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Feminist theory on the yellow woman by leslie marmon silko
The symbolism of a yellow woman by Leslie Marmon Silko
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Leslie Marmon Silko’s “Yellow Woman and a Beauty of the Spirit” focuses on the ideas of beauty and identity, specifically how her understanding of these ideas changed as she grew older. Throughout the text, Silko’s structure effectively establishes her beliefs and values through her use of flashbacks to integral people and events in her life and her retelling of the stories of her people. This organization not only makes her points clear, but it also makes the text convincing and engaging for the reader.
Flashbacks are a device that Silko takes advantage of in order to display her progress and development as she grows older. By explaining her understanding of the fact that she “looked different from [her] playmates” and how she “sensed immediately
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As she retells the story of Thought Woman and the Mother Creator, Silko tells her audience that her people believe that “in this universe, there is no absolute good or...bad; there are only balances and harmonies that ebb and flow,” allowing the reader to understand some of the context for the acceptance of her appearance. (Silko, Pg. 64). She goes on to explain that in her culture, “each being or thing is unique and therefore incomparably valuable,” and that uniqueness was a valuable part in the consideration of an individual’s soul as beautiful. (silko, Pg. 64). The set of stories Silko praises most highly are those centered around Kochininako, or Yellow Woman, and “the beauty of her passion, her daring, and her sheer strength to act when catastrophe is imminent.” (Silko, Pg. 70). Silko admires Yellow Woman for these traits, even going so far as to say that she pictures her with similar physical characteristics as herself, and explains that “from Yellow Woman’s adventures…[she] learned to be comfortable with…[her] differences.” (Silko, Pg.
...es her. The imageries of pink Mustang signifies her social class, while “Road” indicates her location as nowhere within a community. The commodification of her body means it can be touched in ways derogatory to her dignity whether she likes it or not because it is a saleable commodity that doesn’t belong to her. Her silver painted nipples identifies silver coins. Silver coins represent monetary value put on her body. Silver painted nipples also mean the attractive way in which a product is packaged. The poem also depicts the defiance of women against how she has been treated. She identifies man as the one that kisses away himself piece by piece till the last coin is spent. However, she cannot change the reality of her location, and temporal placement.
Lynn Peril writes a fascinating study of pink color and its historical connection to ideas and beliefs of femininity. Peril translates and defines Pink Think as collection of specific ideas, beliefs, and approaches of how and when is feminine behavior considered as proper. Throughout her book, Peril is pointing out various fundamental approaches and attitudes that are considered to be crucial for women achievements and accomplishments. Peril's Pink Think also advocates how greatest concern of femininity is related to women physical appearance (fashion and beauty) and their marriage (motherhood and housekeeper). Furthermore, Peril is demonstrating an evolution of femininity, and constant and intense impact of its norms and rules on women lives.
“Yellow Woman” written by Leslie Marmon Silko is a short story based on a Native American Legend story. In this Legend story, a woman has been taken away from her family for a period of time. The Yellow Woman are taken by a Ka’tisna spirit which is better known as a mountain spirit. Throughout the story, the reader learns that the narrator is in an overarching battle with her personal identity as a Pueblo Indian Woman. On top of the narrator's battle with understanding her personal identity she is in a constant battle with trying to understand what events are happening in real life as well as what events are remnants of this legend story told by her grandfather. In sum, the struggle that the narrator has is the common theme occurring throughout.
If one analyzes “Yellow Woman,” one can see that Silko was attempting to explore the origins of these myths and what they mean in a modern context. The narrator of the story talks about how her grandfather used to tell her stories of the ka’tsina, or mountain spirits, and the Yellow Woman, both of whom would seduce and kidnap lonely travelers. These stories may have arisen as cautionary tales, but Silko claims that they might be explanations of actual abductions or seductions in the past. Silva, who claims to be a ka’tsina spirit, at one point replies to the narrator’s incredulity about them being ka’tsina and Yellow Woman by saying, “But someday they will talk about us, and they will say, ‘Those two lived long ago when things like that happened.” (431) Silko is making the case through Silva that these myths and legends could have had routine origins, as people looked for answers to where their family members went when they disappeared. It is possible that people back home on the reservation might make the narrator’s disappearance into a story to...
Yellow Woman and the story of an hour by Kate Choplin have some feminist themes in common. Silko and Mrs. Mallard exhibited Characteristics that conflicted with their natural roles in life. They seemed to be confined by their marriage. With prospects of not being married again, they exhibited feelings of freedom and exhilaration instead of unhappiness.
From reading Charlotte Perkins Gilman, The Yellow Wall-Paper various opinions can be made about the novella and what it is portrayed to represent. Perhaps the simplest opinion could be that John, the husband of the main character, was married to an insane wife. This interpretation would not be false at all, in fact, it is indeed true however, the deeper meaning of this text lies between words and emotions that you feel coming from the character that Charlotte Perkins Gilman had created. The character that allows you to see that deeper meaning would be the wife of the husband John. Through her writings in the story she portrays a woman who is held captive by not only a house and society but she is also held captive by her spouse. These things
The Yellow Wallpaper and The Awakening were two works written during the Age of Expression. The entire country was going through an era of Reconstruction; politically, socially, culturally and econmically . The Yellow Wallpaper and The Awakening are feminist works aimed at the psychological, social, and cultural injustices during the era. According to Mizruchi, “ Cosmopolitanism aroused dis-ease: depression and disaection were prevalent in a society whose pace and variety seemed relentless. Yet the same circumstances also instilled hope. For it was widely recognized that the burgeoning heterogeneity of a newly global America would be a source of enduring vitality.”(Mizruchi, 2008) The wives portrayed in these works defeated the attitudes of their husbands during this patriarchal culture.
In a world where the vast majority of cultures are patriarchal, in response to traditional structures, women often find themselves at war in their minds, hearts and in their own actions. 'Yellow woman' and 'The story of an hour' are examples of how women struggle in a male domintaed society. In these two stories, the women fnd themselves wrestling with thoughts and emotions that our society consider unacceptable. The following statements ,ay be asked and considered of these women:
...toward the close of the novel that "He had only heard and seen the world as it had always was: no boundaries, only transitions through all distances and time" (246). Ironically, though these transitions, changes in the specific vernacular or ritual may be significant from generation to generation, the underlying theme remains constant: we are inseparable from the universe. "I already heard these stories before... only thing is the names sound different" (260). Within the self imposed boundaries of the text, each story creates new space for thoughts and emotions which are common to the human condition. Perhaps because the story houses the possibility for our ultimate destruction or redemption, Silko describes the story, its creation, its meaning, as the defining moment of humanity.
Silko is for borrowing from many different genres, platforms, and mediums to present her inside of her work and better express her creativity. What aspects of this story are influenced by this tendency of hers?
It was a dark, menacing night as she stood there in the shadows. Waiting for the finale of the show that was playing, she glanced toward the exit through which people would soon be leaving. The rich, as patrons of the theatre house, promised her a salary at least for today. Her tattered clothes revealed the effects of personal destitution; the emaciated frame, that presently existed, harked back upon a body she must have once possessed. Driven by poverty to the realms of "painted cohorts," she makes up her face daily, distinguishing her life from the respected (264). She is an outcast, a leper, a member of the marginalized in society; she envelops the most degraded of positions and sins against her body in order to survive. As she looks up, her eyes reflect a different kind of light, a glimmer of beauty that has not yet faded despite her present conditions. She was, at one time, a "virtuous" woman, most likely scorned by a dishonest love. Finding no comfort or pity for her prior mistakes, she must turn to the streets and embrace the inevitable - the dishonor and shame from her previous engagement will follow her unto death. Shunned from society she becomes the woman who sells herself for money and sadly finds no love. She is the abandoned, the betrayed, and the lost, embarrassed girl; she is "of the painted cohorts," the female prostitute of the streets (264).
“The Yellow Wallpaper” by Charlotte P. Gilman embellishes the hardships that women had to not only face but overcome when confined in society and bolted down in relationships. The narrator is lost and confused towards the beginning but she finds herself through different symbols. These symbols widely range from a piece of paper in her journal where she truly can express what she feels to a nervous breakdown caused by Johns constant control over her. Gilman uses variant symbols such as her journal, the yellow wallpaper, and her nervous breakdown to show her anger and doubts that were placed upon her by both John and society surrounding her.
An elevation of beauty is treated as a form of improvement, both for men and for women. Simply put, women emphasize their differences in order to gain a sense of equality and avoid comparison from men. However women are limited in the sense that beauty in itself is very restricting. And the fact that women direct their beauty towards men shows us that men are the basis and the end means of beauty. In which this beautification is not really a form of self-improvement; there is no real flourishing...
The aim of this essay is analyse women´s images in The Yellow Wallpaper and in The Awakening, since the two readings have become the focus of feminist controversy.
...e ability to achieve anything in life. Hopefully, readers would learn from this novel that beauty is not the most important aspect in life. Society today emphasizes the beauty of one's outer facade. The external appearance of a person is the first thing that is noticed. People should look for a person's inner beauty and love the person for the beauty inside. Beauty, a powerful aspect of life, can draw attention but at the same time it can hide things that one does not want disclosed. Beauty can be used in a variety of ways to affect one's status in culture, politics, and society. Beauty most certainly should not be used to excuse punishment for bad deeds. Beauty is associated with goodness, but that it is not always the case. This story describes how the external attractiveness of a person can influence people's behavior and can corrupt their inner beauty.