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Nature in Walt Whitman's leaves of grass
Walt whitman poem leaves of grass
Poetry analysis a song of hope
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Recommended: Nature in Walt Whitman's leaves of grass
Shiny green, blades of grass silently swaying on a breezy spring day may simply appear insignificant. However, Walt Whitman would disagree. In Whitman’s “Song of Myself,” poem number six, the poet expresses his beliefs through the significant use of grass to symbolize hope, equality, and perpetual life. Whitman’s poem begins with a child asking, “What is the grass?” ( Whitman 26). The writer then proceeds to explain his belief, through a series of symbolic phrases, that grass represents hope. This is supported in the text by the words, “flag of my disposition” (Whitman 26). In this phrase Whitman is saying that the grass is a flag or symbol for his disposition or beliefs. He proceeds to state, “out of hopeful green stuff woven” (Whitman 26). …show more content…
This is affirmed by the statement that grass is, “a uniform hieroglyphic,” (Whitman 26) which indicates it is a universal language that everyone can relate to or comprehend. This is further supported when Whitman writes, “Sprouting alike in broad zones and narrow zones” (Whitman 26). This expresses Whitman’s view in equality by stating that grass can be found among broad zones, the majority, or narrow zones, the minority. Grass does not know social or economic barriers. It grows most everywhere. Also, it does not discriminate. Whitman confirms this by stating that it grows, “among black folks as among whites” (Whitman 26). Whitman’s portrayal of grass as a common element among people supports its symbolism of …show more content…
The poet describes grass as, “beautiful uncut hair of graves,” (Whitman 26). Grass emerges as new life in the form of tiny green sprouts, then matures and decays but it is not eradicated. Instead, grass is recycled through decomposition and fertilizes new grass. Whitman asserts that grass is like human life because it too is perpetual. The connection between grass and human life is confirmed in the statement that grass, “may . . . transpire from the breasts of young men” (Whitman 26). Lungs are located in the breast area of man and human life requires oxygen. Grass releases oxygen and allows man to breathe and have life. Grass is also used as feed for animals and supports plant life. Both animals and plants provide food for humans. Just as grass matures so do humans. This is exhibited in, “grass is very dark to be from the white heads of old mothers” (Whitman 27). As grass ages it becomes brown or dark. As humans age their hair becomes white or gray. Like grass, a person never ceases to exist because the human body also returns to ashes or dirt and the process of fertilizing new life begins again. Whitman confirmed this when he wrote, “All goes onward and upward, nothing collapses” (Whitman 27). The poet’s belief in perpetual life is clearly expressed through the symbolism of
Whitman claims that “there was never any more inception than there is now…nor any more heaven or hell than there is now.” The remainder of the poem goes on to say that similar to the law of conservation of matter, the impending presence of any aspect of life is constant, driven only by humanities “procreant urge.” Yet rather than lazily labeling the variety of essential human traits such as youth, old age, sex and isolation; Whitman divides the world based upon his soul saying, “Clear and sweet is my soul, and clear and sweet is all that is not my soul.” While at first this may appear to be a weak dichotomy that is far too lenient of evil actions, Whitman continues to write of it that “lack one lack both.” This somewhat ambiguous statement becomes clarified when observed against the larger backdrop of the idea of the self which Whitman is attempting to paint. Essentially, without the awareness or experience of ideas or actions that are decidedly not a part of your soul, it is nearly impossible to construct a genuine personal and moral code. Just as without darkness there is no light, without a definition and example of what is wrong, identifying a correct moral path becomes infinitely
Walt Whitman is one of America’s most popular and most influential poets. The first edition of Whitman’s well-known Leaves of Grass first appeared in July of the poet’s thirty-sixth year. A subsequent edition of Leaves of Grass (of which there were many) incorporated a collection of Whitman’s poems that had been offered readers in 1865. The sequence added for the 1867 edition was Drum-Taps, which poetically recounts the author’s experiences of the American Civil War.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
Whether they have loved or loathed his poetry, each writer or critic who has encountered "Leaves of Grass" has had to come to some sort of reckoning with Walt Whitman. The Good Gray Poet, the grandfather of American poetry, has been deified by some and labeled a cultural and artistic barbarian by others. While Whitman freely admitted in his preface to the final publication of "Leaves of Grass" that the work was faulty and far from perfect, some critics see no redeeming qualities in Whitman's art. Henry James goes so far as to say, "Whitman's verse...is an offense to art." (James, p.16) James chastises Whitman for extolling and exploiting what James feels are truisms. To James, Whitman's poetry is completely self-aggrandizing; it lacks substance and coherence. Through an examination of a specific poem, "The Wound Dresser", the claims of James and other negative critics can be refuted.
“Not I, nor anyone else can travel that road for you. You must travel it by yourself. It is not far. It is within reach. Perhaps you have been on it since you were born, and did not know. Perhaps it is everywhere” (Whitman 33) is Walt Whitman’s first and one of his most popular works, Leaves of Grass. It was and still is very inspirational to many people including Ralph Waldo and many others after him. He had a major influence on modern free verse. Following a hard childhood in and around New York, Walter Whitman was well known and received in his time for Leaves of Grass which did not use the universal theme, which he became known for in the eighteenth century as well as his way of seeing the world in a view that very few could comprehend in his time.
