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Where are you going? where have you been
Where Are You Going? Where Have You Been? symbolism
Literary analysis of where are you going, where have you been
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In Joyce Carol Oates’, “ Where are You going Where have you been,” it was a sunday morning when Arnold continues another one of his daily routines. The main girl, Connie, is a self-centered and shy girl, whose mother is always puts her in the background and makes her feel excluded. For instance, her mother says rude comments like “you think your so pretty” and “you don't see your sister using that junk” (1). Then a guy came into her life. “Where are You Going Where Have You been illustrates a man who uses charms and good looks to get young or middle aged women to satisfy himself, but with this one girl he has some trouble along the way. Arnolds uses his charms and good looks when he enters to start off his adventure. It is clear that Connie enjoyed …show more content…
The first example of threatening her is when he says “Connie, don't fool around with me. I mean- I mean, don't fool around(7).” He starts to make Connie feel scared and nervous. He refuses to let her go and for them to leave. It seems as if he is on a mission to capture as many women as possible such as the numbers might represent. In the same way, it seems as if connie is letting him because she is lonely and she did catch his attention. Arnold portrays a guy who knows how to persuade people and then when he doesn't get his way it leads to violence. His personality and tactics are different from a normal stalker or stranger. At one point in the story he mentions how he is going to “come inside[her] where it's all secret and [she'll] give in(8),”. When he said that he was finally labelled as a kidnapper, rapist, or still a stalker officially. Connie knew what was going to happen and she wanted to do something but she couldn't. All the things Arnold says and does didn't help him in the long run because he had to turn into the mean old man or eighteen year old, like he said, and it ruined his chance of being able to capture
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Arnold Friend takes advantage of Connie’s teenage innocence for something of a much more sinister purpose. Connie thought she had it all figured out until Arnold Friend came into her life and up her driveway on one summer, Sunday afternoon and made her realize how big and scary the world can be. Arnold embodies everything that Connie has dreamed about in a boy, but is in the most malevolent form of Connie’s dream boy. She always wanted to get away from her family because she has always felt as if she didn’t belong and Arnold can make this possible just in the most predatory way. She always thought sex would be sweet (and consensual) and that she would be in charge of how it progressed, Arnold strips her of the authority she’s held in any other encounter with a boy. The moral of the story is always be careful what you wish
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
When approached by Arnold Friend at first, she was skeptical but was still charmed by him. As she began to feel uneasy, Connie could have used her intuition to realize that he was trouble. Once she had been engaged by Arnold, her life was over. The influences on Connie and her lack of instilled reasoning led to her down fall. Her family’s fragmented nature was echoed in her actions; consequently, she was unable to communicate with her parents, and she was never was able to learn anything of significance. She felt abandoned and rejected, because no one took the initiative to teach her how to make good decisions. Connie was unable to mature until she was faced with death and self sacrifice. In the end, her situation made it difficult for her to think and reason beyond the position she was in. By not being able apply insight, she fell into Arnold Friends lure. Misguidance by the parents strongly contributed to Connie’s
Each stage of Arnold Friend’s unmasking and Connie’s resulting terror and growing hysteria is carefully delineated. When Arnold first arrives, Connie cannot decide “if she liked him or if he was just a jerk.” The reader becomes more suspicious than she does as she notices his muscular neck and arms, his “nose long and hawk-like, sniffing as if she were a treat he was going to gobble up and it was all a joke.” Gradually, Connie realizes that all the characteristics she “recognizes” in him dress, gestures, the “singsong way he talked” do not come together the way
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
Connie had two sides to her character. To begin with, Connie possesses distinctive personas relying upon the setting she ends up in; at home she is one individual, with her companions she is another. Moreover Arnold Friend's personality is conflicted. He introduces himself as an adolescent kid, yet over the span of the story it turns out to be evident that his outward character is a façade concealing something substantially more evil and the other is he can be viewed as the fiend incarnate. Then again Arnold can be interpreted as only an invention of Connie's creative
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
Arnold Friend is an important character in Connie’s story because he is one of the main reasons she goes undergoes a change. In short, while Connie is going through a teenage phase of exploring sexuality, he comes to Connie’s house to take her with the intention of raping her. More importantly he is portrayed with some of devilish appearances and behavior, to stress the idea of the situation Connie has gotten into and the meaning of her transition. The devil archetype is seen as an evil character that embodies devil characteristics as well as tempting the protagonist with things that will ruin their soul. Thesis Statement!!!! Some evidence that Arnold Friend is the devil incarnate are the facts that he does not cross threshold, he seems to be all-knowing and he has to tempt and persuade Connie to leave with him.
Most women at that time felt belittled within their homes and by their spouses, the father in Oates story is a typical patriarch with him being “away at work most of the time and when he came home he wanted supper…” (p. 1). Women started questioning what their role in society and the role that their gender played in their lives. Most affected and discussed by this social revolution were adolescent girls and the struggles that many endured as they lost their sexual innocence that transitioned them into adulthood. Thus, Oates recognized the social upheaval on “Where are you going, Where have you been?” and the protagonist named Connie was realized and the model of womanhood realized as June, Connie’s sister, with her being “ plain and chunky and steady...” A story very much about the women of the 1960’s as it revolves around Connie’s transitioning into adulthood and the questions and struggles she goes through in between as a representative of the new rising culture. The revolution made many young women very vulnerable then, the vulnerability in which Arnold Friend preyed on and saw within Connie. One of the cause for Connie’s vulnerability was the constant criticizing of her mother for failing to uphold the views of her time, for not being like
The external conflict in Oate’s story, Where Are You Going, Where Have You Been, is when Connie meets this mysterious stranger named Arnold Friend. Connie first comes across Arnold when she is hanging out with a boy named Eddie. The second time she glances at him he says, “Gonna get you, baby” (p. 7). She ignores him and continues enjoying her date with Eddie. Soon enough, when Connie’s family left for a barbeque and she stayed home alone, she heard a car pull up on the drive way. Arnold then initiates conversation with Connie and asks her if she wants to go for a ride with him. She rejects his offer because she has no idea who this “Arnold Friend” is, yet he keeps insisting, “Don’tcha wanna see what’s on the car? Don’tcha wanna go for a ride?”
Arnold Friend imposes a devilish and menacing pressure upon Connie, who ultimate gives in, like a maiden entranced by a vampire's gaze. His appearance, sayings, and doing all combine to form a terrifying character that seems both reasonable and unlikely at the same time. There are people like Arnold Friend out there, not as incoherently assembled, and still he seems an extraordinary case of stalker. A small and even insignificant aside about his name, Arnold Friend, is that with the R's his name would read A'nold F'iend, or "An Old Fiend" i.e. the devil. But, regardless, Arnold Friend is very precisely portrayed as a corrupter of youths and a deflowerer of virgins. Without his useless sweet-nothings or his strange balance problem, he would come across less dangerous and alluring.
This short story is about a girl trying to be an adult while still being a child. In “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie tries to grow up too soon. Through setting Connie’s true self is revealed by characterization and figurative language through the house as a metaphor.
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew