Any one who’s ever visited the south has a true appreciation for the writings of William Faulkner. Everything ever written by William Faulkner has a trace of the South that can be felt by just reading his words. Growing up in Mississippi, Faulkner was exposed to the Deep South and everything it had to offer, both good and bad. Through his writings, William tackles some of the most difficult issues of his time period and sheds light to the every day issues going on in the South. William Faulkner set the precedent for future generations, and he will arguably never be contested in his southern style. Without William Faulkner, American literature would be blind to the truth of the South and all its glory.
Faulkner’s slow-paced, southern Mississippian upbringing was the most prominent influence of his writings. Growing up in the deep-south cannot compare to anywhere else on the planet and William Faulkner’s entire family heralded from Mississippi. His grandfather was a Civil War veteran and was known all throughout the state of Mississippi. Known as the “Old Colonel”, William’s grandfather was a successful railroad financer but also a best-selling writer of the time. His larger than life persona carried down through William’s father and then again onto William. Faulkner’s father founded the First National Bank of Oxford in 1910 and this business kept William living in Oxford until joining the Royal Air force of Canada (RAF). He originally attempted to serve in the U.S. Air force but was turned away due to height. After training in Toronto, William Faulkner returned to his hometown of Oxford with no combat experience. Despite true involvement in combat, Faulkner came home with many un-true and over exaggerated stories of his service in...
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Works Cited
"William Faulkner." MWP: (1897-1962). N.p., n.d. Web. 08 May 2014. .
Sullivan, John Jeremiah. "How William Faulkner Tackled Race — and Freed the South From Itself." The New York Times. The New York Times, 30 June 2012. Web. 08 May 2014. .
"William Faulkner." PBS. PBS, n.d. Web. 07 May 2014. .
"William Faulkner: Nobel Prize Acceptance Speech." William Faulkner: Nobel Prize Acceptance Speech. N.p., n.d. Web. 08 May 2014. .
Bloom, Harold. Sterling Professor of the Humanities at Yale University. New York City: Chelsea House, 1986. Print.
William Faulkner is widely considered to be one of the great American authors of the twentieth century. Although his greatest works are identified with a particular region and time (Mississippi in the late nineteenth and early twentieth centuries), the themes he explores are universal. He was also an extremely accomplished writer in a technical sense. Novels such as The Sound and the Fury and Absalom, Absalom! Feature bold experimentation with shifts in time and narrative. Several of his short stories are favorites of anthologists, including "A Rose for Emily." This strange story of love, obsession, and death is a favorite among both readers and critics. The narrator, speaking for the town of Jefferson in Faulkner 's fictional Yoknapatawpha
Both of these authors’ short stories cover the changing south. Both of their short stories give us a profound impact on the thinking of these two men when it comes to their views of the south. Coming from different backgrounds this gives the reader a good view of what the overall picture of the south looked like at the time. Faulkner and Ellis disagreed about how differences were handled in the south and whether the changing south was good or bad, but they both of them agreed that the south changing was unavoidable.
Over the course of his decades-long career as a respected and influential man of letters, he also wrote an extensive collection of critical essays. In such piece, “A Southern Mode of Imagination,” he argues that the renascence of Southern letters occurred because of a shift in the way Southerners thought; a change from what he termed the extroverted “rhetorical mode” of tall-tales and politicking, to the introspective and hitherto primarily Northern “dialectical mode.” From his unique position as both a critic of the Renaissance and one of its vanguards, Tate posits that the antebellum Southern mind lacked the self-consciousness necessary to produce great writing because it was wholly occupied with defending slavery against the attacks of the North upon the ‘peculiar institution.’ The mind of the South focused outwards in response to those attacks, seeking to justify itself with one foot “upon the neck of a Negro Slave” ; that is to say, Southerners were rhetorical in defense of the indefensible. Their all-consuming and unwinnable defensive stance absorbed any potential for great literature even well after the cause was lost: Southern literature was practically non-existent prior to the publication of the first issue of The Fugitive in 1922. According to Tate’s theory, it was not until the South underwent a shift in its “mode of the imagination” that it was capable of producing writers like those of the Renaissance. Tate theorizes that this change occurred in part because the South ended its self-imposed isolation with the advent of World War I and “saw for the first time since 1830 that the Yankees were not to blame for everything.” The South’s mental energies were no longer entirely engrossed in resistance to Northerners ...
