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Final Film Essay The 1998 fantasy and drama movie, What Dreams May Come incorporates many specialized film features throughout the entire film. The mise-en-scene was one notable element that caught the audience’s eye the most with its significance to the film’s story. In connection with the mise-en-scene, the element of lighting was used frequently during the movie and the various types of lighting used played an important role in the story and has expressed a lot about the overall environment and feeling of the story in the movie. Additionally, props were another element of mise-en-scene which had magical powers, and were used as metaphorical props to indicate the power behind them. One element of mise-en-scene, also known as the lighting, was one of the elements of mise-en-scene that stood out to the audience and was also relevant to the narrative structure of the film. Ward’s use of lighting, whether it was high-key lighting or low-key lighting, sets the mood …show more content…
Out of the many technical features in the film, the mise-en-scene strikes the audience the most and has relevance with the plot and story of the film. The lighting styles are an element of mise-en-scene that have been featured constantly throughout the entire duration of the movie and they accurately express the overall sense of the different scenes. Specifically, high-key lighting shows the happiness of the past and the peacefulness of Heaven, and low-key lighting expresses the danger and spookiness of Hell and the tragic car accidents. Annie’s brilliant artistic ability is also pointed out by the audience with her painting coming to life, meaning that her painting is used as a metaphorical prop, which is another element of mise-en-scene fascinating the viewers. This film also displays the various perspectives of Heaven, Hell, and the past and that all of them have completely different atmospheres from one
When it comes to films most people think that the filmmakers just draft up the script, hires some actors, films and edits some scenes, then releases the next number one movie in America to the world (or select theaters near you). In actuality, there are a lot more details that go into film than that. Filmmakers are constantly making decisions in regards to a films narrative and cinematic style and making sure a film comes out as well as it can. One of those decisions fall under cinematic style and is called mise-en-scene. Mise-en-scene has four elements: lighting, costume/makeup, sets/props, and figure expression and movement. The three that will be focused on when analyzing the film Modern Times are costume/makeup, sets/props, and figure expression
Mise-en-scène, what the audience sees in a film, is crucial to the movie’s development. Lighting and props are two of the many important aspects of this category. The previously mentioned scene has the goal of representing Kane’s early ideology of what the New York Daily Inquirer will become and provide for its readers. While writing the document, Welles constantly uses lighting to illuminate it for the audience, naturally drawing eyes to the paper even before it is introduced in the film. The lighting of the scene helps viewers identify the document’s value, especially in comparison to Kane as he tends to be less lit then the paper for the majority of scene. The other three cast members, Leland, Bernstein and briefly Sully, continue to be lit but almost never to the magnitude of the paper itself. The first cut of the scene shows Kane writing the document from outside; where a burning gas lamp is the key lighting, allowing the audience to easily notice both the flame and the paper. In the following cut, Kane continually looks at the paper and the gas flame as to signify their imp...
... the mise-en-scene are the from the beginning of the film. Throughout the film I was aware of the locations. The San Francisco setting was presented to the viewer in the beginning and that made the audience more aware of the film's environment. The monastery and other locations of Corlata's past gave me a better understanding of Madeleine’s problem. The make-up and costume play an important part in the recreation scenes, while the props assisted the audience and John Ferguson in piecing the puzzle together and figuring out Gain’s plan. The lighting enhanced many scenes in the film. The parts that impressed me were the following: the recreation of Madeleine scene, John's dream sequence, the monastery scenes, Judy's guilt trip and the scenes involving John's fear of heights.
First and foremost, film noir refers to the visual style of a picture. The imagery of film noir was influenced by early 20th century German expressionism, featuring distorted, sinister shapes and shadows. These precursors to film noir used abstract figures and looming shadows for bizarre, emotionally stirring results. Techniques such as chiaroscuro were used to give a dark and minimalistic feeling. In many cases lighting is limited to a single harsh light source, which obscures the image, and even throws shadows across actors’ faces. These elements ensure that an audience regards the actors and the setting with equal importance. Oblique angled shots permeate many film noirs, naturally provoking anxiousness and apprehension in the viewer. In Sun...
