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The Movie "M" by Fritz Lang is the story of a serial killer and the reactions to his presence by the public and the police. It is Fritz's first sound film and I will be talking about some shots from the Chapter 3.
At the beginning of the shot, there is off-scene noises, it sounds like a guy voice. It is after that the image comes up that you can see that it is a little boy running in the street to sell his newspapers. You can hear footsteps, but they are not as loud as it is supposed to be when someone is running at that pace. He gave newspapers to only two people. After the first young boy left the frame, two other boys came and the tone on their voices got louder and more aggressive. You could also hear their footsteps more clearly and with
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You can still hear people from the street but as an off-scene noise and it shows how close the murderer is from everyone, yet no one knows where he is. Lang uses off-screen sound throughout to explore danger beyond the frame of the film. He is smoking a cigar and is whistling. His whistle has a nice tone. The whistle shows that he is calm. He is also writing a letter to be published to the Press. People are usually anxious when they are writing about something dangerous (talking about the police) but he is not, he is calm and smoking which is showing no regrets or remorse about what is happening. The whistle starts from being loud and nice to slowly less quiet and unpleasant towards the end of his letter. He is getting anxious towards the end of the letter which explain why the whistle is slowly stopping for seconds to get back one. At the very end of end of the letter, the whistle was very fast and even faster than the beginning. The whistle linked with a wicked deed, and we are left impatient to discover the details of the crime it announces, it stands for a moment of …show more content…
It is to show that they all frightened that this might happen to their children. There is however a noise which is coming from the next shot. Lang had to show the two sides: the people in front of board worried about their children and the other people, the ones around the table, smoking cigars and laughing about the matter. You could not hear certain noise like the cigars burning, the some of the men talking while he was reading because Lang wanted to show how serious the problem was. There was a long pause before the first man with the glasses started to talk. They were talking not loud and it gradually starting to get louder and the tone in their voices got more aggressive. The guy that was reading the newspaper put the cup down and it made a really strong noise. That is when the other guy got up and the sound of his voice got louder. Lang wanted us to understand that things were getting heated and that they were about to
The movie “The Public Enemy (1931)” revolves around the lives of two young men who venture into crime despite having solid background and support of a solid family. In particular, the movie focuses on the family of Tom, his brother Mike and their ever loving mother. The description of the mother in the entire movie as a doting parent illustrates the type of love that defines a family. In all the scenes that the mother is involved, the movie portrays a family as a haven of love, care and concern as the woman gets to show her sons the life she wants for them.
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
As the paradigm in which this curiosity is exposed inhabit the human being, that voyeurism that uncounted of us have inside. Hitchcock is able to use this element to catch the spectator, building a devilish and fascinating tale of suspense set in a microcosm. In which there reflects the intimate and daily life of the current man, where the protagonist observes from his window. The viewer sees what Jeff (the protagonist) observes, has the sensation of being the protagonist, observing through his window.
Fritz Lang's Metropolis is a very powerful movie with various underlying meanings that allow the viewer to determine for himself. The movie itself is extremely difficult and hard to follow, although the essay "The Vamp and the Machine: Technology and Sexuality in Fritz Lang's Metropolis" written by Andreas Huyssen provided many helpful insights to aid in understanding the movie. Many of Huyssen's idea's are a bit extreme, but none the less the essay is very beneficial. His extreme views include ideas of castration and how it relates with the female robot, and sexulaity and how it relates technology. Although these ideas are extreme he does also provide many interesting ideas.
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
Griffin explores Heinrich Himmler and the secrets that are hidden within him. Throughout his childhood Himmler’s secrets and thoughts were hidden, overshadowed by a mask or barrier formed by his upbringing and culture.
The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals, 3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart’s focus shifts and 7)Kim Novak’s characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the reaction shots (point of view shot) which are seen through the eyes of the main character.(1st person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic (technical) film form of Vertigo makes the film much more enjoyable. The stylistic film form includes camera movements, editing, sound, mise-en-scene and props.
Andreas Huyssen. “The Vamp and the Machine: Technology and Sexuality in Fritz Lang’s Metropolis.” New German Critique: and Interdisciplinary Journal of German Studies. (1982)
Sound is an important element in Hitchcock's techniques. This created and amplified the suspense in the scene tremendously and it was a way to express character emotion. He uses surrounding sounds to amplify whatever
A request by the local newspaper to interview Karl before he is released is approved and he is escorted through the clinical white corridors of what he calls the ‘nervous hospital. Karl gives his detailed story of how he murdered his mother and her lover to a trainee journalist from the local newspaper. Karl waits outside the room, the fluorescent lights in the room are turned off and a ...
The genre of a film is very important as it draws the viewers into worlds different from the life they experience on a daily basis. In this paper I will be discussing several scenes in a movie (World War Z) that includes both thriller and sci-fi genre, and the stylistic elements used in this film. Thriller is one of the major film genres, it includes suspense with continuous movements and physical actions such as fights and battles. While sci-fi is mostly related to the science based and relates with the imaginative aspects such as aliens, zombies, advanced technology and several things that we are not used to seeing or hearing about on a daily basis.
That shot starts with a band commencing their next song, and Lisa and Lieutenant Leopold enters the frame, where the camera starts tracking them. In the foreground, the band continues to march while Lieutenant Leopold breaks the news to his uncle in the background. At this point, the audience do not get to hear what Lieutenant Leopold said to his uncle. Lieutenant Leopold and his uncle then leave the frame, as the last band member does the same. Only now do the audience hear what the characters say, and as Lisa and her parents are talking, the camera tracks in from a wide shot to a mid close up of the three of them. The shot then ends with a dissolve, back to Stefan Brands (Louis Jourdan) reading the letter.
prisoners, the audience shares in the daily life of the condemned before the massacre perpetrated on
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Whistle- in the beginning of the movie, there is a young boy who is running a Fedex package to the protagonist. As the kid runs through a bordered area, an officer blows a whistle at the boy. Whistling is non-verbal communication but it shows that the officer wants the boy to slow down.