Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Shakespeare historical plays
Reading on antigone the character
Antigone character analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the play Antigone, by Sophocles, there are many characters with different and bold personalities that make up a fantastic Greek play. Ismene and Antigone are two of the main characters that have to make decisions under the rule of a merciful kings rule. Ismene is the perfect foil for Antigone because even though they are sisters, their personalities are different and they can be there own person while still supporting and helping each other through hard times.
With what one sister can’t contribute, they are so different that the other sister can. When Antigone and Ismene are faced with the decision of whether or not to bury their brother, Ismene isn't strong enough to disobey Creon. Because of this Antigone is forced to do it alone and Ismene is vowed to keep her secret. “Antigone: Will you help me? Will you do something with me? Will you? Ismene: Help you do what, Antigone? What do you mean? Antigone: Would you help me lift the body….you and me? Ismene: You cannot mean...to bury him? Against the order?”(507). In this moment Antigone is trying to get her sister to help her bury her brother. Since both of them are so different Ismene won’t because she is afraid of getting caught but Antigone is willing to face the consequences.
…show more content…
When Antigone gets caught Creon thinks Ismene had something to do with it, so when asked, Ismene tries to convince him she helped her sister. But Antigone won't let her because she knows her fate. “Ismene: I did it-yes-if she will let me do so. I am as much to blame as she is. Antigone: No that is not just. You would not lend a hand. And I refused your help in what I did. Ismene: But I am not ashamed to stand beside you. Now in your hour of trial, Antigone”(520). Even though Ismene didn’t help Antigone, she loves and respects her so much to risk her own life by confessing to something she didn’t
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
In the play Antigone by Sophocles, Ismene and the Chorus can be seen as the well meaning but silent people who don't take action in the story. Ismene is initially afraid of the punishment she could face if she is caught and she claims that she cannot disobey King Creon because “Women? Defying Creon? It’s not a womans place. We are weak where they are strong (10).” In this conversation Ismene states that women don’t have the right or power to defy the law or men, and women “must do what we [they] are told (10)” which is why she refuses to help Antigone. Ismene does not stand against authority to do what is morally right, which leads Antigone to bury her brother alone and doesn’t allow Ismene to take part in the punishment since Ismene wasn’t brave enough and doesn’t deserve the same fate as Antigone. Like Ismene, the Chorus is fearful of King Creon’s punishment and they do not speak against him because they respect him. The Chorus also sees Antigone as rash and disrespectful towards the king which is why they mostly side with the king. However, it can be seen that the Chorus sides with Antigone in part of the play because they see King Creon’s punish...
Eventually both Creon and Antigone are destroyed by the gods (and by each other) through their own actions. Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family.
In Antigone, by Sophocles, which centers around themes such as bravery in the face of death, civil unrest, and unyielding dedication to divine justice, it is easy to understand why Ismene’s character is often called cowardly, docile, and indecisive. However, this view of her undercuts the most basic facet of her personality, the one which is absent in Antigone — a will to live. With this in mind, Ismene’s personality is far one-dimensional, as there are certain traits she needs to embody in order to survive. She endured her tragic upbringing through rational thought and an optimism that others will do the same, all the while keeping her love for her unfortunate family intact. Though not fearless in the face of death, Ismene is a sympathetic character whose rationality, optimism, and loyalty are not to be underrated.
She reminds Antigone that they are the only family members left and pleads with her not to commit such a crime, but Antigone refuses to accept the logic in her sister’s argument and will not be swayed, even though the idea of her death clearly upsets her sister. Ismene later has a change of heart and wishes to die alongside her sister in order to honor the dead as well, she even confesses to Creon, but Antigone rejects her idea of being a martyr, saying that her own death “will suffice” (Sophocles 136). Ismene then imagines life without her sister. The idea of losing the only kin she has left on Earth terrifies Ismene. She pleads to Antigone, “what life is dear to me bereft of you?” (Sophocles 136). Ismene would rather die than live without Antigone. In deciding to give her life for her brother, Antigone neglects her sister, and acts selfishly. She therefore should not have signed herself over to death as it has severely negative effects on her only living
Antigone and Ismene, although sisters, are almost opposites. While Antigone is bold, proud, and stubborn, Ismene is timid, obedient, and scared. She warns Antigone that
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
In Antigone, unmoderated love is prevalent throughout the play, and it is best demonstrated in three main characters: Antigone, Creon, and Ismene. Antigone has a very strong love for her brother and the gods, Creon has an extreme love for power, and Ismene has a deep love for her sister, Antigone. Each of these characters suffers greatly because of this love, and as a result, they all suffer dire consequences.
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Her brother is her own flesh and blood, a part of her family that has the absolute right to be properly buried. Antigone’s conscience would not allow her to leave Polynices as Creon’s law bid, which she reveals when she tells Creon, “But if I had allowed my own mother's son to rot, an unburied corpse — that would have been an agony.” According to her moral compass, to respect and honor her brother in his death transcends the fact that she is breaking the law as well as the fact that she is a woman. She is willing to break gender norms by stepping out of her way to be resistant and do what she believes is right. This shows that this issue of burying her brother is so important to her that she defies such immense barriers. Ismene, on the other hand, believes that these barriers are exactly the reason why they should not defy Creon, even if she does not agree with him. To Ismene, her own brother is to be condemned to an afterlife of sorrow and suffering just because a man’s word made it
Antigone was not about to simply obey Creon’s absurd decree. She felt that her personal responsibility was to the gods and her family rather than the king. She then asked Ismene, her sister, to assist her with the burial, but was denied any help. Ismene justified her decision by telling Antigone that they were already punished and that there was no need to make matters worse for the two of them by defying Creon’s law.
In one of the opening scenes, the fluctuating emotions of the heated dialogue between Ismene and Antigone takes place. The two sisters take turns evoking passion and subjectiveness on their role as people in this world, but more specifically as civilians of Greece. Antigone has the mentality that she owes her duty of being an obedient family member (Johnson 370). Likewise, Ismene fears for her sister’s life and tries to persuade her that her allegiance may lay too strongly in the wrong place. Both women ultimately value family, however, they are split between whom they are most considerate to and immediately cause the audience to take sides.
At this time, the reader begins to feel sorry for the two sisters. They have lost their father and their two brothers, all at the same time. Later in the conversation, the reader learns that Antigone has a plan to bury her brother Polynices and that she wants Ismene to help her. Ismene is scared to do this because the new king, Creon, has issued a decree that says that any person that attempts to bury the body will be sentenced to death. The fact that Antigone is going to attempt to bury the body creates fear in the reader.