(1350)A Comparison and Contrast Analysis of the Depiction of the ”War on Terror” in Zero Dark Thirty (2012) and The Siege (1998)
This historical study will compare and contrast the depiction of the “War on Terror” in a pro-government and anti-government plot structures found in Zero Dark Thirty (2012) by Kathryn Bigelow and The Siege (1998) by Edward Zwick. The pro-government view of Zero Dark Thirty defines the use of CIA agents and military operatives to track down Osama Bin Laden in the 2000s. Bigelow appears to validate the use of torture and interrogation as a means in which to extract information in the hunt for Bin Laden. In contrast this depiction of terrorism, Zwick’s film The Siege exposes the damage that torture, kidnapping, and
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Bigelow 's film defines the pro-government style of Bush/Cheney era policies on the War on terror, which promote Dan’s torture of terrorist suspects as being effective in finding Bin Laden. Beatings, sexual humiliation, and other forms of torture define the militaristic style of information extraction, which Zero Dark Thirty promotes as being effective and ethical in the political culture of the 2000s and into the 2010s. In contrast to this pro-government view, Zwick presents a film as a cautionary tale about martial law and the increased militarism techniques of torture, which were deemed unacceptable in the late 1990s. This anti-government point of view illustrates the arrest of General Devereaux as a war criminal arrested by Agent Hubbard. However, both of these films project the War on Terrorism in American policy as being overtly militaristic in large-scale military operations and procedures to catch individuals in small terrorist cells. These are the similar and differing aspects of the pro-government and anti-government depictions of the War on Terror that have been examined in Zero Dark Thirty (2012) by Kathryn Bigelow and The Siege (1998) by Edward
A review of Timothy McVeigh and the bombing of the Alfred P Murrah Federal Building in Oklahoma City reveal that McVeigh grew up the All-American boy, who grew increasingly dissatisfied with the level of governmental control of individual’s freedoms and constitutional rights specifically the Second Amendment which afforded citizens the right to bear arms. A known gun collector and survivalist, McVeigh taking direction from the novel “The Turner Diaries” grew more paranoid in his perception of the government’s stance on gun control and the anti-semitic views expressed by the novel’s neo-Nazi author William Pierce who wrote of race wars and the bombing of a federal building. (BIO).
Cole, D., & Dempsey, J. X. (2006). Terrorism and the constitution: sacrificing civil liberties in the name of national security. New York: New Press.
In Michael Moore's movie, he leads an above-ground assault on the Bush Presidency, questioning his legitimacy, his character, abilities and, most of all, his attempt to fight terror through the war in Iraq. And similarly, his method of attack is by trying to bring to light the facts that those in power have tried to suppress.
Alan Dershowitz challenges the legitimization of non-lethal torture in his essay, “Should the Ticking Bomb Terrorist be tortured?” He claims that torture should indeed be legitimized for specific scenarios that require such action. The ticking bomb terrorist gives the example of a terrorist withholding time-sensitive information that could result in the death of innocent citizens, if not shared. Not only does Dershowitz challenge the idea of torture, but he also gives a probable solution that favors the legitimization the torture. He mentions three values that would have to be complied with by all three branches of government if it were to be legitimated, which Dershowitz does endorse. The arguments of the two perspectives discussed in the
Jeffrey David Simon, The Terrorist Trap: America's Experience with Terrorism, 2nd ed. (Bloomington, IN: Indiana University Press, 2001), 188-89.
Prideaux, T. "Take Aim, Fire at the Agonies of War." Life 20 Dec. 1963: 115-118. Rabe, David. "Admiring the Unpredictable Mr. Kubrick." New York Times 21 June 1987: H34+
But it has an absolute separation between them unlike the Blue Velvet. All the things considered bad or evil are shot in the dark where as the good and happy parts are shot in the light. Classic torture has been used upon a body to find out about other greater damages. The victim is made to realise that he is helpless and has no other option but to answer the questions being asked. His body is subjected to torture in which the body speaks despite of his own will. The threat faced in this story is the lust to kill. The lead character Maya has been shown to have an urge to find or rather capture the terrorist leader Osama Bin Laden, through a trail lead by another person named, Abu Ahmed. A geography of terror has been established by a particular name around which the whole story revolves. It also includes the concept of surveillance where the victims are under constant
Martin, Geoff, and Erin Steuter. Pop Culture Goes to War: Enlisting and Resisting Militarism in the War on Terror. Lanham: Lexington Books, 2010. Print.
