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EDWARD SCISSORHANDS RISES UP TO THE CONCEPT CONCERNING THE ‘OUTSIDER’ Edward Scissorhands (1990) directed by Tim Burton is a fictional story contrasting both fairytale and horror-imagery. The name of the film represents the movie because it is the name of the main character. The title gives away that the main character has only one real name which is “Edward” showing that he is different from others or maybe incomplete. The last name “Scissorhands” is there only for the purpose of bluntly describing who Edward was. This description of having scissors for hands raises questions about whether Edward was an actual human being. As expected, throughout the film many aspects of the context of an “Outsider” especially through the main character Edward …show more content…
The inventor was amazingly imaginative and made many shocking and ingenious devices. Suddenly, one day he chose to make a human being whom he later named Edward. Edward was like any other person. He had lungs, kidneys, liver, legs, face and everything a normal human should have. The inventor loved Edward and treated him as if he were his own son. However, because of his exceedingly old age the inventor passed away and thus Edward was left all alone in the spooky mansion, unfinished, having scissors instead of hands. Surprisingly, due to a dumbfounding event Edward’s life looked as if it was about to change for better or worse. Peg Boggs, a sales representative for Avon, accidentally notices the spooky mansion and so decides to go up to the mansion to find customers. Wandering around the huge, haunted mansion she finds Edward who emerges from the dark corner into the bright morning sunlight. Looking at how lonely Edward is, Peg is filled with compassion and decides to bring him to the town to live with her. His difference quickly becomes an obstacle which prevent him from being …show more content…
He meets many people and falls in love with Peg's daughter, Kim. He is a very artistic man and makes boring hedges into amazing pieces of art. The ladies of the neighbourhood are astonished by his talent and soon beg him to give them haircuts. The unique styles he creates soon make him a celebrity. However, there are several people who do not like Edward because of his 'deformity.' So, after a few shocking, horrifying events Edward is in serious danger of being killed as a violent neighbourhood calls out for his
Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, it is done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas. His views of individuality are evident through the work of his film 'Edward Scissorhands' and short film 'Vincent'.
Tim Burton also uses great Lighting to make Edward look like shouldn't be there, for example, it shows Edward cramped into a small car and with bright colors in the background. In the scene where they enter Edwards garden it seem so beautiful up close, but like hell far away because its very dark over there, then when it enters back into the house it seems like it would be from a horror movie. And the make up on his face makes it more fit with the lighting because of the scars with his pale white face and his crazy black hair.
From the very beginning, Edward is cast as the monster – but is he really? We first see Edward when Peg searches for the owner of a dark, ominous, gothic mansion. She climbs up a set of gigantic spiral stairs that lead to “Edward’s room”. The setting is quite dark and the only lighting is coming through a gaping hole in the roof. Her curiosity gets the better of her, and as she examines this foreign place, we can hear in the bac...
Edward stares at the images of Kim before turning to look at Peggy talk and then gazes back at them again. The way he can’t stop looking at her indicates how Edward admires the young girl. When Peggy starts chatting about how Kim went to the high school prom with her boyfriend, Edward is in a world of his own. He concentrates on her face in the picture of the couple at their prom. Edward gazes at her pictures like she is the most fascinating person ever. Since Edward lived in the mansion with the inventor and unaccompanied for so long it is interesting to see his reaction to Kim. Furthermore, his infatuation with Kim just after seeing her pictures goes to confirm how isolated he is from
Since the communist era, the concept of conformity has been tested on humans thinking it would bring a sort of comfort. These regimes rapidly crumbled due to their often authoritarian nature. Following these dictatorships, we often associate conformity with misery. Similarly, in Edward Scissorhands, through the characterization of Peg Boggs, the symbolism of Edward’s castle home and the change in Edward’s behaviour, director Tim Burton rejects conformity since it leads to fakeness, boredom, and corruption and, instead, promotes the benefits of authenticity and old habits.
Edward Scissorhands is especially reminiscent of the themes and concepts from Mary Shelley’s Frankenstein which is also based around the isolation, introduction and persecution... ... middle of paper ... ... arden also is an important symbol in the film as it also illustrates a dramatic contrast to the suburbia’s bare, dull and uniform gardens and emphasises society’s need to conform.
