Your Inner Self: The Inner Child By Maria Bakkalian

Your Inner Self; The Inner Child by Maria Bakkalian

Table of Content
A. Specific Aims - The What
B. Backgrounf and Significance - The Why
C. Preliminary Results/ Progress Report - The How
D. Research Design and Methods
A. Specific Aims - The What
“If you are never open to change things will remain the same, thereby driving you insane.
- Clarine Williams
People who act freely are often called as weird. A lot of people make effort to appear as their best, abide by all the rules, and avoid making mistakes all regardless of their instinct. This often happens when you suppress yourself from doing what you really want to do, and just abide by the rules to satisfy your surroundings, which is suppressing your inner child and not acting freely according

Remaining unconscious will not help. Next, we learn to take our inner child seriously and to communicate with that little us within: to listen to how it feels and what it needs from us. The needs of that inner child are love, acceptance, protection, nurturance, understanding, which remain the same today as when we were children. What we didn’t sufficiently receive in the past from our parents as children must be confronted in the present, painful though it may be. Authentic adulthood requires both accepting the painful past and the primary responsibility for taking care of that inner child’s needs, for being a “good enough” parent to him or her now and in the

When you feel that urge to do something silly, allow it. It’s your inner child trying to show you how to have fun and enjoy life in the moment and not to take life so serious.
C. Preliminary Results/ Progress Report - The How
The first and only example of the inner child project was found in the L’Enfant Exterieur project.
Description:
Inside each of us, there’s a young core, instinctive, creative but also innocent and naïve. What would happen if this intimate essence would be completely revealed?
L”Enfant Exterieur (The Outer Child) takes into analysis this possibility, showing us a world of men in the shape of children, as if the body could slip on the ugliness of life, less expected to imagine big fawn’s eyes winking in the night clubs or little chubby hands shaking in the offices.
An examination that begins from the classical dichotomy shape-substance and that questions itself about the nature of purity and the unavoidability of the corruption, without taking itself too seriously, because in the end, you know, children like to play.
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L’Enfant Extérieur for Apotek Hjärtat