Growing up in Mississippi in the late Nineteenth Century and the early part of the Twentieth Century, young William Faulkner witnessed first hand the struggles his beloved South endured through their slow progression of rebuilding. These experiences helped to develop Faulkner’s writing style. “Faulkner deals almost exclusively with the Southern scene (with) the Civil War … always behind his work” (Warren 1310. His works however are not so much historical in nature but more like folk lore. This way Faulkner is not constrained to keep details accurate, instead he manipulate the story to share his on views leading the reader to conclude morals or lessons from his experience. Faulkner writes often and “sympathetically of the older order of the antebellum society. It was a society that valued honor, (and) was capable of heroic action” (Brooks 145) both traits Faulkner admired. These sympathetic views are revealed in the story “A Rose for Emily” with Miss Emily becoming a monument for the Antebellum South.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
W.E.B. Du Bois is a world-renowned American sociologist, historian, civil rights activist, and author whose life goal was to educate African Americans and whites about the realities of race by posing and answering the question, “How does it feel to be a problem?” On the other hand, William Faulkner is an American writer whose specialty in Southern and American literature won him a Nobel Prize laureate from Oxford. Faulkner’s Southern literature illustrated the difficulties of being behind a societal veil, with special attention to gender and racial issues. Both of these authors have attempted to tackle the difficult questions regarding race and addressed some ties between race and economics. Du Bois focuses on the black narrative and Faulkner
Growing up in the South, Faulkner gives a good perspective on what it was like for
In this book, and others of this series, it was commonplace to find sentences that stretched on for a page in order to create mood, multiple narrators, or short stories complicated with a stream-of-consciousness blather that was hard to understand. Therefore, readers had difficulty following these novels, and Faulkner’s popularity soon dwindled, that is until Malcolm Cowley wrote The Portable Faulkner, which contained excerpts from the Yoknapatawpha series, and made Faulkner’s genius evident to his readers. Shortly thereafter, many of Faulkner’s works were reissued and he became a literary giant, and was even awarded the Nobel Prize for Literature in 1949. Until death, Faulkner continued to create works of literature, including both short stories and novels.
William Faulkner was a twentieth century American author who won the Nobel Prize for Literature. Most famous for his novel The Sound and the Fury, Faulkner defines Southern literature. In his mythical county of Yaknapatawpha, Faulkner contrasted the past with the present era. The past was represented in Emily Grierson, Colonel Sartoris, the Board of Alderman, and the Negro servant. Homer Barron, the new Board of Alderman, and the new sheriff represented the present.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
Padgett, John B. "MWP: William Faulkner (1897-1962)." The University of Mississippi. 11 Nov. 2008. Web. 1 Apr. 2011. .
By reading closely and paying attention to details, I was able to get so much more out of this story than I did from the first reading. In short, this assignment has greatly deepened my understanding and appreciation of the more complex and subtle techniques Faulkner used to communicated his ideas in the story.
Heller, Joseph. The Chelsea House Library of Literary Criticism. Twentieth-Century American Literature Vol. 3. New York. Chelsea House Publishers, 1986.
William Faulkner born on September 25, 1897 to Murry Cuthbert Falkner, a railroad employee and Maud Butler, an amateur painter (Minter, 755). Faulkner was born in New Albany, Mississippi ; however, he spent most of his life in Oxford, Mississippi (Polk, 55). In Oxford, Faulkner began listening to many stories told at small family gatherings as well as large reunions. Many stories told by Faulkner’s family originated from adventures of Faulkner’s great-grandfather, Colonel William Clark Falkner . Since Faulkner was disappointed and embarrassed by the meager success of his own father, he drew closer to his grandfather, but it was his great-grandfather who he saw as a model and rival ( Minter, 755).
Faulkner utilizes his theme by creating a setting, which has interrelation with history context revolving around the idea of compelling change. The main aspect of setting is the Old South after the Civil War. Before the Civil War, Southern society consisted of a group of aristocracy and slaves. Onward to a post- Civil War period, forceful changes in the society arose. Many Southerners refused to accept that their conditions had change. They tended to cling to old values and customs. Death of Emily’s father marked the end of the old lifestyle. In contrary, entrance of Homer Barron represents the progress of civilization: "The town had just let the contracts for paving the sidewalks, and in the summer after her father's death they began the work. The construction company came with riggers and mules and machinery, and a foreman named Homer Barron” (31). Here, Faulkner illustrates that the new progress of changing era is destroying the old traditions of a dying age. The pr...