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The yellow wallpaper wallpaper symbolism
The yellow wallpaper wallpaper symbolism
Postpartum depression eassay
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The woman in The Yellow Wallpaper has an unknown illness. Her frantic behavior is proof that the woman is suffering from postpartum depression due to the birth of her child which is very common. Charlotte Perkin Gilman had a daughter in 2003 and suffered from the same illness that the woman is suffering in the story. I personally believe that the woman in the story relates highly to Gilman herself. Throughout the story the woman preforms many actions and says many things that show symptoms of postpartum depression. (PPD) Things that are noticed are hallucinations, mood swings, delusions and a few other actions that confirm PPD. To be able to be sure that the woman suffers from postpartum depression one must know what postpartum depression …show more content…
Throughout the story you can see the woman just becoming distant from John. In addition she slowly just gets weaker and more troublesome that her relationship deteriorates. The woman in the story suffers from what I believe to be post postpartum depression and is required to take a rest method. Her husband does not seem to understand she is sick. With John being a doctor he thinks what ever he say for her to do is the best. John is very egoistical and that with the mixture of the woman’s depression kills the relationship throughout the story. She even talks about how she hates Johns rules when she says "I don't like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! But John would not hear of it" (Gilman 470). By her saying that it could also be a sign of one of the symptoms for …show more content…
With PPD its important you pay attention to the relationship between the mother and the baby. In The Yellow Wallpaper you can see that the relationship between the woman and the baby is rough when she says ““It is fortunate Mary is so good with the baby. Such a dear baby! And yet I can not be with him, it makes me so nervous.” (Gilman 266) The woman is worried about her child way to much. On top of that it is known that she cant be with her child so the connection between the two will never grow and thats major. With this quote near the end of the story “‘I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’ Now, why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!” (Gilaman 368) you can see a lot. Many people seem to believe that the woman compared herself to Jane. In addition you see that she finally is at ease after being stressed out the whole story. She feels some type of freedom that she has never felt before. After many comparisons I would personally say the woman suffers from postpartum depression. Her frantic behavior is proof throughout the story makes many connections with the symptoms. The author of the story suffered from PPD and is known for the connections she
John comes home to discover his wife circling the room removing the wallpaper. John faints at the sight of his, clearly, insane wife. It is notably; interesting that Gilman has John faint. Other literally works of that time often describe females fainting. It was a stereotypical “female” behavior. As John’s unconscious body lay on the floor, the narrator is forced “to creep over him every time” (Gilman. 803) She is quite, literally stepping over John and all his patriarchal ideals; as a woman she has finally freed herself. She explains at the end that she came out of the paper (Gilman. 803).
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
John, the husband, serves as a metaphor for masculine views of the time, and for the masculine side of humans, the side of reason and logic. "John is practical in the extreme. He has no patience with faith, an intense horor of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures" (1658). His character is almost stereotypical in its adherence to reason and its attittude towards his wife. He negates her intuition; "there is something strange about the house - I can feel it. I even said so to John one moonlight evening, but he said what I felt was a draught, and shut the window" (1658) He attributes her condition to "a slight hysterical tendency" (1658), which is, etymologically speaking, just a polite way of saying that she is instable due to being a woman. He is not interested in his wife's actual condition, rather in his diagnosis; "John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him" (1659). His best advice is to not use her imagination (though trapped in an ugly room), but to become more reasonable and to resist her condition through willpower. When he does put her to bed and asks her to get well, he asks, not for her own self, but with him as the motivation; "He said [. . .] that I must take care of myself for his sake, and keep well" (1663).
Knowing the symptoms of postpartum depression is critical for a young mother's discovering that she may have the depress...
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
The narrator, a new mother, is revoked of her freedom to live a free life and denied the fact that she is “sick”, perhaps with postpartum depression, by her husband, a physician, who believes whatever sorrows she is feeling now will pass over soon. The problematic part of this narrative is that this woman is not only kept isolated in a room she wishes to have nothing to do with, but her creative expression is revoked by her husband as we can see when she writes: “there comes John, and I must put this away, - he hates to have me write a word (Gilman,
She starts to focus on the wallpaper in her room to the that extent that she sees a “woman behind shakes it” (Stetson 654). This drives her even more insane as time progresses. John never allowing her to do anything causes her to lose her mind which causes him to pass out from shock when he finally sees her. This harmful relationship is typical of the gothic genre as it is showing what is wrong with certain familial relationships and overall the state of families. Marriages like this were normal during the 1900s and as such this short story brought that to light.
