Women In Hesiod Theogony, And Works And Days

While reading the works of Hesiod, it is impossible not to notice the way that women are characterized and discussed. In his two major poems, the Theogony and Works and Days, he makes no attempt to make his contempt and abhorrence of the female sex a secret. In Works and Days, Hesiod includes the story of Pandora – a woman created by the Greek gods meant as a punishment for the human race – in his discourse to his brother, Perses. The Theogony – through an account of the creation of the universe and the origins of all the gods – presents depictions of women as monstrous and wicked. The negative and misogynist views of women exhibited in Hesiod’s Theogony and Works and Days give insight into the similar views of women that existed in ancient

To this day, the story of Pandora fascinates human beings enough to survive in media and culture. However, the modern adaptations of the myth often deviate from the misogynist undertones of Hesiod’s original version. As retaliation for Prometheus stealing fire from Olympus and gifting it to humans, Zeus resolves to afflict mankind with misfortune in the form of Pandora. He instructs Hephaestus to mold a woman out of clay and water, and asks Athena and Aphrodite to give her “painful yearning and consuming obsession”, “a bitch’s mind and knavish nature” and “lies and wily pretenses” (Works and Days, 39). Pandora is given to the misguided and forgetful Epimetheus and, due to her curiosity, releases all the terrible things that trouble mankind. Only hope is left at the end, which becomes trapped in the jar when Pandora replaces the lid. Despite Hesiod’s conclusion that the story proves “there is no way to evade the purpose of Zeus” (Works and Days, 40), it is clear that Pandora taking the form of a woman with negative attributes carries its own, separate significance. Hesiod proves this in the following: “For from her [Pandora] is descended the female sex, a great affliction to mortals as they dwell with their husbands” (Theogony, 20). Hesiod believed that all women were descended from Pandora – a woman he described as being deceitful, troublesome and difficult. By

For example, in the illustration of Aphrodite’s birth, she is described as “modest and beautiful” (Theogony, 9). When Athena is born from Zeus’ head, she is depicted as “the fearsome rouser of the fray, leader of armies, the lady Atrytone, whose pleasure is in war and the clamour of battle” (Theogony, 30). Hesiod even includes a lengthy portrayal of Hecate, where he articulates how Zeus honored Hecate more than all others. Hecate is said to have positions of power, dominion over parts of both land and sea and prestige. Hesiod also mentions that Hecate has a role in public gatherings (“…the man of her choice shines out among the crowd” [Theogony, 16]) as well as in war (“…the goddess [Hecate] comes and stands by whichever side she chooses to grant victory…” [Theogony, 16]) While the representations of these goddesses may be positive, Hesiod is not speaking about women in general, or even mortal women. As M. L. West says, “When they are personified must clearly be classed as gods, not mortals; after all, they are invisible and imperishable, and they have the power to affect human affairs.”1 Goddesses like Athena, Aphrodite and Hecate are personifications of abstract concepts that the ancient Greeks valued. While the Greek gods often exhibited very human-like qualities, they were still deities; put on pedestals to be respected