Literary Analysis over “The Jilting of Granny Weatherall” James Albrecht The Jilting of Granny Weatherall is a story with many allusions and passive meanings. There are a few flashbacks that show you a good look of her past, and it shows you a country woman who was no stranger to laboring. In the main characters name, Weatherall, it is very explicit that she is a tough old woman that has made it through a lot. The plot of the story is quite complex, but also so simple. Porter takes us through the every spectrum of granny’s life from how she worked on their acreage to how hard her family matters are while never leaving the setting of her bed. In the dialoge of the story, what granny is thinking and what is being heard are different things. …show more content…
Also the writer uses expressions that many people let blow over their head. For example, granny tells the very young doctor that he should respect his elders, and this is a saying that most have heard many times. The piece points out (with granny’s complex thoughts), that these sayings shouldn’t be taken as a grain of sand, and that there is typically meaning behind what the speaker is saying. This is even more exaggerated for Granny Weatherall because she is dying, and these are a part of the very few words that are audible to other members of the story, so they carry a great significance to granny and her beliefs. As the story continues, Porter makes good use of the first person point of view in showing the aloneness granny is feeling. In her place, as Cornelia is speaking, there is no dialect in the story. While reading, the usage of this point of view is so astounding, that you feel as if you were lying on your deathbed in fear of what was going to happen to you. Granny makes it very clear that she is not scared, though. She claims that she has been through several illnesses and believes she will follow her father in living over a century. As she becomes …show more content…
The jilting George ,what was supposed to be her first husband, had done being thought about in such a dramatic time shows that she never forgot about it. It being thought of in the same depth as the death of her real husband John shows that the George shaped her life just as much John’s death had. Granny remembering it through all these years and having it flashback on her deathbed indicates that she may have still been in love with George while she was married to John. The “jilting” of Granny happens all too many times during the story, but only being mentioned once. The mentioned occasion was of course the absence of her groom at her first wedding, but she also feels jilted by her children, and finally by God. The child Granny wanted to see most, Hapsy, never comes to the house while she is dying. It is suggested by Granny’s extreme desire to see her, that she may have died in childbirth. It begins to get harder to understand the story as Porter has done an excellent job of dwindling the specifics of the story as granny’s life dwindles away. In the beginning it is very apparent who is talking and what grnny is thinking, she can even speak for herself. As the story goes on, it becomes more confusing as to whom is talking
To begin, Granny Weatherall is inherently a prideful controlfreak. Granny Weatherall is at her deathbed, facing everything she has staved off for so long. This and all other adversity she faces throughout the short story map out her true personality. For instance, she is full of pride. When that pride takes a hit, as it does several times throughout the short story she metaphorically hits back at whoever or whatever
In the beginning years of Janie’s life, there were two people who she is dependent on. Her grandmother is Nanny, and her first husband is named Logan Killicks. In Their Eyes Were Watching God, “Janie, an attractive woman with long hair, born without benefit of clergy, is her heroine” (Forrest). Janie’s grandmother felt that Janie needs someone to depend on before she dies and Janie could no longer depend on her. In the beginning, Janie is very against the marriage. Nanny replied with, “’Tain’t Logan Killicks Ah wants you to have, baby, its protection. ...He done spared me...a few days longer till Ah see you safe in life” (Hurston 18). Nanny is sure to remind Janie that she needs a man in her life for safety, thus making Janie go through life with that thought process.
In “The Jilting of Granny Weatherall” by Katherine Anne Porter, we learn of an elderly woman who is lying on her death bed watching her life pass before her eyes. We learn, from these flashbacks, how much she has overcome and endured, and how she's put her whole heart into being a mother and wife up until her last breath, when she blew out the candle and rode with her Father in a cart to heaven. It’s this very reason why Porter, in my opinion, chose Granny as the narrator of this story; so we could see the story through her eyes, being able to relate and appreciate it better.
In the story, The Jilting of Granny Weatherall, written by Katherine Porter, Granny Weatherall is a character of depth. Her name is synomonous with her character. Three main qualities of her character are her strength, her endurance, and her vulnerability. Her strength is not so much physical but mental. She lies upon her bed contemplating all that she needs to do. Her daughter Cornelia does not even come close to handling affairs as well as she does in her own mind. In addition, she tell the Doctor Leave a well women alone...I'll call you when I need you. She does not like the patronizing position that she finds herself in. The fact that she has already avoided death once seems to add to her image of strength. As we follow her mental ramblings we obtain insight to her character as a woman that has endured heartache as well as hardship.
Porter, Katherine Anne. “The Jilting of Granny Weatherall.” Literature: Reading, Reacting, Writing. Fort Worth: Harcourt, 2000.
Janie's Grandmother is the first bud on her tree. She raised Janie since she was a little girl. Her grandmother is in some respects a gardener pruning and shaping the future for her granddaughter. She tries to instill a strong belief in marriage. To her marriage is the only way that Janie will survive in life. What Nanny does not realize is that Janie has the potential to make her own path in the walk of life. This blinds nanny, because she is a victim of the horrible effects of slavery. She really tries to convey to Janie that she has her own voice but she forces her into a position where that voice is silenced and there for condemning all hopes of her Granddaughter become the woman that she is capable of being.
