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gothic literature and culture
key elements in gothic stories
ipmortance of gothic themes in literature
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Evolution of a Haunted House: The use of setting in early and modern gothic novels The setting for a novel plays a big part in how the story and its characters relate to the reader. This paper will examine how setting in gothic literature, plays an important role in the telling of a story by using Horace Walpole’s The Castle of Otranto and Shirley Jackson’s The House on Haunted Hill as examples. During the eighteenth century, the Romantic period of literature emerged. The works of this time were often filled with imagination, strong emotional contexts, and freedom from the classical notions of art and social conventions (wordiq.com). The Castle of Otranto, while considered by many to be a Romantic drama, had a style that was distinctively different (Mulvey-Roberts, 226). Elements, not previously seen in works of literature were added to the story, much in the way embellishments were added to buildings of the time. Horace Walpole, used elements of the macabre, mysterious, and violent incidents; along with desolate and remote settings to create the first true English-language gothic novel (Merriam-Webster.com). The ruins of castles and other ancient settlements, set amongst the gloominess of the surrounding landscape provided the perfect backdrop for the early English gothic novel (Goldstein, Grider, Thomas 145-146). It was at once mysterious, foreboding, and could create a sense of fear and dread in the reader. Horace Walpole took advantage of setting in The Castle of Otranto. The castle evokes feelings of darkness, solitude, loneliness, and claustrophobia (Mulvey-Roberts, 174). There are secret passages, trap doors, secret rooms, and areas of ruin. The aim is to produce the classic emotion of fear of the unknown. Add in a... ... middle of paper ... ..., a moaning sound is heard prior (Walpole, 34). In The Haunting of Hill House, it is the female protagonist who hears a hammering against the upper edge of a bedroom door that sounded like “something children do”. She also hears "little mad rising laugh" outside the door (Jackson, 95,97). For more than two centuries, the setting of the haunted castle or house has played with our emotions and psyches. They create tension and fear, while we wait for the ghost or bogeyman to jump out. Author H.P. Lovecraft, known for creating these emotions with his own works, states “the oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown” (Lovecraft, 12). This fear of the unknown continues to make gothic novels as popular today, as when Horace Walpole took a romantic drama, added a few shiny bits, and called it gothic.
The castles and mansions that provide the settings for traditional Gothic tales are full of grandeur, darkness, and decay. These settings are one of the most recognizable elements of traditional Gothic fiction. Setting is equally as important in modern Gothic literature as well. While the settings in the two stories, “Fall of the House of Usher” by Edgar Allan Poe and “Where Is Here?” by Joyce Carol Oates, are incredibly different, they are also very similar.
How W.W. Jacobs, H.G. Wells and Charles Dickens Create Suspense in their Gothic Horror Stories
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated back for centuries, Shelly immediately comes to mind with Frankenstein as well as The Monk by Matthew Gregory Lewis and Dracula by Bram Stoker all can be associated with Social Ostracisation. The concept of alienating one to refuge, dismissal, and pain are all themes in these novels.
Traditional Gothic writers based their works on several elements such as: horrendous incidents, tormented characters, supernatural occurrences, etc. However, one of the most important elements to these talented writers was setting. Setting may seem like a very straightforward literary term, but in reality, it has many layers which can convey many things to the reader. Two such Gothic writers that used setting to convey important ideas to the reader of their stories is: Joyce Oates, author of “Where is Here?” and Edgar Allan Poe, author of a horrendous story called “The Fall of The House of Usher”. Both writers use setting to: create a certain atmosphere, communicate the truths about their characters, and to foreshadow events.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Gothic imagery and themes include castles, coffins, monsters and strange lands and pose the background of the classic Gothic novel. The Gothic element is synonymous with the horror and uncanny- a feeling rather than form, in which transgression is the central topic (Wisker 7). The vampire is a figure that transgresses society’s limits to form the central dynamic of the Gothic. “We enjoy seeing the limit transgressed- it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery
Gothic elements are used to show suspense, symbolism, and drama, while also setting dark and twisted tones about the story and its characters. In the passage "The Fall of the House of Usher" the author uses Gothic elements to entice the reader with details of ominous character persona and setting.
the elements of a gothic novel as it is not set in a remote place or a
In Edgar Allan Poe’s short story, “The Fall of the House of Usher,” exhibits an accurate representation of the Gothic genre. Edgar Allan Poe’s work presents itself as mystifying because of the way he is able to confuse and muddy up the concepts to his readers. Poe incorporates the disappearance and reappearance action of the characters throughout the short story as well as an eerie feeling to represent the Gothic genre. Poe also uses the literary device, Gothic double. However, critics of Poe’s work have considered that some of his short stories are a parody of the Gothic genre. They are both equally represented throughout the short story. Furthermore, “The Fall of the House of Usher” is a the best of both worlds.
Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are considered Gothic literature because of their eerie atmosphere and atypical plot developments. Consequently, in “The Fall of the House of Usher,” Poe is distinguished as an author of unique, albeit grotesque ingenuity in addition to superb plot construction via his frequent use of the ominous setting to enhance the plot’s progression and his thematic exploration of science versus superstition.
The inclusions of gothic conventions of the same variety create a gothic genre for the novel. The use of the weather in the form of pathetic fallacies is particularly important in the way this forms the novel to be gothic. As the description of the weather evokes an atmosphere of suspense and the many connotations associated to the weather in particular the stereotype...
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )