In Joseph Conrad's book, Heart of Darkness, he portrays Africa as dark and uncivilized. Because of Joseph Conrad's upbringing in conservative 17th century Europe, his portrayal of Africans was negative whereas, Chinua Achebe's identity as an African 20th century author shined a radical positive light on the African stereotype. Joseph Conrad stifled the African struggle by portraying Africans as a stereotype and only including them as flat characters. Where as Achebe wanted to give a voice to the previously misunderstood African culture, by portraying the main character Okonkwo as a vivid round leader. Each story was written to teach the reader about the hardships of colonization. Both however, have contrasting point of views.
To grasp an
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Since he grew up in Nigeria, Achebe had a solid understanding of his own heritage and history. Although he attended school in London, that didn't make his proud African roots fade. Being an educated man, Achebe read several books about the hardships of colonization, in all books there was a common similarity; the portrayal of the Africans was flawed. In all the books the Africans were written off as animals and savages. Achebe wanted to change the poor representation of Africans during colonization. His goal was to change the misleading stereotype that the authors who came before him once made. Achebe once said, "See other human beings as human beings." This quote showcases the foundation of the goal Achebe was trying to reach while writing Things Fall …show more content…
That is why he made a powerful native African the main character of Things Fall Apart. In the text it states, "Okonkwo was well known throughout the nine villages and even beyond. His fame rested on solid personal achievements. As a young man of eighteen he had brought honor to his village by throwing Amalinze the Cat. Amalinze was the great wrestler who for seven years was unbeaten." Achebe writes Okonkwo's character as if he is a hero to his village. He makes Okonkwo a very strong round character which helps support Achebe's goal of bringing awareness to the people of
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
Okonkwo is on two ends of a stick. Sometimes he can be shown to be a caring, sympathetic character, but others he is shown as a ruthless person that is very unsympathetic person. Okonkwo is a man of action that would rather solve things with his fists rather than talking it out. He is a great wrestler hailing from the Umuofia clan that has thrown Amalinze the Cat. Okonkwo is also a very good farmer, where he has been able to grow two barns worth of yams. He is someone that doesn’t know how to control themselves when they get angry as he will then resort to violence. Okonkwo’s family relationships make him a sympathetic character because of his caregiving nature and hospitality and he is shown to be an unsympathetic character because of his
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
Okonkwo, a fierce warrior, remains unchanged in his unrelenting quest to solely sustain the culture of his tribe in the time of religious war in Achebe's book, Things Fall Apart. He endures traumatic experiences of conflict from other tribes, dramatic confrontations from within his own family, and betrayal by his own tribe.
Overall, Okonkwo is a crucial part to the story Things Fall Apart, for he represents African culture, and helps demonstrate how colonization can change everything. Through this book we see how colonization changed history, and how it is important for groups, tribes, societies to stay together in times of invasion, in order to protect their own customs and traditions; and how crucial a sense of unity would've been for the Umuofian tribe. Okonkwo was the sense of unity of the tribe, doing everything he could could to protect it. His collection of honorable titles, his love for his tribes culture, his drive and passion, and even his booming pride all contribute to his district character, a true hero in my eyes.
However, their success is subjective because they destroyed African culture in the process. Ultimately, Achebe is successful in delivering his political views, but he does so by encouraging open-mindedness and cultural relativity instead of forcing his individual ideals upon his readers. The characters in Things Fall Apart are not black and white: they are flawed, redeemed, frustrated, assertive, violent, reasonable, and genuine.... ... middle of paper ... ...
Achebe writes Things Fall Apart to revise the history that has been misplaced. He writes to the European and Western culture. This fact is evident because the book is written in English and it shows us the side of the African culture we wouldn’t normally see. Achebe is constantly ...
Every story has a plot, but not every story has a deeper meaning. When viewed superficially, Joseph Conrad's Heart of Darkness is a tragic tale of the white man's journey into the African jungle. When we peel away the layers, however, a different journey is revealed - we venture into the soul of man, complete with the warts as well as the wonderful. Conrad uses this theme of light and darkness to contrast the civilized European world with the savage African world in Heart of Darkness.