The flashback commences by recounting the years leading to Janie’s childhood through alluding to Nanny and Janie’s mother Leafy’s, life difficulties. Nanny is raised in slavery and was raped by her slave master, which led to Leafy’s birth. She had to flee in the night and hide in swamps during the war to protect her daughter. They go to live with a white family; the Washburn’s who are very accommodating. Once Leafy is older, she is raped by her white schoolteacher, leading to Janie’s birth. Leafy is absent through Janie’s life, so Nanny becomes her caregiver. Due to the abandonment of her parents, Janie is uncertain about her character and is lacking parental influence. Nanny raises Janie vicariously, so she will not encounter the same obstacles. Under a pear tree one day, Janie observes a bee pollinating a flower. She determines that this is how love is supposed to look. Love is passionate and never selfish or demanding. One day she kisses a boy named Johnny Taylor, whom Nanny does not approve. Nanny’s beliefs and authority on Janie’s life cause Janie’s abrupt marriage, before she can discover her true identity and spirit.
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
In "The Jilting of Granny Weatherall," there are two themes. The first is self-pity. The second theme is the acceptance of her death. Both deal with the way people perceive their deaths and mortality in general. Granny Weatherall's behavior is Porter's tool for making these themes visible to the reader. The theme of self-pity is obvious and thoroughly explored early on. As a young lady, Granny Weatherall was left at the altar on her wedding day. As a result, the pathetic woman feels sorry for herself for the rest of her life. She becomes a bitter old woman who is suspicious of everyone around her. This point is shown early in the story when the do Granny Weatherall, the main character in Katherine Anne Porter's The Jilting of Granny Weatherall, is an 80-year-old elderly woman who is at the doorstep of death. There is a sense of disillusionment with Granny that leads readers to develop their own interpretation of her relationship with Cornelia, her daughter As the narrator, Granny unknowingly would paint the picture of Cornelia as nuisance and bothersome. In fact, the reader can rationalize that it is just Cornelia's concern for an ailing mother that creates the situation of her seemingly being there all the time.
Though O 'Connor 's use of characterization, she managed to explore the egocentric mind of the Grandmother. She always wanted to be the center of attention, she was prejudice and believed things should stay the same, and she was very selfish. While she thinks she 's above everyone else, she felt that the world revolves around
Many words are repeated throughout the story, often suggesting they are significant to the narration. Connecting this repetition to the idea of an oral narrator, these moments of repetitions become moments of teaching. One of the words that King repeats throughout the story is “See-po-aah-loo”, which is important since it is a word in Granny’s language translating to a garbage hole (Magpies 23). The narrator teaches the audience the meaning of the word explaining that it represented, “Everything you don’t want people to see. You put them there” (Magpies 23). This particular word has two important ideas and purposes in the narration. One purpose of the repetition is to connect the reader to the story’s subject’s cultures and community. By using a word in Granny’s language, King creates a greater intimacy between the reader and the narrator. The narrator teaches the word to their audience, imitating a real-life storyteller teaching their audience about his culture and identity through language. The second purpose is to highlight the main irony in the story and the conflict between Ambrose and Wilma. After Granny’s death, the two characters had differing ideas of what to do with her body, with Wilma wanting a Catholic burial. Granny viewed the concept of burial as being put into a garbage hole, the “See-po-aah-loo” (King, “Magpies” 24). After her burial, Ambrose
Ellen Weatherall from "The Jilting of Granny Weatherall" suffers from a state of demension throughout the story. Her thoughts and memories grow tangled and confused with age, causing her to live in the dark. ""Here's Doctor Harry." "I won't see that boy again. He just left five minutes ago." "That was this morning, Mother. It's night now. . .""(779 -780). Ellen Weatherall's troubled mind can compare to the demented mind of Emily Grierson. Emily experienced a high status life, but that high status brought her down. Since Emily could never date or really experience a normal life, she surrounded herself with darkness and shut herself off from the world. Her mind slowly warped itself, clouding her morals and better judgment. Emily, like Ellen Weatherall, experienced mental trauma that tormented their thoughts. Ellen lost her child Hapsy and lost her fiance George, while Emily lost her father and eventually Homer Barron. While Ellen expressed her regrets during her mental turmoil, "There was the day, the day, but a whirl of dark smoke rose and covered it, crept up and over into the...
“The Jilting of Granny Weatherall” was written in a style known as stream of consciousness. It must be understood that the confusion occurring in the structure of the writing, as well as the thought processes of the narrator, stem from the lack of lucidity of the narrator as she is led to her death. As for the structure of the writing, this piece of literature was written from the point of view of combined limited omniscient and interior monologue, meaning both third and first person (Rosemary). Moreover, in order to begin to understand the cultural and social elements of this short story, one must first comprehend the timeline that accompanies the drifting mind of the protagonist. The earliest piece of substantial information that is known is that the main character was jilted when she was twenty years of age. ...
She is worried that the unstoppable persona she has presented to her children will be demolished if they find those letters. This is further proven in the short story when she scorns her daughter, Cornelia, for “thinking she was dumb, deaf, and blind” (454) after she overhears Cornelia telling her husband that Granny Weatherall was acting like a child and they would have to humor her for the time being. She is already beginning to live out her nightmare. Cornelia, Granny’s least favorite child, pities and tries to humor her. It is only logical for someone with as much pride as Granny to try to control the situation. To elaborate, Granny Weatherall is also a control freak. She beats every threat that comes her way into silence and throws it to the farthest corners of her mind. For example, when faced with the thought of her demise, she rationalizes, “thank God there was always a little margin over for peace: then a person could spread out the plan of life and tuck in the edges orderly” (453). Though on her deathbed, she assumes she cannot die because she is not prepared for death. Metaphorically, she is telling God that she is in control of her fate. Therefore, she believes she
The Grandmother is a bit of a traditionalist, and like a few of O’Connor’s characters is still living in “the old days” with outdated morals and beliefs, she truly believes the way she thinks and the things she says and does is the right and only way, when in reality that was not the case. She tends to make herself believe she is doing the right thing and being a good person when in actuality it can be quite the opposite. David Allen Cook says in hi...