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The theme of death in literature
Violence is a prominent theme throughout many works of literature
The theme of death in literature
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Western genre is recognized for the place it gives to violence as one of the central points of the Western stories. In Western, violence is considered as a usual part of the life. Shooting and hanging are kind of violence commonly met in Western stories. For example, Rooster explains in a casual way that “[he] shots [Lucky Ned Pepper] in the lip last August down in the Winding Stair Mountains. He was plenty lucky that day"(p.63). He doesn’t describe this event with agony or guilt but rather as if it was happening regularly. Violence is also represented brutally: “With that, Quincy brought the bowie knife down on moons cuffed hand and chopped off four fingers which flew up before my eyes like chips from a log” (148). The particularity in this quote is in the way Mattie is illustrating this scene without emotions and in a casual manner. In this novel, violence is shown as casual and brutal. Hence, in the western stories, violence is significantly present. …show more content…
In western genre, death is, again, part of the Western life. In the novel True Grit, Mattie wants Tom Chaney to be dead. She “aim to see him shot or hanged”, no matter the way, at the end she just wants him dead (p.34). The hanging of the three man at the beginning of the novel is also an example of mortality. She describes that [they] were told that the Indian’s neck had not been broken, as was the case with the other two, and that he swung there and strangled for more than half an hour before the doctor pronounced him dead” ( ). Mattie describes it as a brutal death but she doesn’t disagree this kind of violence because it is for the purpose of justice. Other deaths happen in the story, including the death of Frank Ross, Tom Chaney, Lucky Ned pepper. Therefore, the theme of mortality is well present in the
It has been happened frequently in today’s society that parents and teachers try to keep children away from violent media. Children are taught that violent is not right and dangerous. In the article, “Violent Media Is Good for Kids”, Gerard Jones asserts that allowing children to violent media instead of banned it can bring great benefit to children during their growing stage. By watching violent media, children learn to overcome fear, control the rage and prove the real self from the superheroes in the story. Jones believes that violent entertainment can assistance children to fulfill emotional and development need. In my opinion, Jones develops a persuasive argument because of his strong emotions, considerable evidences and reasonable assumptions.
In As I Lay Dying, William Faulkner comments on how death affects individuals differently and how sanity is not defined by a mental state but rather by a community of people. Varying viewpoints in narratives, allow the reader to gain insight into the character's thoughts. However, he uses perspectives outside of the Bundren family in order for the reader to create some sort of truth.
The story of A Good Man Is Hard to Find begins as a family road trip, but tragically ends when a family of six cross paths with an escaped convict. Set in rural Georgia around the 1940s, Grandmother, her son Bailey, daughter-in-law and three grandchildren plan a vacation to Florida. While en route, they’re involved in a car accident that leads to a chance encounter with a murderous convict, The Misfit, and his two companions. Confronted with their own mortality, can this somewhat dysfunctional family escape with their lives from these unfavorable circumstances? Dictionary.com defines the word mortality as the state or condition of being subject to death; mortal character, nature or existence. The idea of mortality in this story not only signifies physical death, but also calls into question the condition of the character’s virtue. The writer of A Good Man Is Hard to Find, Flannery O’Connor, explores the concepts of mortality and salvation through her use of foreshadowing, characters, and symbolism.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
A question that arises in almost any medium of art, be it music, film or literature, is whether or not the depiction of violence is merely gratuitous or whether it is a legitimate artistic expression. There can be no doubt that Michael Ondaatje's long poem The Collected Works of Billy the Kid is a violent work, but certain factors should be kept in mind before passing it off as an attempt to shock and titillate; certainly, the poem does both of these, but they are not the primary purpose of the work. For one thing, social context needs to be considered; Billy lived in the "Wild West", a time associated with range wars, shoot-outs and great train robberies. The entire legend of Billy the Kid has been built around his criminal activities and notorious reputation; indeed, the more popular this myth becomes, the more people he is accused of having murdered. If anything, it was a cultural fascination with violence that "created" the legend, perhaps even more so than anything the "real" Billy ever did. Michael Ondaatje comments on this phenomenon and actually offers an alternative vision of who Billy the Kid was; perhaps he was not just a blood-thirsty killer but a man who, due to circumstance and human nature, was continually being pushed over the edge. Ondaatje is more concerned with the motivations behind the acts of violence than the acts of violence themselves: "A motive? some reasoning we can give to explain all this violence. Was there a source for all this? yup -" (54). If they shock, it is to shock the readers out of complicity and encourage them to think about the nature of violence and their own capacity for it.
