clothes; however, he does put emphasis on the emotion of their faces. Also there is a dog at background which is eager to share a piece of the dead body. As expressionism is, it shows essential natural of German art. About eighty percent of whole drawing is finish by hatching. Since they use a lot of hatching, he might use ink or charcoal as the media. Subjectively, this drawing shows different personalities for each character. It would be more successful there is a cut on woman’s body, a comment said. That will be much better to focus on the topic- bloody violence.
“The Night” (1918-1920, oil on canvas) was made during WW1 by Max Beckman. The war had changed him to search for a new definition of reality, which at first still seemed possible through late expressionism. But he soon realized that the tired and tested media of expressive distortion were incapable to express the reality that he had experienced. Finally he figured out that reality could not be reproduced, it must be created. There are seven people in the drawing, and two of them are victims- one male and one female. The two victims are punishing by one injured solider and another solider with a service cap. From painter position, People can see the painful emotion on the male victim’s face because he was going to be hung to death. The half-naked female victim was being burned by two living candles.
This 3-D diorama illustrates a significant scene in the novel Night. This story originated during the First World War in Sighet, Hungary. The Nazis were in power and they wanted to exterminate the Jewish population; this was referred to as the Holocaust. The religious town of Sighet has not been raided yet, so they’re expecting for the best. The main characters are Elizer and his father. Sadly, the Nazis reach Sighet and gather the Jews. They could only bring what they could carry, so homes and other valuables were left alone. In this scene, the Jewish population of the small town are being deported to Auschwitz. Auschwitz was the first concentration camp they were sent to, so this was going to have a huge impact on their lives. In the small cattle car, there is Elizer, his father, Madame Schächter and the other Jews. They have reached the Auschwitz station, but the Birkenau concentration camp is where the real danger lies. In the Auschwitz station, the saying “ARBEIT MACHT FREI” translated to “work will set you free.” This meant that they would be used for labour till they died. They were burned and brutally tortured in Birkenau. Only several people amongst the group moved on, but the rest was history. The tragedy of the Holocaust is not any fairy tale; therefore, this book is filled with discomfort, illness and death.
In conclusion, Elie Wiesel’s novel Night shows us the dehumanization in the concentration camps by using tone, symbolism, and imagery. He sets the tone with the deep, dark ways he describes the terrible things that have happened to him and millions of others. His symbolic examples explain a further meaning than just an object, and the way he describes everything he saw in great detail, is
As the German painter and sculptor, Kathe Kollwitz conveyed in her statement that the art she created held the burden of transfiguration. The fixation of sorrow and hardship that occurred while she sat huddled with the children was the driving force of her drawings. Her realization that art could not only be an escape from the horror happenings in Germany such as the rationing of food and the starving-to-death children at that time was also a way to voice her opinion of change and revolution. It was the quest, in which she enamored in her drawings and it is this feeling that I value from it. I choose this artist because she delineated the various circumstances surrounding the human individual, she took into account perspectives that involved life with its tragedies, and the lives of little angel children. Her drawings and sculptures were prepared to emulate and capture what her eyes had seen while she was in Germany and this is why I had taken a likening to her drawings. The two artworks that I am specifying in this research paper is the drawing labeled “Germany's children starve!” and”Self-Portrait, Hand at the Forehead (Selbstbildnis mit der Hand an der Stirn)”.
Willem de Kooning was known as one of the major artists of the Abstract Expressionism period. In the post World War II era, de Kooning painted in the style that is referred to as Abstract expressionism, Action painting, and the New York School. Like all Modern art, the intent of these forms of art was not to produce beauty, but critical reflection. The intent was to awaken in the viewer a recognition of the specific, usually social or political, concern of the artist (New World, 2008). De Kooning reflected this period by working in such as a way as to both eschew all traces of visible reality in the painting as well as to create uncontrolled and sometimes violent gestures, which is reminiscent of this time (Gale Encyclopedia, 2006). His works show great emotion, mostly of a tortured, aggressive nature, which was thought of by many to be the ultimate expression of this abstract period.