Allen Moore’s sordid depiction of twentieth century life presents a complex world, where the distinction between a virtuous hero and a villainous wrongdoer is often blurred. In stark contrast to the traditionally popularized portrayal of superheroes, whose unquestionably altruistic motives ultimately produce unrealistically idealized results; the realistically flawed characters of Watchmen exist in a multi-faceted world characterized by moral ambiguity. America’s imperialistic ambitions have long been justified as an expression of American idealism. Much like the portrayal of superheroes in popular culture, America’s intervention in foreign affairs was portrayed as the result of a clearly defined problem, where American intervention was necessary and consensual. The Watchmen exist in an American reality that does not depend on them as the archetypal hero as demonstrated by the fact that their presence is not necessary to the survival of the world.
Throughout the 1990s and into the 21st century, words such as jihad, suicide bomber, and al-Qaeda increasingly permeated the collective consciousness of Americans. These words were associated with fear, with terror, with the threat of death, and with the eastern ‘Other’. September 11, 2001 is a day on which most can recall the shaky words of broadcasters and the billowing plumes of smoke that were emitted from the towers of the World Trade Centre when members of the Islamic fundamentalist group al-Qaeda hijacked four commercial passenger airplanes and crashed them into targeted landmarks in the United States. Lawrence Wright’s novel, The Looming Tower, draws upon several years of first-hand research and investigative journalism that reveals the political and historical atmosphere that led to the events of that day. The author composes a rigorous, detailed, and poetic work of nonfiction that illustrates the complex and geographically dispersed histories of Islamic fundamentalism and gives life to the personalities of the men that shaped the ideas that guided al-Qaeda. In the book, the actions of these men are built around narratives of their pasts; narratives of sexual obsession and repulsion, humiliation, torture, and resentment. The novel is rich with detail and divulges the reader in the particularly emotional and personal nuances of men such as Sayyid Qutb, Ayman Zawahiri, and Osama bin Laden. In 1978, Edward Said wrote the groundbreaking book, Orientalism, which has since given clarity to the power dynamic between the East and the West, the Occident and the Orient. Orientalism is the pervasive and largely Western tradition of building stereotypical and negative archetypes of people of the Middle East and Asia. Or...
Szegedy-Maszak, Marianne. "The Abu Ghraib Prison Scandal: Sources of Sadism." Writing and Reading for ACP Composition. Upper Saddle River: Pearson Custom, 2009. 210-12. Print.
Adam Penenberg’s “The Surveillance Society” reminds Americans of the tragic events of September 11, 2001 and the instant effects the that attacks on the World Trade Center had on security in the United States. Penenberg discusses how the airports were shut down and federal officials began to plot a military response. Although those were necessary actions, they were not as long lasting as some of the other safety precautions that were taken. The Patriot Act, which makes it easier for the government to access cell phones and pagers and monitor email and web browsing, was proposed. Politicians agreed that during a war civil liberties are treated differently.
In the article, “The Torture Myth,” Anne Applebaum explores the controversial topic of torture practices, focused primarily in The United States. The article was published on January 12, 2005, inspired by the dramatic increase of tensions between terrorist organizations and The United States. Applebaum explores three equality titillating concepts within the article. Applebaum's questions the actual effectiveness of using torture as a means of obtaining valuable information in urgent times. Applebaum explores the ways in which she feels that the United States’ torture policy ultimately produces negative effects upon the country. Applebaum's final question is if torture is not optimally successful, why so much of society believes it works efficiently.
Herman, E. & Sullivan, G. O.1989. The Terrorism Industry: The Experts and Institutions That Shape Our View of Terror. New York: Pantheon.
The relation of terrorism to film is an undeniable and unavoidable topic, brought to light for us by Slavoj Zizek's article, "Welcome To The Desert Of The Real." His article is an in-depth exploration into the sometimes confusing, most definitely complex topic of America as a fantasy.