“Killings", written by Andre Dubus in 1979, involves several aspects such as revenge, morality, and murder. Elements, such as the story’s title, the order of events, and the development of the characters, are very unique. It successfully evokes emotion and suspense as the plot unfolds in sequence. Though it seems easily overlooked, the title “Killings” is very important due to the fact that the thrill of suspense is left in the mind of the reader. The title encourages readers to question who and what. It is also an intricate setting for the plot’s mood. It implies that a murder has taken place, but that is all the reader knows. The chronology of the story uses a style called "in media res”, a term used to describe the common strategy of beginning a story in the middle of the action or entering on the verge of some important moment (Meyer 2198). In this story, the readers are shown that murder not only takes a life, but it can also take away a living persons sense of self worth, their spirit.
Alex Vernon. "Staging Violence in West's "The Day of the Locust" and Shepard's "True West"." South Atlantic Review 65.1 (2000): 132-151. Print.
...r Addie it is torture, for Anse it is a way to profit, and for Dewey Dell it is a solution. By crafting such intricate dealings with death, Faulkner also challenges the reader to assess what death means to them, and how death can fulfill multiple roles in life. Through new criticism which examines the relationships between a text's ideas and its form, and just doing a close reading of the text the reader is forced to look at As I lay Dying in a whole new meaning. The reader is also confronted with how the most dire and tragic events can produce the greatest humor, forcing us to question not only the thin line between tragedy and comedy but also what the individual perceives to be entertaining. This mixture of death and humor is intoxicating to the reader, and effectively entraps them within the world of the characters, their pain, and what it means to be human.
Violence is regularly used in novels because, “It can be symbolic, thematic, biblical, Shakespearean, Romantic, allegorical, transcendent. ...Violence in literature, though, while it is literal, is usually also something else. That...punch in the nose may be a metaphor,” (Foster 49). There are two types of violence found in literature: intentional violence and authorial violence. The first type of violence is typical violence such as shootings, stabbings, drownings, and hit-and-run accidents to name a few. In this category, characters will inflict this type of behavior on themselves or on another character. The second type of violence, however, is meant solely to further the plot without another character’s intention. An example of this “narrative violence” is a death resulting from natural causes or a tragic accident that did not involve another character. Violence created by a specific injury that authors cause characters to visit on one another or on themselves. Both types of violence have similarities and differences. In both, the characters are killed off with the same goals of furthering plot or creating stressful situations for the characters. A difference between the intentional violence and narrative violence is that narrative violence does not involve a guilty party like intentional violence does. To Kill a
Although many people defend the Old West saying that it was not very violent, the Old West was indeed very dangerous. The Old West was not as violent as Egypt is today but it still was drastically hostile to both the Americans and the Native Americans. How might you depict the Old West?
A horrific aspect of life that many people have a difficult time dealing with is death. The thought of death scares people because as humans we do not have a way to comprehend something that we cannot test, see or even have a grasp of. When a person loses a loved one they get scared by this reality of that they do not know where they are going and when they make it there how will it be for them. In William Faulkner's book, As I Lay Dying, we go through the process at which a family loses a “loved” one and we follow the family all the way until the deceased, Addie Burden, is buried in Jefferson. In As I Lay Dying you see the steps of grieving are different for many people and some of the people will come out destroyed and others without a scratch. The character Cash goes through a process of grief, odd to most in his way of grief we do not see pain because of the pressure he puts on himself to finish the journey for the family. Cash’s brother, Jewel, seems to snap from the pain of losing his mother and he let the pain ingulf his life. Finally, the last
People say the mind is a very complex thing. The mind gives people different interpretations of events and situations. A person state of mind can lead to a death of another person. As we all know death is all around us in movies, plays, and stories. The best stories that survive throughout time involve death in one form or another. For example, William Shakespeare is considered as one of the greatest writers in literary history known for having written a lot of stories concerning death like Macbeth or Julius Caesar. The topic of death in stories keeps people intrigued and on the edge of their seats. Edgar Allan Poe wrote two compelling stories that deal with death “The Tell-Tale Heart” and “The Raven.” In “The
Have you ever wondered if violent video games can cause aggression in children? Thousands of children all over the world engage in violent video games for a large amount of time during their day. According to ProCon.org 60% of middle school boys and 40% of middle school girls who played at least one Mature-rated (M-rated) game hit or beat up someone, compared with 39% of boys and 14% of girls who did not play M-rated games. I will be using naturalistic and case study research methods to determine if violent video games cause aggression in children.
“Heaney’s poetry grants sectarian killing in Northern Ireland a historical respectability which is not usually granted in day to day journalism” (Morrison, 68)
In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.