The work “Leaves of grass” was written by Walt Whitman, an American poet of the 19th century. Whitman titled his work with this suggestive name for the reason that he loved simple people; and as the humble people, leaves of grass are the most simple and healthy among the living things. The poetry book “Song of Myself”, included in the work “Leaves of grass”, is contrary to what its name suggests, a song inspired by humanity, of which each one is part.
The theme of Time to Come presents the mystery of life after death and calls attention to how vulnerable it’s victims are. Whitman begins his poem with the strong metaphor “ O, Death! a black and pierceless pall” (1). This bold statement allows the reader quickly realize that the work will somehow be connected to death, but in an insightful manner. The alliteration of “pierceless pall” emphasizes death’s ruthless approach. Whitman then describes death as a “mystery of fate” that " No eye may see, no mind may grasp” (3-4). This points out that death lingers in the future, essentially waiting to seize lives and nobody can know when th...
In stanza six of the poem "Song of Myself", by Walt Whitman, he poses the question "What is the grass?" I believe that grass is a metaphor for the cycle of life. Throughout the poem Whitman points out images that grass could represent. All of these images stem from the life and death that we come to expect in our lifetime. During your life you will experience death, it at times surrounds you, but if you look past the grief and look to the beauty you will see that it is a cycle that keeps our world in balance. The images of flags, tears, children and older people that are torn from the ones they love, but only to soon return to other lost ones are all parts of Walt Whitman's poem.
...ntion of memories sweeping past, making it seem that the grass is bent by the memories like it is from wind. The grass here is a metaphor for the people, this is clear in the last line, “then learns to again to stand.” No matter what happens it always gets back up.
The homosexual themes displayed in Walt Whitman’s works, especially in his most famous collection of poems Leaves of Grass, raise the question of his own sexuality. Many of his poems depicted affection and sexuality in a simple, personal manner, causing nineteenth century Americans to view them as pornographic and obscene. Based on this poetry, Whitman is usually assumed to be homosexual, or at least bisexual. However, this assumption does not account for major influences of his writing such as the shift from transcendentalism to realism and the American Civil War. After considering these factors, it can be concluded that Whitman’s poems were not intended to set apart a few homosexual men, but to bring all men and women together. Walt Whitman’s poems of spiritual love and physical togetherness of both genders emphasized exalted friendships and are indicative of his omnisexuality, or lack of a complete sexual preference, rather than his alleged homosexuality.
(A critique of Walt Whitman’s themes and ideas in Song of Myself 6, 46, 47)
Explication Through a multitude of literary devices and techniques, Walt Whitman's poem, "Song of Myself," is one of his most famous contributions to American literature. He uses simile and metaphor, paradox, rhythm, and free verse style, to convey his struggle between the relation of the body and soul, the physical and the spiritual being. He continues to disobey all social restrictions of the romantic time period. From the beginning, Whitman begins by stating, "What I shall assume, you shall assume, for every atom belonging to me as good belongs to you," proposing that the reader listen to him, for he possesses all of the answers to life. The setting is somewhat naturalistic, and offers an image of the speaker, relaxing, possibly sprawled out across a blanket, philosophizing about life, while in the middle of a peaceful meadow. As the poem later shifts in tone, and setting, Whitman starts to think about the answers to life he has come up with, based upon the past, and decides that the reader should hear him out, one final time, as his ideas have changed. This brings us to #44 of "Song of Myself." In section #44 of, "Song of Myself," Whitman's first stanza begins: "It's time to explain myself…let us stand up. What is known I strip away…I launch all men and women forward with me into the unknown. The clock indicates the moment…but what does eternity indicate? Eternity lies in bottomless reservoirs…its buckets are rising forever and ever, they pour and they pour and they exhale away." Whitman is simply stating that he wants to tell the purpose of his madness. The madness that Whitman expresses is that of power and self-confidence. Whitman has written this based upon his experiences in life. Through these experiences, he has grown to know certain things about life and tries to pass them down to the reader. Throughout the beginning of the poem, Whitman takes the reader by the hand and demands that he follows Whitman and his ideas, because based on his own life Whitman holds the answers to the reader's questions. But now, he asks the reader to erase everything that he has previously said - forget the past. Why don't we try something new? We have to focus on the present, not on the past, but also to focus on what we are going to experience in the future, what can we expect?
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.
As Whitman, the specific individual, melts away into the abstract, “Song of Myself” explores the possibilities for communion between individuals. Whitman addresses the reader in a particularly direct manner. He integrates his reader into the poem, and is freed of the constraints of poetic principle and social etiquette. The poem presents entire body lounging on the ground, leaning and idling. Whitman deliberately conflates natural world and poetical world. “Song of Myself” goes beyond the boundaries of Transcendentalism in the relationship of the physical and spiritual, individual and universal. The self that Whitman cheerily sings and celebrates substantiates a ‘uniform hieroglyphic’: suggestive, multiform, and awash with inconsistency. “It is as much a physical presence as a projected spiritual possibility” (Jason 2). Even as it blatantly and fervently expresses Whitman’s faith in evolution (and therefore in the necessary indivisibility of self-reliance), “Song of Myself” also conveys a separation with the “self,” the poet himself, and the co...
He crossed the boundaries of the poetry literature and gave a poetry worth of our democracy that contributed to an immense variety of people, nationalities, races. Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson (Poetry Foundation). He always believed in everyone being treated equally and bringing an end to slavery and racism. Through his poetry, Whitman tried to bring every people in America together by showing them what happiness, love, unison, and real knowledge looked. His poetry and its revolution changed the world of American literature