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John Dewey's educational philosophy
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John Dewey's educational philosophy
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Philosophies of teaching have been influenced by myriad beliefs about the purposes and aims of education. Plato and Socrates are one of the earliest philosophers to lay down the foundation of education’s purpose. Plato believed in the need of the individual and focused on what they are naturally attracted to learning to. Socrates believed in the need of the state and the individual together. Jean-Jacques Rousseau and John Dewey are somewhat modern philosophers whom have also expressed their views about the purposes and aims of education. It wasn’t until the 1920’s when prominent Hungarian composer and musician Zoltán Kodály fully established his influential endeavors to music education. By 1929, he was determined to “reform the teaching of …show more content…
However, good teaching comes from passionate and dedicated teachers. Educationalists such as Kodály, Bruner, and Noddings, were passionate about education and understood the value of personalized learning. Since music education is my passion and my field, it is without a doubt essential to focus on Zoltán Kodály and his impact on music education. Born in Hungary in 1882, Kodály grew up very musical by singing in his church choir and composing songs at a young age. After graduating from Budapest University he became a music theory and composition teacher at the Budapest Academy of Music (Jeter). Though Kodály’s ideas are founded in Hungary, his ideas connected globally with other methods. There is no doubt that music is valuable all around the …show more content…
The education system in China is very different than the U.S. China withholds a higher academic standard than the U.S. For example, China’s national standards in math, require students to learn 10 specific topics in grades 1-3, in areas such as numbers, operations, and geometry. Similar requirements are in place at upper-grade levels, too (Cavanagh). Children are feeling immense academic pressure at a young age in a society that does not tolerate failure. It was a little difficult to fully comprehend the education system in China. In the states, it is unheard of to leave a child behind if they are having trouble understanding a lesson or subject. In the U.S., there are tutors, after school programs, and plenty of extra aid. In China, however, the children are being abused, studying excruciatingly, and left at the back of the classroom if they are behind academically. At the after school we were aiding, my team and I decided to use music to our advantage. Music was a great outlet for these kids. It was amazing that even with a language barrier, the children could catch on to a melody and eventually the English words. We even translated some children’s Bible songs into Mandarin. The children enjoyed it so much they wanted to sing and share their songs with us. It was an incredibly joyous moment shared through the art of music. I realized
Throughout history music has played an important role in society, whether it was Mozart moving people with his newest opera or the latest album from the Beatles. Where would society be today without music? With schools cutting their music programs, the next Mozart may not get his chance to discover his amazing talent. Music programs are essential to education. To fully understand this one must understand how music helps the human body, why schools have cut music programs, and why people should learn music.
Lebuta, Joseph A. & Smith, Deborah A. Music Education: Historical Contexts and Perspectives. (1997) Upper Saddle River, NJ. Prentice Hall.
“Truly there would be reason to go mad were it not for music…” Pyotr Ilyich Tchaikovsky was a well-known Russian composer with highly recognised works in the 19th century and still today. Although he was a composer of various forms of music, his programme music was also of great influence at the time. At this time, many addressed him as “the hope of Russia’s musical future”. Tchaikovsky lived at a time of very intense musical activity where there was a number of influential works but in particular, there was a Russian composer who played as a pivotal figure in his works, which allowed him to learn various techniques, to clearly portray the themes and motives in his music including his programme music in the musical world.
Kodaly primarily influenced education. Returning to Budapest’s Academy of Music as a professor, he committed himself to creating a musically literate society.He implemented daily music classes at primary school level, and composed choral exercises for children.Kodaly’s three-pronged approach—1) aural, 2) written, 3) read—taught children to sing in tune, improvise, and sight-sing impeccably.The method combined rhythm symbols, syllables, and hand signals.These hand positions provided singers with visual cues of pitches and tonal relationships.Kodaly also devised “solfege”—a way of simplifying music for beginners.Kodaly’s innovative methods became Hungary’s state policy after World War 2, eventually spreading worldwide.Today, Hungary’s Zoltan Kodaly Grammar School still pursues music literacy by providing children an outlet for intensive study (Jeter).
