While reading fiction stories, we frequently wonder who is telling the story. Fiction stories are told by a character called a narrator. They can either narrate in first-person, second-person, or third-person which give readers different perspectives of stories. The styles of narration used in the following three fiction stories present how narrators can affect a reader’s analysis of the text. In the story “The Cask of Amontillado,” Edgar Allan Poe uses first-person narration. First-person narration allows readers to analyze a story through the lens of the main character, making them assume the thoughts and feelings of other characters. Montresor, who is the voice of the story and the story’s protagonist, solely focuses on his point of view. Montresor’s …show more content…
“A Rose for Emily,” is a story by William Faulkner told by a third-person point of view. The narrator begins the story by saying, “When Miss Emily Grierson died, our whole town went to her funeral.” (308, par. 1) The readers automatically see that the narrator is an omniscient narrator, having access to the thoughts and feelings of the other characters in the story. The narrator refers to Emily Grierson as “Miss Emily” which cause readers to believe that the narrator was either an old lover, a close friend or someone who just watched her. Throughout the story, the narrator constantly uses the pronoun “we”, until the day Miss Emily died. The narrator says, “They waited until Miss Emily was decently in the ground before they opened it.” (315; par. 56) The narrator changes to the third-person pronoun “they” which proves that he or she must have been someone close to Miss Emily that had enough respect for her to not break down the door to the room they were going to search. The use of third-person narration hides the identity of the narrator which leaves readers with an open-mind, making assumptions about the identity of the
The mood established by Edgar Allan Poe in his short story, "The Cask of Amontillado," plays a crucial role in conveying to the reader his underlying theme. For example, when Montresor, the narrator, st...
Montressor had said “In pace requiescat!”, but rest in peace Fortunato did not. As Fortunato took his last breath he heard Montressor yell his name and then leave. A strange sensation then came over Fortunato and he could sense the energy flowing out of him, a rising feeling held him above the ground as he became a restless spirit. He thought to himself “Why am I not allowed to go? What must be keeping me here?”, and then recalled that it was Montressor that had done this to him, Montressor that had led him into the vaults and then sealed him up to die of pneumonia. Revenge, that was what had drove Montressor to murder, and what was keeping Fortunato in the mortal world. Fortunato realized that he must find Montressor, and exact his revenge before he would be able to pass over. And down there, in the deepest, darkest vault, he planned his revenge.
In William Faulkner’s short story “A Rose for Emily”, readers are introduced to Emily Grierson whose character was highly respected in her society but for some mysterious reason fell off the grid. The other people in her community became curious as to what was going on in her life and any effort to find out the truth had proved to be futile. This journal seeks to show the narrator’s view of the Miss Emily’s story, as the narrator would refer to her due to the first person plural point of view the story was written in. Consequently, the sense in telling the story should be noted, as denoted by the title and why he would constantly use “we instead of “I”. Furthermore, the journal shall assess the effects on the overall story and the character of the narrator.
Set in an unspecified Italian city and an unidentified year, the Cask of Amontillado is a short story that majorly revolves on revenge. Written by the much-celebrated literary expert Edgar Allan Poe, the short story is centered on the narrator who is hell bent exerting revenge on a friend who caused him great pain.
In order to fully understand Poe’s use of the narrator the two previously mentioned stories must be summarized. "The Cask of Amontillado" is a tale about the narrator, Montresor, who desires to act revenge on his acquaintance Fortunato. He lures Fortunato into his basement in order for Fortunato to examine a rare wine called an Amontillado. While in the deep crypt Montresor offers Fortunato more and more wine so that by the time Fortunato gets to the area where the cask is kept he is heavily intoxicated. Montresor then chains Fortunato to a stone and begins to build a wall, trapping Fortunato inside the crypt to die while Fortunato screams and pleads for his life. Montresor, hearing his pleas for mercy and life, ignores them and continues to build the wall knowing that no one will ever find the body of the unfortunate Fortunato.
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
In "The Cask of Amontillado," Edgar Allan Poe uses several different artistic choices in the construction of the story. He manipulates the story to be the way he wants it to be by using the point of view of the narrator, the setting, and a common monotonous sentiment throughout. Poe is successful in maintaining a "spirit of perverseness" that is prevalent in most of his works.
In “ A Rose for Emily”, William Faulkner tells the complex tale of a woman who is battered by time and unable to move through life after the loss of each significant male figure in her life. Unlike Disney Stories, there is no prince charming to rescue fallen princess, and her assumed misery becomes the subject of everyone in the town of Jefferson, Mississippi. As the townspeople gossip about her and develop various scenarios to account for her behaviors and the unknown details of her life, Emily Grierson serves as a scapegoat for the lower classes to validate their lives. In telling this story, Faulkner decides to take an unusual approach; he utilizes a narrator to convey the details of a first-person tale, by examining chronology, the role of the narrator and the interpretations of “A Rose for Emily”, it can be seen that this story is impossible to tell without a narrator.
The narrator is the person telling the story and can range from one to several, within a single story. How the author develops the narration will direct how their work is perceived by the reader. The narrator can present the story reliably or dishonestly, from a compelling view to an ironic view. The author can lose or gain pertinent information simply by changing the narration. Narration is a guide for the reader “…it requires the invention of a narrator,” Diane Middlebook said, “who serves as a contemporary guide to the materials of the book…” (Middlebrook). The narrator of a story is fundamental to the reader’s understanding and, any changes to the narration can change the stories understanding entirely.
Poe is credited for defining the modern short story. In “The Cask of Amontillado” by Edgar Allan Poe, he tells a tale of revenge. The story begins with Montresor, our narrator, stating that Fortunato, his enemy, has insulted him and how he seeks revenge. It continues by describing how Montresor leads Fortunato to his death by using reverse psychology and alcohol. “The Cask of Amontillado” conveys an eerie mood to its audience through dialogue and descriptive details.
renovating a palazzo his men found the bones of a human. When I got to
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
The first literary device used by Poe in his short story “The Cask of Amontillado,”
First person narration "can evoke a stronger emotional attachment with readers; from the first instance, the reader connects with the main protagonist. It is his/her voice, thoughts and feelings being portrayed, therefore, this is the person the reader is most likely to bond with" (Wright). This first-person style of narration establishes a more personal connection between the reader and the narrator, who in this case is also the main character. In "The Cask of Amontillado" the narrator often talks to the audience in a very familiar tone, as if he knows the reader: "You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat" (Poe, 617-618). This is one of the first lines of the story, but it is spoken as if the narrator were good friends with the reader. This proverbially allows the narrator to open up right away and tell his story fully and in detail.
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.