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The elements of narrative film
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In Wayne Wang’s Smoke, the scene at Auggie Wren’s house where Auggie and Paul Benjamin are looking at Auggie’s photo album, which consists of four thousand pictures he has taken of the same place, at the same time, everyday, is a significant scene that contributes meaning to the film as a whole. Paul Benjamin is a writer who always purchases cigarettes from Auggie Wren’s tobacco shop; this is how the two men came to meet. The scene encompasses a wide range of mise-en-scene such as costumes and lighting, cinematic techniques such as a medium shot of the characters, as well as narrative techniques such as speech between the characters and the tense of the story, all which add emotion and encompass the most recognizable attributes of the scene. …show more content…
Auggie is showing Paul his photography albums, which consist of photographs taken of the same corner of the street where the tobacco shop is located. Auggie reveals that every photo is snapped at eight o’clock in the morning when Auggie opens the store. It is his life’s work and something he is very dedicated to doing. Paul glances over each page quickly and turns page after page, again scanning pictures too fast. In fact, Paul appears to not understand anything he is seeing because everything looks the same and he is not able to spot the distinctiveness of each photograph. After witnessing this for several minutes, Auggie finally disturbs Paul’s confusion and explains, “You’ll never get it if you don't slow down, my friend. You’re hardly even looking at the pictures. They’re all the same, but each one is different from every other one” (Smoke). …show more content…
The music starts when Auggie describes the reasoning behind his photographs and viewers see photographs transition across the screen one after the other. The delicate music is an important part of this scene as it allows for viewers to focus on the photographs while listening to the soft melody. The music intensifies as Paul discovers a photo of his late wife Ellen and then it stops when he starts to sob. The break off of the music forces viewers to focus on Paul and his heartbreak. This scene also reveals a common tone of the film – especially Paul’s life – that is melancholy. And, this tone is exemplified with the somber piano tune playing in the background as he speaks to
He burned the two photographs.... ... middle of paper ... ... The reasoning for this is made apparent when Kathleen cannot understand her father’s experiences and can only be mystified by the smells and exotic foreignism of the land.
The beat and resonance of the music is very slow and soothing. It immediately sets up a sad mood. The music also manages to create a lonely and sympathetic atmosphere, which carries on throughout the play. The music only plays at significant times in the monologue as the tone of music needs to fit the mood and subject of which Doris is talking about at that moment, i.e. when Doris reminisces on the good times the music becomes lighter; but when she talks about the death of John the pace of the music slows and becomes duller. The use of music alone can form an overwhelming sympathy if appropriately used.
music to analyse—in fact, the music runs almost constantly throughout the film without very little
The first part of Delights and Shadows, “Walking on Tiptoe,” contains a series of pictures of people come in contact with his daily life. He records their strengths
Peanut butter and jelly, a common combination of two separate entities, most people have heard of this duo, many enjoy it, but only one manufacturer packaged them together in a handy snack. Much like the tasty treat that is Goobers is the tasty duo of Adam Fuss and Roland Barthes. Two separate men, Adam Fuss and Roland Barthes put together in one reading, complementing and accentuating each other. Fuss and Barthes, they share an interest in photography, they share an interest in the foundation and principles of photography, more over they share an interest in photography that is deeply personal. Fuss takes the camera out of photography. Barthes takes photography out of art. Both men want to get to the essence of what a photograph is, one by thinking and writing about it and one by doing it. In this paper I will show how Adam Fuss’ work matches up with and demonstrates the ideas of Barthes’ in Camera Lucida. I will look at one body of work at a time and show which parts of Barthes’ ideas are present in the work, in its creation and its theory. I will start with his first professional body of work, move through to his most recent work and then look back to some of his childhood pictures. Whether Barthes' ideas actually influenced Fuss’ work I am not sure of, I have not found any text or interview that leads me to believe that it is, however I would not be surprised if it has.
music changes to show that she is sad. We then get a close up of
There are many different ways to create sound on a film, often sound is used to symbolize certan things, and music is used to generate suspense, fear, joy, and many other different emotions. There are three different types of film sound used to create the world of a film; speech, noise, and music. In the scene "Breakfast Montage" Orson Welles uses many different sound techniques to create the world of film. Orson Welles used non digetic music to symbolize the change in Charles Kane and his first wife Emilys relationship. At first the music in the background was sort of romantic and uplifting ; later in their relationship when they were no longer seeing eye to eye on certain things the music was much more fast passed and symbolized a hostile enviroment. Welles also used non diegetic music to create tension between the two. Later in the scene Charles kane and Emily were arguing over something, its not very clear as to what they were disagreeing on but emily says "but people will think" and Charles responds with "what i tell them to...
Music can decipher a narrative event by indicating a perspective. To unify a set of diverse images and provide rhythmic and formal continuity and momentum, a film’s structure is more often than not, directly articulated by a musical structure. Music can assist the dialogue and visuals of film and often is inaudible (e.g. music is meant to be heard unconsciously, not consciously). Music has been used by directors to reinforce or strengthen certain weak scenes in film and then on the other hand when music is not needed to reinforce a scene
When the more thoughtful and intimate parts of the movie present themselves, a slow paced piano is used to match the solemn moment. Sections of the movie have a positive and optimistic outlook, for example, when Karl walks through the small country town to the house of his new found friend. Karl is obviously filled with awe and enthusiasm for his resurrection into life, this is reflected through the music. An intimate moment in the movie is between Karl and the boy. Karl tells an extremely sad story. A soulful slide guitar and whistling accompanies this story, the music is extremely sad and is the emotion for the kind hearted but seemingly emotionless Karl. Another touching and emotional part of the movie is when Karl visits his father. Whilst Karl walks to the run down house of his elderly father, harmonious voices sing a haunting gospel tune.
It says, “You smoked weed”. You got behind the wheel. And you hit a six-year-old girl on her bike. Weed can make you do stupid things like that.” Like this, the sentences help us to understand and to imagine this picture.
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
The source photograph is a tightly cropped head and shoulder shot. The subject is a family member or friend. The finished work is always titled by the subject’s first name alone (with the exception of “Self-Portrait”). This decision was intended to project an aura of anonymity, allowing viewers to approach the work without preconceived ideas about the sitter.Close’s working method is extremely labor-intensive. He begins by dividing his source photograph into a grid and creating a corresponding grid on the canvas. He then meticulously transcribes the image onto the canvas square by square, proceeding from the top left to the bottom right.
... In the beginning, of Contempt, Paul and Camille are talking to each other, but the dialogue can barely be heard. This is caused by the use of diegetic music. In a way, this cuts off the viewer as a voyeur but it still creates a heightened interest because the film begins after their moment of intimacy. Works Cited Berliner, Todd and Cohen, Dale J. "The Illusion of Continuity: Active Perception and the Classical Editing System.
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.