The mise en scenes in this film are unique because it gave viewers the ability to have a sense of how the characters are feeling. For example, low lighting was used throughout the film to express a sense of the unknown and/or fear. Another great example of how mise en scene was used is how human shadows for night shooting were used to increase the feeling of mystery and a threating atmosphere (Awjingyi). And one of the most important examples of mise en scene used in this film is in the last scene where mirrors were used (aka the “funhouse”) to
This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky. The mise en scene highlights the military background that the characters are in. All in all, this scene is a highly emotional scene highlighting the mortal danger that confronts Dave and The
Essential to the look and feel of a scene, lighting plays a key role in the mise-en-scene of The Wizard of Oz. Two basic types of lighting are used throughout the film: high-key lighting and low-key lighting. Used to convey emotion during the opening sepia scenes, three-point lighting also finds practicality here, helping the viewer to get in touch with Dorothy’s sadness, it provides a basis for reality, providing a stark contrast to the color fantasy sequences to come.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
In the early 1900’s Georges Melies introduced his film “A Trip To The Moon” to audiences in France. This film, when first seen by viewers at this time, was jawdropping. Melies who happened to be a magician, and illusionist before becoming a filmmaker, made one of the first-ever narratives in motion picture history. Similarily throughout “Trip To The Moon” and many of his later films, Melies, who also worked in theatre, took full advantage of what is known as Mise-en-scene. Mise-en-scene is defined as: All the elements placed in front of the camera to be photographed: the settings and props, lighting, costumes and make-up, and figure behavior. In “Trip to the Moon” Melies created a world to which no one had ever seen on film, and utilized all the characteristics to which mise-en-scene is based upon.
In addition, the elements of lighting can be a supplement to a visual story with alluring amount of light and darkness. Firstly, light versus dark is a complex theme in the film. It is looking at terms of the film’s images with use of lighting, day and night, and use of color. Second, is the way the film examines the dark recesses of the human mind and its dimensions of evil. For example, in one scene in the film, Marion Crane gets to know Norman Bates a little too well. Norman states, “Well a boy’s best friend is his mother”. There is an alluring shadow behind Norman Bates, as a shadow is not seen from Crane. It was implied in the film that Bates was deranged and had multiple personal...
Mise en scene is a French term, which refers to the visual and design elements of a film. Literally, it is what we actually see on the screen – locations, sets, background details, costumes, even the use of colour and lighting. Mise en scene is used to describe every scene, including framing, composition, costuming, setting, objects, lighting, sound and camera angles. Everything is done purposely and intentionally.
The film Psycho (Alfred Hitchcock, 1960) is an interesting film with many small details that help shape the film in to award winning masterpiece it is. The mise-en-scène is something that can go overlooked, but is very vital in understanding the meaning of the film. According to the book Film Art, mise-en-scène is all of the elements in front of the camera to be photographed, and because of that, this film technique is one that viewers notice most (p. 112). So this includes things like characters, props, nature and even behavior. Motifs and symbolism are prominent throughout the entire movie. They both help develop the plot either by continuously appearing throughout the film or by having a specific meaning that is a lot deeper than what it looks like on the surface. The mise-en-scène, especially motifs and symbolism, of Psycho plays a huge role in helping convey the meaning of the film.
Mise-en-scene is used to convey friendship in scenes such as the rooftop scene and for many of Andy and Red’s conversations in the yard. When Andy and Red are together and are enjoying their friendship the setting and arrangement of props is often very open, with little bars or imposing walls to look intimidating or dominating. This displays how together they are as free as they can be while imprisoned in Shawshank. When Andy is alone, the bars and walls tower over and confine Andy, making him appear constrained and vulnerable. This is a direct contrast to many of the scenes with Red and Andy together, this is to show how alone they are powerless but together they have some control over their lives. Camera shots are used to show their friendship in many scenes, there are many examples that have Andy and Red in a mid-shot together in the same shot. Often facing towards each other or facing the same direction. These shots that show them together close up creates a sense of intimacy between the two, as these characters are the sole focus of these scenes. Darabont has placed many scenes like this throughout the film to highlight their friendship and differentiate their relationship as special compared to relationships with many of the side
Suspense is a crucial ingredient in the making of horror and thriller films. The significance of suspense in horror films is to bring out the “twist or unexpected moment of realization that makes someone scream and one's heart race. In the film industry, there are various types of genre, but as different as films may seem, they all have one element that links them all together. That element is known as Mise-en-scene. Mise-en-scene is a French phrase that means “putting into the scene.” Mise-en-scene includes elements such as setting, lighting, costume, and figure movement and expression (acting).