This publication presents a documentary of Sjostrand and Sharipah’s catalogue of photographs, illustrations and captions to help us learn about the Wanli Shipwreck, where more than 1600 pieces of Chinese kraak porcelain were recovered. The solid archaeological context for the porcelains contributes important new knowledge to research of 17th century Chinese ceramics. Sjostrand and Sharipah begin by explaining the archaeological process, before displaying images of the wreckage and the ceramics salvaged. Subsequently, they lay down context on Jingdezhen blue and white porcelain, and after equipping the reader with this information, they finally analyse the ceramics found from the shipwreck, and not without the aid of various illustrations.
An excerpt from the book A Single Shard written by Linda Sue Park follows the story of Tree-ear and his favorite potter, Min, and a poem named “Turn, Turn, My Wheel” by author Henry Wadsworth Longfellow follow a similar idea. That idea being that potters, are magical and artistic people, and their work is amazing. Both texts support this idea, usually by describing the end product, or the process of making pots. However, these texts are still different from each other in different ways. Briefly, the two passages “Turn, Turn My Wheel” and “A Single Shard” have many similar ideas, about the writer’s opinion of the author. But, there were many things different as well.
Çatalhöyük is an archaeological site in Anatolia whose settlement last from approximately 6500 BC to 5720 BC by James Mellaart’s dating. Although the dates given by the current excavating team are from 7300 BC to 6100 BC. Çatalhöyük is most active during the VII to the V levels occurring between 6600 BC to 6300 BC. This can be proven by looking at what makes Çatalhöyük change. Çatalhöyük is a display of amazing continuity over centuries, contrasted strongly by what changes do occur- often in the VII to V levels- in the food related production, the production and use of tools, the changes in house construction, and the tradition that occur inside the home.
However, the artefacts brought to England from Benin in 1897 were an anomaly. The craftsmanship and sophistication were such that some were reminiscent of the beautiful figures in the Hofkiche, Innsbruck 1502-1563 (plate 3.1.12. Visited...
The pieces of sculpture are both carved using the subtractive method of sculpting from stone. However, the types of stone used were very different. The sculpture of Mycerinus and Kha-merer-nebty II was carved from a stone called greywacke, a dark colored, very hard stone the Egyptians prized for sculpture despite the fact t...
Archaeology is a continuously evolving field where there is a constant stream of new branches and excavation methods. Due to the influx of new technologies and innovations in recent decades, archaeologists have been able to excavate previously inaccessible areas. For example, new diving equipment and tools such as proton magnetometers, side-scan sonar, sub-bottom profiler, and miniature submarines have allowed archaeologists to dive into the deep depths of the ocean. As a result, the branch of underwater archaeology was created to search for shipwrecks and other artifacts on the ocean floor. Underwater archaeology’s role has increased in recent years as it allows archaeologists to more accurately interpret the past by supplementing information gained through traditional land excavations.
Connoisseurs must seek out documentation or written evidence of past ownership in order to find the logical relationships of the object before it enters the market (85). A solid, well-proven history of ownership can increase the cultural value of an object because this can help confirm the authenticity through supporting data, primary or secondary (85). The history of ownership allows for connoisseurs to not only trace reliable records to prove the contextual evidence of the object’s origins, but also helps in finding the exact materials made to construct the object and reveals the trading practices that provide evidence for its former history with physical documentation. Furthermore, history of ownership is essential in giving valuable, first-hand evidence of the object’s authenticity. It’s hard not to appreciate Lanmon’s straightforward style, however, the book is for beginners and general readers who are curious about the art of collecting, therefore not for serious intermediate or experts whose knowledge of collecting is above basic skills. Nevertheless, the book is well structured and thoughtful in its execution. As antique & collectible books go, Evaluating Your Collection is impactful in its detailing
While reading different stories, you can find many similarities between the texts. For example, Romeo and Juliet and Pyramus and Thisbe are two stories that have many similarities. Throughout the story, the characters have many of the same traits. Similar events take place in the two stories. All these events lead both stories to a tragic ending. Stories can be similar in many ways. The characters, the setting, and the story line itself. Stories can also be very different. One may talk about an event that will break your heart, while another might bring a smile to your face. The two stories The Man to Send Rain Clouds and Old Man at the Temple have many similarities and differences in their settings due to the place, time, and culture.