Have you ever considered…that if all of the works and theory from 1780 to 1880 were suddenly lost to the world, music would still exist? That the purpose of education is to open minds and to provide the substance and enthusiasm for continued personal discovery and growth. That notation is only a coding device…it’s a system for translating musical ideas for future recall, not…acquiring or developing musical sensitivity or sensibility… That a composition is merely a statement of someone’s musical thoughts, and everyone has musical thoughts…that the gulf between the educational system and the living creative art of music has grown so huge that a really knowledgeable student…may be intimidated to reject the
Steven, Kelly, N. (2002). A Sociological Basis For Music Education. International Journal of Music Education. 43. Pp. 40-49
middle of paper ... ... Music was not taught in the high school I was in. To satisfy my interest in learning about music and how to play musical instruments, I had to find a source of education other than school; a great depiction in agreement with Graff’s claim that students are being limited by not considering their interests when creating curricula (Graff 197). In conclusion, education is broader than just falling into what the contemporary school system has to offer. Both Gatto and Graff proved this by explaining how conforming students to certain perspectives of education limits their potential in other educational branches that interest the students.
My philosophy of music education is committed to offering a comprehensive program of Music Education to all students, at all levels who want to participate in musical study. The emphasis will be upon daily music education as it is developed in the classroom, through performance, and in the belief that students best learn to understand and appreciate music by active involvement in music.
I remember exploring the different keys of the piano and playing “Twinkle Twinkle Little Star” on my first day. The beauty of the sound enthralled me; the foreign vibrations of treble and bass created new feelings of warmth and familiarity. This angelic discovery ignited my ambition to traverse through the mysteries of music and match the artistry of a master musician. When I started secondary school, I wanted to expand my craft even further, so I enrolled in the school orchestra and band. In the orchestra, I fell in love with the cello.
the rest of his life, Orff was the head of a department and co-founder of the
The position that is being argued is that music should stay in schools. This author is making the claim that music makes children excel in their education. This author uses many different sources. The author relies mainly on studies to back up his argument. The article is recent.
I imagine an evening when I accept my performance award to launch into an historic speech “Music Set Me Free” thanking educators who taught me how to decode texts’ main ideas and critically analyze what I read, making comprehending daily items like my cello instructor’s annotated sheet music, viable. At 9 years old, it had taken a host of diligent experts to prove what I always knew was true; I did not lack intellect, I learned differently than my classmates. I would tell of how since then, I challenged myself to achieve.
Music is a constant presence in the life of every human. It is an art that has existed since the beginning of the human species as a love directly encoded into the human genome. Whether a composer, performer, or simply a listener, music can have a profound effect on one’s emotions and life. Accordingly, formal education in music has existed for as long as formal education itself has existed. The ancient Greeks made music a central column of their education curriculum during their civilization’s height in the 6th and 5th centuries BCE, with the Athenians establishing schools that taught thirteen to sixteen-year-old students “to play the lyre and kithara and to sing, accompanied by their teacher on the aulos.
“Music is enough for a lifetime, but a lifetime is not enough for music.” These were the words of Sergei Rachmaninoff, a Russian composer and pianist who was very influential in the twentieth century. Sergei’s perception of music was accurate because he understood the impact and significance music can have. Everybody knows what music is and they all have heard a form of it but most people underestimate the value and power music has in our everyday lives. Whether they know it or not music plays a vital role in the lives of people today. Music is a very efficient tool that influences and assists people, it plays a huge part in today’s society, and it had done so much for me as an individual.
Franz Liszt is said to be the most astounding piano virtuosos that existed during the Romantic era. This essay will discuss his achievements as a pianist as well as a composer. This essay will examine his life and will examine what influenced him at an early age. It will also look at his accomplishments as a pianist as well as a composer and examine how he became as well known as he is today. It will use his background to show what exactly influenced him to become a successful pianist and composer and it will discuss how essential he was during the Romantic era.