In the novel Things Fall Apart, Okonkwo is portrayed as a respected and determined individual whose fatal flaw eventually works against him. Throughout the novel the readers are shown that Okonkwo has many of these Characteristics because he is obsessed with the idea of becoming just like his father. This becomes his flaw in the novel that puts him into exile and makes it hard for him to adjust to the changes that were made with in his village.
In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a novel, Things Fall Apart: an antithesis to Heart of Darkness and similar works by other European writers. In Things Fall Apart, Achebe tells the story of an Ibo man, Okonkwo, and the tragedies which he has to endure. Africans are represented as individuals capable of speech, not just one massive conglomerate of natives. Their customs are not regarded as eccentric or bizarre, but as the norm-functioning no differently than the variety of Western customs do. And the land itself is described as a mix of towns and farms, not a mysterious land which breeds insanity. In almost every respect, Things Fall Apart contradicts the stereotypes set up in Heart of Darkness.
Before the arrival of the Europeans, Achebe did a excellent job portraying how the life of Igbo was before they were forced to oppose their own culture. To support this theme, Achebe included detailed descriptions of social rituals within each family, the justice system, religious practices and consequences, preparation and indulgence of food, the marriage process and the distributing of power within the men. Achebe shows how every man has an opportunity to prove himself worthy to achieve a title on the highest level, based merely on his own efforts. One may argue that the novel was written with the main focus on the study of Okonkwo’s character and how he deteriorates, but without the theme that define the Igbo culture itself, we would never know the universe qualities of the society that shaped Okonkwo’s life. The lives of the Igbo people was no different to the actual lives of the Ibos people back in the early days of Africa. Just like in Things Fall Apart, in actual African tribes there was never a ruler. “Very interesting thing about these villages is that there is no single ruler or king that controls the population. Decisions are made by including almost everyone in the village” (AfricaGuide). Using the theme, Achebe educated readers on by mirroring real African life in her
Okonkwo was well known throughout the nine villages and even beyond. His fame rested on solid personal achievements. As a young man of eighteen he had brought honour to his village by throwing Amalinze the Cat. Amalinze was the great wrestler who for seven years was unbeaten, from Umuofia to Mbaino. He was called the Cat because his back would never touch the earth. It was this man that Okonkwo threw in a fight which the old man agreed was one of the fiercest since the founder of their town engaged a spirit of the wild for seven days and seven nights. (3)
Unfortunately, the clash of the cultures that occurs when the white man's missionaries come to Africa in an attempt to convert the tribal members, causes Okonkwo to lash out at the white man and results in his banishment from the tribe. Okonkwo had a bad temper which he often displayed: Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear of failure and of weakness.
Achebe’s main point is as much of Joseph Conrad’s racism but more of Western society’s need for change. We need to look beyond the stereotypical image that which the West holds “to its heart.”[pg.8] We must look in today’s society, today’s media and books read in schools. We must realize that “offering bribes to the West in return for its good opinion of Africa” [pg.9] is preposterous. He sees now as the time for change. He doesn’t but blame of Conrad but on western society. “The victims of racist slander who for centuries have had to live with the inhumanity it makes them heir to have always known better than any casual visitor even when he comes loaded with the gifts of a Conrad.”[pg.9]
In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. He claims that Conrad broadcasted the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (Achebe 13). Africans were portrayed in Conrad's novel as inhuman savages with no language other than sound and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (Achebe 7). To Joseph Conrad, the Africans were not just characters in his story, but rather props. After reading Achebe’s famous essay and Conrad’s novella I’ve come to side with Achebe. Conrad “was a thoroughgoing racist”; Heart of Darkness platforms this clearly. Throughout the novella Conrad describes and represents the Africans and Africa itself in a patronizing and racist way.