In her novel Frankenstein, Mary Shelley and the film Edward Scissorhands by Tim Burton their creations have a desire to be loved. Which leads them on a journey of acceptance for themselves and others. Everyone has felt the need to find why they are here on earth; we all search for answers we are no different from them.
Edward was raised in Ashland, a small town filled with average people. From the day he was born, Edward proved he was anything but ordinary, he was a big fish in a small pond. A citizen from Ashland said “-eventually he knew more than anybody, even Mr. Pinker, the librarian. He was a big fish, even then” (12).
Edward Scissorhands is an unfinished experiment that is afraid of the human race. Brought to the town by Peg, Edward is like a tool to the rest of the townspeople. They only accept him for what he can do and prejudice him as inhuman because of his hands. Edward is a caring person but, his wrong actions outweigh the good deeds that he has done in society. The color scheme of Edward compared to society is different, the townspeople all wear and decorate their houses with very vibrant and attention seeking colors (colorful houses, cars, clothing, hair, etc.). Edward, on the other hand, wears very dark and gloomy colors (full outfit is black, black hair, paler than the townspeople, etc.). As Edward becomes more used to society, he starts to wear human clothing like a white suit shirt and black pants but, never anything too bright like the townspeople. Edwards isolation and rejection from society makes it so that he is afraid of humans and how they will view him. When Edward went to jail, destroyed the plant sculptures, accidentally scratched up Kevin and, attacked Kevin, Society shunned him. They think he is a monster and forces him to become alone again. This change in character development proves that society never accepted Edward. The red the townspeople were wearing when Edward scratched up Kevin symbolizes how he is not human with his scissor hands, cursed to destroy
Would you let a man with scissors for hands in your, that you found in a dark evil-looking castle? I know I wouldn’t, but a mom named Peg would. Peg, who is very empathetic, decides to go sell Avon to the evil mansion across the street, but then finds a boy with scissors for hands and decides to take him home. Edward seems to be doing fine in the community, but is soon seen as a monster because he is framed by a bully name Jim. The movie is Edward, the protagonist, trying to recuperate his innocence and he won’t stop until he does. Throughout the movie, director Tim Burton used the stylistic elements of juxtaposition and symbolism to show the character’s personalities and to show how some places in the story are opposites.
Not a single individual is able to watch a Burton film without noticing the lighting effects and how it significantly contributes to the tone and mood of the entire film. In the movie Edward Scissorhands, one might be overwhelmed with the burst of extravagant colors in the scenery. Indeed this cinematic technique, high key, wholly influences the viewers perception and impression of the town. One can conclude that even though flamboyancy pervades the town, iniquity lurks in all directions and hypocrisy governs the minds of its inhabitants. Irony is harnessed in this film. How can an effulgent town harbor wickedness and Edward with a chilling and gothic complexion radiate innocence and righteousness? Burton uses these opposing conceptions brought about by the contrast of lighting to convey the message that materialism has been ingrained in the mentality of society (at least in the neighborhood in which Burton lived in the past), thus yearning for th...
The Bogg’s family have accepted Edward scissorhand’s into their family and have made him feel loved. When Edward was first introduced to bill he ignored the fact that he is different and tries to make small talk. When Kim first sees Edward she is horrified and overwhelmed but in the end falls for Edward and ends up loving him. When Edward enters the restaurant to meet the Bogg’s family, they all scotch over to make room for him and ask him how his day was, this shows to the audience that he has been ‘adopted’ into the family and they care for him. When Edward was in jail Peg and Bill come to see him and are upset at what he has done but Peg blames it on herself, this gives the impression that Peg has taken the role of a motherly figure towards Edward. The Bogg’s family have shown that they care about him and see him as a part of their
To site a specific incident, Marianne describes her opinion of Edward Ferrars- her sister’s interest- as being very amiable, yet he is not the kind of man she expects to seriously attach to her sister. She goes on to find, what in her opinion are flaws, that Edward Ferrars reads with little feeling or emotion, does not regard music highly, and that he enjoys Elinor’s drawing, yet cannot appreciate it, for he is not an artist (15).
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
The landlord made him very angry and he decided to run the experiment on himself. Once he was invisible, he destroyed his machine, and because he was so angry he burned the house down. As he walked the streets he was leaving muddy footprints. Some boys saw the footprints and the ghostly feet that made them. Immediately, the boys drew a crowd and started chasing the feet. This made him cautious, and he realized that it wasn't going to be easy to stay invisible.