Batman: The Killing Joke is a 1988 DC Comics one-shot graphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides an origin story for the supervillain the Joker, loosely adapted from the 1951 story arc "The Man Behind the Red Hood!". Taking place over two timelines, The Killing Joke depicts the Joker attempting to drive Jim Gordon insane and Batman's desperate attempt to stop
We always called this brave hero, Batman. Few knew his real identity, and they have reframed from sharing this information with the public, even as police commissioner, I James Gordon, never knew his real identity.
In the film The Dark Knight, the Joker is one of Batman’s most dangerous enemies whose aim is to push Batman to his ultimate limits, to break his personal rules, and the strict moral code. This, being the joker's only reason to live, he has no fear of death or pain. The
You need to be ready to follow this rabbit hole, and damn does it fall deep. Batman is held in a high-level prison cell, it's junk and it looks like visitors are rare. Something has turned the Joker good and Batman bad, however, what makes this so good is you'll understand and sympathize with Mr. Napier.
Somebody who had established higher power in their community. Somebody who tried to run from fate, and has the moment of recognition and understanding of their destiny. Batman. Even though he is considered the strong and powerful superhero of Gotham City, Batman's characteristic features show that he relates strongly to that of a "tragic" hero. In the beginning, the Batman is presented at a higher state of appreciation, even though the police see him as a vigilante. Despite his wealth, Batman, otherwise known as Bruce Wayne, is easily relatable to audiences, which makes it easy to sympathize and empathize with the character. Batman is in a constant battle within himself, trying to be the good guy, while defeating the bad guys. His morals prove true when he admits that he won't kill any of the many villians that cause destruction for Gotham City. But, because of this moral, sometimes the villians end up escaping and doing more harm then good. In the end, this interal chaos and internal battle is seen interally and externally through Batman. At the end of the most recent Batman series, The Dark Knight, his exit at the end of the movie is, in essence, his figurative death. Bruce Wayne wants to keep Gotham City safe. And with the "Batman" gone, villians will be least likely to continue to destroy and conquer. As an audience, we cling to the edge of our seats and feel dismay for our beloved superhero and what is to become of
Unfortunately, as the most frustratingly clueless and underachieving superhero ever conceived, Superman would probably lose.
That is a reason why he is fighting against Batman. This is seen when he said “I don’t want to kill you.” to Batman. Because Batman is a hero everyone thinks that Joker is bad. But that is wrong. Even though he kills people he is doing it for justice but Batman thinks that joker is killing innocent people which creates confusion between him and Batman. This shows that Joker is a true vigilante because even though there is a big barrier in front of him, he will never stop trying to fix Gotham City.‘Joker kills people, that is why Batman is fighting against him.’ This statement is wrong because there is secrets behind him and he always thinks that Gotham city should be fixed.
Batman (Christian Bale) is hoping to hand on his crime fighting duties to D.A Harvey Dent (Aaron Eckhart) yet when Batman’s cards are on the table the twisted mastermind who goes by the name of the joker (Heath Ledger), forces the masked vigilante to go against everything he ever stood for.
When comics were first coming out, they were not all that popular but in todays’ world, they have become very popular and well known. Several of these comics have been turned into films, which is one of the many reasons why the popularity has been rising over the years. One of the most well known comics is Batman: The Dark Knight Returns. This comic was composed and released in 1986 by Frank Miller. With the usage of Frank Miller’s powerful, intense lines and the artwork done by Klaus Janson’s and Lynn Varley’s it has elevated this comic up to the very top of mainstream comics. In Batman: The Dark Knight Returns, the skillful illustrations on the pages successfully create the thought that there are underlying meanings, which makes the atmosphere a very intense one throughout the comic. The work of art that is presented on the pages in this comic are embedded in such a way that the pages become the continuum for the meaning. One of the main themes that are imbedded on the pages through the artwork in this book is the ideological struggle between Bruce Wayne and Batman.
Why so serious? If I were to ask you that question six months ago, you wouldn’t understand the phrase. Now that The Dark Knight has been made though, most people will understand what I am talking about. Ever since The Dark Knight was created, the joker has been thrust back into the public eye. Most people only know the joker from the performances of Heath Ledger in The Dark Knight and Jack Nicholson in the 1989 film Batman. Most people forget that the Joker has been a villain since 1940 in Batman #1 (spring edition). The Joker has been reinvented every decade since his first appearance. He started off as a homicidal maniac, then a criminal that was just a harmless nuisance to becoming a mass murdering, schizophrenic clown that we know today. He has been named number one on the Wizard’s list for one hundred all-time villains. In this speech I will tell you how the joker was created, the criminal career of the joker, and trademark characteristics of the joker.
Dealing with a grieving adolescent is hard, but as with most human beings, the loss is
Batman was created after Detective Comics (D.C.) wanted a new super hero to follow-up after Superman. In May of 1933, Bob Kane and Bill Finger created Batman. Bob was born on October 24, 1915 and died November 3, 1998. Bill was born February 8, 1914 and died January 1974. Bill always loved comics as a child and still when he went to high school at DeWitt Clinton High School in the Bronx New York. He and Bob went to the same high school but never socialized because they were in different classes. Bob meet Bill when Bill was working as a shoe salesman. They worked on many comics together for kids comic books and local newspapers. When they found out that Detective Comics (D.C.) wanted a new super hero they went to work. One day Bob came to Bill with a character, Batman. Bill liked the idea but said it looked too much like Superman. The original illustration had a Robin style mask and red outfit. So Bob took a Webster’s Dictionary and found a picture of a bat. He added bat ears to the mask, giving the full mask a more mysterious look. He changed the colors to black and yellow and added a cape that was cut like bat wings. When writing the comics Bill made Batman’s personality a...
No matter how you look at it, Barbara Gordon got fucked over. As Batgirl, after Oracle, and just as a character in general, with the final punch being Alan Moore and Brian Bolland’s 1988 Batman: The Killing Joke. The comic itself is revolutionary, and such a staple of the community that it’s even become part of the curriculum for many a “Comics 101” course. Not that there’s a problem with that – because the book itself is full of amazing art, it defines the Joker as the character we know today and shows him in a moment of weakness, and it sparks constant debate about itself, usually regarding the ending. Yet what should be discussed about the book usually never is, and it’s one
Specifically when he says, “Nobody panics when things go to plan, even if the plan is horrifying” (Tryee, 2009). The Joker said this when he was talking to Harvey Dent. He was giving him a speech before he blew up the hospital because he knew if he did not change his mind about who the real killer was, then he would surely die next. The Joker murdered Harvey’s girlfriend Rachel, so avenging her death is what Harvey wants to do. The point of his speech was to change the direction of the blame. Everyone is to blame except himself for the death of Rachel. The blame is on society. Suggesting that Rachel was going to die anyway and that she was not important enough or people to actually try and stop the chaos. His persuasive words work on Harvey and he becomes the murderous “Two-face”. Honestly, his mental issues are what persuade and scare Harvey into listening to him. I want to find a pattern, or a common motive from The Joker, but taking innocent minded people and turning them into monsters strays away from what I think the real purpose
Batman and police commissioner James Gordon try to rid the Gotham of organized crime while combating the rise of the menacing and terrorizing psychopath villain, the Joker. (uci.edu) It’s important to take notice of the other clowns featured throughout the movie as well as their roles in the heist. This is crucial and singles the Joker out as the odd man.
In the inky blackness, glistening lights shone bright. Making it easy to see the towering buildings of Gotham City. Overlooking the glittering city, stood the dark brooding hero known as Batman. His black, slick cape billowed with the breeze, as his alert eyes watched for trouble. His costume was charcoal gray, with his his yellow and black emblem on the top center of his chest. The emblem was of the creature of the night, the cave dweller, the bat. His cowl, just like his cape was dark black. He wears his dark yellow utility belt, it's contents have saved him more than can be counted. Now his eyes, they're cold and dark. If you were to look at his eyes, they would make you stop dead. He wore all of his attire, not just to hide his identity, but to also strike fear in the hearts of criminals.