What Is The Roots Of Antisemitism In Deutsche Kunst Und Deutsche Politik

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1- Wagner wrote that Jewish music is bereft of all expression, characterized by coldness and indifference, triviality and nonsense. The Jew, he claimed, has no true passion to impel him to artistic creation. The Jewish composer, according to Wagner, makes a confused heap of the forms and styles of all ages and masters. To admit a Jew into the world of art results in pernicious consequences. In Deutsche Kunst und Deutsche Politik, Wagner spoke of the "harmful influence of Jewry on the morality of the nation," adding that the subversive power of Jewry stands in contrast to the German psyche.
2- Eger tries to prove that the roots of Hitler's antisemitism did not have their origins in Wagner. Eger reduces Wagner's antisemitic rages to jealousy over the operatic triumphs of another Jewish composer, his contemporary, Giacomo Meyerbeer. Wagner's Jew-hating pronouncements are quoted in the company of similar antisemitic statements by Voltaire, Marx, Luther, Napoleon and others …show more content…

Commotion broke out, with shouts from the audience aiming to silence the music. In introducing the piece from Tristan und Isolde, Mehta had made a short speech in which he spoke of Israel as a democracy in which all music should be played. But, he added, if this particular music offended the feelings of some of the listeners present, they were free to leave. (Two orchestra members had, at their request, been excused from playing the encore). Some older members of the audience quietly got up and went home. A few continued for a while to protest noisily, even running threateningly onto the stage, but the piece was played to the

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