5.2. Located in the northeast corner of Tell Al-Felafel in a large complex, as described by Professor Pelaf, Building D appear to be part of a market place or an area where craft working of exotic materials is performed. Building D, contains three rounded cobblestones in association with 10 good blades, 3 blade cores, and hundreds of chips/flakes of obsidian, fig. 5.3. The presence of the amount flakes indicates large scale crafting of obsidian which source is to the north in Turkey, fig. 5.1. While Building E, fig. 5.2, shows the use and crafting of marine shells found to the south in the Persian Gulf area, fig. 5.1. Building E is described as a windowless room containing 3 millstones with evidence of crafting into prestige personal ornamentation with the presence of “many small flakes of marine shell” found in association of the millstones, fig. 5.3 a, and 3 “sandstone fragments”, fig. 5.3 d. Found in context of the millstones, 5 complete marine shells can be seen on fig. 5.3 b. Along with the presence of the manufacture of the shell, it is the presence of broken arm rings located in a “pile of marine shell pieces”, fig. 5.3 c, and “7 complete marine shell arm rings”, fig. 5.3
As Western explorers started arriving at the site of the Great Pyramid of Giza, their first reports tell of massive piles of rubble found at the base of the timeless edifice, leftovers of the perpetual collapse of the casing stones. These piles were thereafter cleared away as excavations on the site proceeded. Nevertheless, remnants of the limestone casings can still be found set around the base of the Great Pyramid and is enough to show the craftsmanship and precision that has repeatedly impressed across the ages.
In order to investigate about a scenario or an occurrence that has left history over time, an expert would rely on artifacts and other sorts of evidences that may help find out facts and fictions about such scenarios in question. In this paper, an approach or attention is focused on Kenneth’s research design on the wood lily research. The study uses a unique way of addressing the historical information about the site Kenneth. Similarly, the research method he adapted has been widely used in the study of anthropology to make learning about artifacts and historical sites to become easier. In this paper, there are specific questions that will be addressed based on the paper requirements.
Sonnet 18 and Sonnet 130, by William Shakespeare, are two of the most well known Shakespeare sonnets. Both are similar in theme, however, the two poems are very much contradictory in style, purpose, and the muse to who Shakespeare is writing.
According to The Society for American Archaeology, the definition of Archaeology is, “to obtain a chronology of the past, a sequence of events and dates that, in a sense, is a backward extension of history.” The study of ancient civilizations and archaeology is rather ambiguous due to the primitive nature of the time period. With little imagery and even less textual evidence, professionals in the field must work diligently when studying their subjects. Naturally, archaeologists cannot see or communicate with those whom they are studying, so they must be extraordinarily meticulous when analyzing past cultures. This relates to all aspects of the ancient world including; foods, raw materials, artifacts, agriculture, art work and pottery. All of these elements can collectively provide new and innovative information to curious archaeologists who may wish to gain a better understanding of those who came before us. This information is equally beneficial for both historians and archaeologists who plan to compare the histories of societies from all around the world. In the world of archaeology, archaeologists strive to better explain human behavior by analyzing our past. Therefore, the study of archaeology is a key element in understanding a time before our own.
The hallmark of Afghani culture is the monastery of Bamiyan and the, unparalleled, colossal Buddha statues, which were built by Buddhist Monks, during the 4th and 6th centuries. Even so, this unique artifact does not stand alone in matters of greatness, and legacy. The diverse empires that impacted the Afghani cultural legacy, are many, with emphasis on Greek, Roman and Chinese empires and dynasty, respectively. Consequently, archeological excavations dating up to until 60 years ago, have managed to uncover a myriad of treasures that were long deemed as lost. These discoveries incorporate: The Bagram Treasure- a complex collection of Roman, Indian and Chinese Artifacts, from the 2nd century; the unveiling of 20000 items of Bactrian gold from the 1st century, in 1979; the finding of the Kunduz Hoard Silver Coins- the largest Greek style coins, to ever be unearthed (Afghanistan: At the crossroads of ancient civilizations, 2014). All of these uncovering´s have cemented Afghanistan´s place as an eclectic society, whilst demonstrating the intermixture of culture that took place, ergo passing on a distinctive intercontinental flavor. Despite the recent successes that have been experienced, the culture, much like the country, is still endangered. (Afghanistan: At the crossroads of ancient civilizations, 2014). Notable landmarks, like
Historic houses face a unique challenge that is not found in any other type of museum. In order for a house to attract more visitors, more time accurate furniture and art pieces need to be collected. More specifically, these pieces should have some relation to the house or to the people who lived there. Any time accurate pieces must also be held to the same conservation status as the structure and architecture of the house is. The success of historic house museums depends on the house as a whole with all of the objects displayed there. (Pinna) The reason historic houses need to be more careful than museums concerning the objects displayed are that the displays are meant to give visitors a glimpse of the past. A problem with this is it can only show one poin...
Many may ask why we need to know the past. Carl Sagan tells us that “You have to know the past to understand the present.” In history, there are two kinds of sources: primary and secondary. Historians have to analyze both sources to conclude their argument or statement. One of the reliable non-documentary sources is archaeology. Archaeology played an important role in constructing the history of the Pacific. Primary, non-documentary sources like archaeology, which include pottery, clothing, and human remains, are very important because they give a unique idea about the culture and human history in the Pacific region. However, archeological sources have limitations, because scholars are not given a complete picture, which can lead to misinterpretation and confusion regarding the cultures of the region.