What Pushed Me to Pursue a Career in Fine Arts

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I am a freckled, Caucasian, red-haired, Lutheran and Catholic mix, small town, and middle-class girl. My mother’s side shows their traditional Catholicism by attending church every Sunday in classy, elegant attire. My father’s side is loud, supportive, and flamboyant. I was raised on old-fashioned family values and the idea of money being a tool to help achieve goals.” My father’s family was generally lower class his whole life, and now he is always working very hard to give my sister and me endless opportunities. My mother’s side was middle class with conventional values and lifestyle attributes. My parents, Tony, a hard working mechanic, and Tanya, a Bennie accountant, own a greasy car repair shop just outside of town, and the only employees are family and friends. I am proud of my Norwegian, Scottish, German, and non-Irish heritage. Even though my hair is an “Irish” red, I am not the slightest bit Irish. In fact, red heads are considered unlucky in Irish culture. This typecast is one that I have had to overcome since elementary school. Although there are no negative implications attached when people assume I am Irish, it is bothersome to have to correct someone on something he or she knows nothing about. I went to a public, non-diverse, local school in Lakeville, Minnesota. My high school education was the most traditional time in my schooling because of fine arts budget cuts. These cuts proved to be the strongest “push” for me to pursue a career in the fine arts.
One specific teacher in my public instruction pushed me further using negativity. My passion for music started in 5th grade beginning band. She was a phenomenal elementary director, and music quickly became my favorite subject. Elementary and middle school swiftly p...

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... music appreciators. If I was more outgoing, I might have a further diverse friend group. Musicians stereotypically come from middle class and upper class families because of the instrument and sheet music requirements. Most intermediate instruments costs $1000 and above, and one flute concerto with piano accompaniment costs $35. It is tough to be diverse in different cultures because of the standard musician’s time commitment. Generally, a musician has ensembles five or six times a week for one hour, lessons for one and a half hours, and independent practicing for 10-15 hours a week. Most of my life I have been surrounded with Caucasians because of the lifestyle choices my parents and I have made. When I complete my education and go out into the world, I will have a close-minded view on race and culture because I have not had many opportunities for such diversity.

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