All sense of individuality and self worth is taken way from the narrator when her name is never revealed to the audience. Furthermore, John continues to belittle his wife by giving her the command to not walk around at night. Although the John thinks in his mind that he is looking out for the best interest of his wife, in actuality, he is taking away his wife’s abilities to make choices for herself. There is a possibility that John’s controlling personality is one of the factors that led to his wife’s psychosis. Such a controlling life style more than likely limited the narrator’s ability to live any life outside of the home.
...ssion and intrusiveness. John’s lack of having an open mind to his wife’s thoughts and opinions and his constant childish like treatment of his wife somehow emphasizes this point, although, this may not have been his intention. The narrator felt strongly that her thoughts and feelings were being disregarded and ignored as stated by the narrator “John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him” (Gilman 115), and she shows her despise of her husband giving extra care to what he considers more important cases over his wife’s case with a sarcastic notion “I am glad my case is not serious!” (Gilman 115). It is very doubtful that John is the villain of the story, his good intentions towards doing everything practical and possible to help his wife gain her strength and wellbeing is clear throughout the story.
After giving birth, women will have hormonal oscillations (Rosequist). In the meanwhile, their bodies are getting back to their normal state, however if that “blues” does not go away, it can evolve in a deep depression. As she recalls, saying: “And yet I cannot be with him, it make me so nervous”(Gilman), it is obvious that Post-Partum depression is the cause of her poor attachment with the child; the mother can be hazardous to the baby; mood swing occur, and in extremes circumstances, about 1 in 1,000, it can bring psychotic indications (Hilts). If this condition if left untreated, it can cause serious psychological and physical damages. Treatment would include anti-depressants and therapy. This can also trigger other types of mental
The first instance of John’s goading in evident in the second journal entry. The wife writes of how upset she was about the upstairs bedroom, for she did not care for the yellow wallpaper. She asks him to repaper the room but he instead tells her “dear, I don't care to renovate the house just for a three months' rental” and though she still wants to move to the room downstairs he calls her “a blessed little goose” and tells her he would move anywhere in the home. Though she eventually says, “I would not be so silly as to make him uncomfortable just for a whim (Gilman). The narrator’s retelling of the scene shows John’s manipulative ways.
Even though her husband treats her with what seem at first as love, it becomes clear she is nothing more to him than a piece of property. Every time he talks to her, he asks her to get better for his sake and the children's, and only after mentions hers interests. He doesn't think that she has any normal human feelings or worries and attributes her behavior to minor nervous depression. He doesn't see her true suffering since he believes "there is no reason to suffer" (574). He could never understand that a woman can be unsatisfied with the role imposed on her by society. Even though the heroine recognizes that her condition is caused by something other than John's theory, she is too scared to voice her opinion.
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...
In the final moments of this story, the woman’s husband returns to see her. She writes, “He stopped short by the door. ‘What is the matter?’ he cried. ‘For God’s sake, what are you doing!’ I kept on creeping just the same, but I looked at him over my shoulder. ‘I’ve got out at last,’ said I, ‘in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back!’ Now why should that man have fainted, but he did, and right across my path by the wall, so that I had to creep over him every time!’” This final passage shows that, when this woman rebels, and “escapes the wallpaper”, it is not highly looked upon. The woman made a power statement, by telling her husband that she had, in essence, found a new role in life, and he can not push her back. When he can not handle her actions, she continues her new ways right over him.
Suffering from postpartum depression does not mean in any way that the new mother is crazy or a bad mother. The American Psychiatric Association defines postpartum depression as, “a major unipolar depressive disorder occurring within four to six weeks of giving birth and lasting for at least two consecutive weeks” (qtd. in Gao 304). With this simple definition, one can see that having this disorder does not make a new mother mad, it just puts a much greater toll on her. Chanel, for example, feels betrayed by her husband and her new baby, causing her functioning to become impaired emotionally, cognitively, behaviorally, and physically.