As the German painter and sculptor, Kathe Kollwitz conveyed in her statement that the art she created held the burden of transfiguration. The fixation of sorrow and hardship that occurred while she sat huddled with the children was the driving force of her drawings. Her realization that art could not only be an escape from the horror happenings in Germany such as the rationing of food at that time was also a way to voice her opinion of change and revolution. It was the quest, in which she enamored in her drawings and it is this feeling that I value from it. I choose this artist because she delineated the various circumstances surrounding the human individual, she took into account perspectives that involved life with its tragedies, and the lives of little angel children. Her drawings and sculptures were formed to emulate and capture what her eyes had seen while she wa...
As the young boy grew, he began to have a love for art and wanted to become an artist, but his father, however, did not have a care of his son’s dreams, but instead wanted him to grow up, following in his footsteps; in which Adolf rebelled against.
The German Expressionist movement was a number of movements that began in Germany during the start of the 20th century. It mainly dealt with poetry, painting, art and cinema. The success of expressionist films helped Germany seen as the most technically advanced in the world. The expressionist style can be...
The excerpt from “Night,” written by Elie Wiesel, is an autobiography that explained the personal struggles he went through while in several concentration camps during the Holocaust. Within the excerpt, Wiesel went into great detail and used imagery to describe his experiences and what exactly went on during this horrible time. These images, that Wiesel painted for his readers, gave an insight to the psychological motivations and mindset that both himself as well as the other Jews were put into due to the terrible actions that were done to them.
(1908-1911years) Visually painting is divided into two parts. 1st one is smaller and take less space, but darker, scary and gives anxiety. He definitely could show death very well. But this death is thin, jealous and alone, waiting for his moment to come. His clothes are full of funerary crosses and all of them obviously dark colored, to show felling of something unknown and scary. On the right Klimt drew number of people at different stage in life from young to grown adults. All of them have strong health, they are full of energy, full of flourishing life and even if one day, they will die and death will win, there is always new generation coming, so death wont be kill everyone at the same time. Life will be continued. This meaning is came out of different ages of characters on the work. However, most of them are women, probably just for the reason that artist found them more attractive to draw than men. But scientists say that actually women is a symbol of life, because they give beginning to a new life. Also, since the name of the artwork is “Death and Life”, this explains over representation of women figure. He used same flowered bed as in “The Kiss”. As a fact this artwork won the first price at the world exhibition in Rome in
Specific techniques of German expressionism, such as dark vs. light, religious themes and spirituality, and the use
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has lead several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island. It is laced with influences from different films of the film noir and horror genre, and many themes that are directly linked to Das Kabinett des Doctor Caligari shot 90 years prior.
When enduring great suffering, people are not capable of distinguishing right from wrong. In Night, one sees that the victims of the Holocaust will do anything to survive. Elie Wiesel relives the horror when he and many more fell prey to the Nazis and when they did unforgivable things to live.
The expressionist movement in German art and cinema was very sensitive to the current state of the country after a huge worldwide conflict. Prior to the rise of the next Nazi Regime, German filmmakers incorporated many aspects to their films that had never been used together before this period of time. M is no exception to
The German Expressionism movement started in the early twentieth century art world, pre-WWI, presumably from Vincent Van Gogh’s “pioneering expressionist paintings like… Starry, Starry Night”(Encyclopaedia of Art History). It was a purely aesthetic movement at this time that sought to oppose the Impressionist movement, which imitated nature, by imposing unnatural, distorted images. Aspects of those distortions served to convey the emotions an artist held towards their subject. War brought terror. War brought mental meltdowns. War changed the Expressionistic style into a “bitter protest movement”(Encyclopaedia of Art History) as artists “suffered from war-induced disillusionment and were dissatisfied with post-war German
the devastation by creating pieces of work featuring a new dark genre Paintings and drawings