Women in The Universal Negro Improvement Association

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The Universal Negro Improvement Association (UNIA) was founded by Marcus Garvey in 1914 and achieved great success in improving the socio-economic status of blacks in both the USA and his native country, Jamaica, in the 1920s. Although it experienced a gradual decline in support in the 1930’s, Garvey was arguably the most prominent black nationalist figure to emerge in the twentieth century. However, despite its influence, it is clear that the organisation often neglected to give a voice to the numerous black women in its ranks, many of whom were heavily involved in the UNIA from its beginnings. Scholars like Tony Martin have drawn attention to important leading figures within the UNIA who were females, such as Amy Jacques Garvey, Henrietta Vinton Davis, M. De Mena and Amy Ashwood Garvey in emphasising the role of women within the organisation. Nevertheless, these women activists were somewhat atypical from the average female UNIA member; although they fought for gender equality, most did not have the opportunity to occupy such high positions or receive acknowledgement for their contributions. This essay will endeavour to construct a detailed analysis demonstrating that while their numbers were substantial, it is clear that the roles and responsibilities of women within the Universal Negro Improvement Association were largely subordinate to those of men.
The vast amount of scholarly works that have been published on Marcus Garvey and the UNIA have tended not to focus strongly on the work of females within the organisation, instead focussing on the extent of Garvey’s success and the influence of the UNIA both in an American context and internationally. E. David Cronon, for example, questions the significance of Garvey himself,...

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...women thou art royal and the fairest.” Furthermore, in ‘The Black Mother’, he also highlights the role of women as nurturers and carers in the verse: “If on life’s way I happen to flounder, my true thoughts should be of mother dear, she is the rock that ne’er lifts asunder, the cry of her child, be it far or near.” Through this imagery of the black mother as a “rock”, he reinforces the traditional notion that childcare and motherhood are the sole responsibilities of womankind. Thus, as Honor Ford Smith notes, women were “relieved of certain onerous tasks” in the UNIA, and instead leading Garveyites praised maternal traits and their physical appearance. Tony Martin gives evidence of this by pointing out in his article, Race First that the UNIA publication, The Negro World frequently sponsored beauty contests and printed images of beautiful figures of femininity.

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