War stories are hard to tell. Vietnam ones, particularly so. Veterans sometimes find it hard to convey their experiences. They are such traumatic and deeply influencing memories that a person might not find the words to describe it. However, other times, the problem lies on the receiving end. In his fictional work The Things They Carried, Tim O'Brien argues that people tend to not listen and to not care for the truth. He also argues that war stories are sometimes not fully about the war, either. In Speaking of Courage, Norman Bowker finds that there is no one to talk to. Earlier, in How to Tell a True War Story, O'Brien concludes that "[a true war story is] about … people who never listen" (81). Bowker certainly has things to tell; Kiowa's …show more content…
However, O'Brien says in How to Tell a True War Story that "a true war story is never about war" (81). War is not a concept that can be easily comprehended and experienced by soldiers in the field. They are usually, by necessity, fine-tuned to the small reality of themselves and their immediate surroundings. Bowker present an excellent example. His tour of service was probably the most impacting experience of his life; however, what he can remember does not focus on the whole war, but on the field of waste they camped in. It focuses on Kiowa's slipping away: "He released Kiowa's boot and watched it slide away. ...then he lay still and tasted the shit in his mouth and closed his eyes and listened to the rain and explosions and bubbling sounds. […] All he wanted was a bath. Nothing else. A hot soapy bath." (143) The details are components of the war; but the war itself is never mentioned. Nothing about the stereotypical war actions of fighting, shooting, and killing is mentioned, either. Kiowa's death haunts Bowker for the duration of his life, and O'Brien illustrates an important concept by presenting it in such a personal way: war stories are not about
Tim O’Brien is a very gifted author, but he is also a veteran of the Vietnam War and fought with the United States in that controversial war. Tim O’Brien was drafted into the Vietnam War in 1968. He served as an infantryman, and obtained the rank of sergeant and won a Purple Heart after being wounded by shrapnel. He was discharged from the Vietnam War in 1970. I believe that O’Brien’s own images and past experiences he encountered in the Vietnam War gave him inspiration to write the story “The Things They Carried.” O’Brien tells the story in third person narrative form about Lt. Jimmy Cross and his platoon of young American men in the Vietnam War. In “The Things They Carried” we can see differences and similarities between the characters by the things they hold close to them.
For young people, the Vietnam War is a thing of the past and they can
‘The Things They Carried’ by Tim O’Brien provides a insider’s view of war and its distractions, both externally in dealing with combat and internally dealing with the reality of war and its effect on each solder. The story, while set in Vietnam, is as relevant today with the conflicts in Iraq and Afghanistan as it was in the 1960’s and 1970’s in Southeast Asia. With over one million soldiers having completed anywhere from one to three tours in combat in the last 10 years, the real conflict might just be inside the soldier. O’Brien reflects this in his writing technique, using a blend of fiction and autobiographical facts to present a series of short narratives about a small unit of soldiers. While a war story, it is also an unrequited love story too, opening with Jimmy Cross holding letters from a girl he hoped would fall in love with him. (O’Brien 1990).
In Tim O’Brien’s The Things They Carried, the readers follow the Alpha Company’s experiences during the Vietnam War through the telling’s of the main character and narrator, Tim. At the beginning of the story, Tim describes the things that each character carries, also revealing certain aspects of the characters as can be interpreted by the audience. The book delineates what kind of person each character is throughout the chapters. As the novel progresses, the characters’ personalities change due to certain events of the war. The novel shows that due to these experiences during the Vietnam War, there is always a turning point for each soldier, especially as shown with Bob “Rat” Kiley and Azar. With this turning point also comes the loss of innocence for these soldiers. O’Brien covers certain stages of grief and self-blame associated with these events in these stories as well in order to articulate just how those involved felt so that the reader can imagine what the effects of these events would be like for them had they been a part of it.
Experiences and Emotions in The Things They Carried Tim O'Brien's The Things They Carried is not a novel about the Vietnam War. “It is a story about the soldiers and their experiences and emotions that are brought about from the war” (King 182). O'Brien makes several statements about war through these dynamic characters. He shows the violent nature of soldiers under the pressures of war, he makes an effective antiwar statement, and he comments on the reversal of a social deviation into the norm. By skillfully employing the stylistic technique of specific, conscious detail selection and utilizing connotative diction, O'Brien thoroughly and convincingly makes each point.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
The impact of the Vietnam War upon the soldiers who fought there was huge. The experience forever changed how they would think and act for the rest of their lives. One of the main reasons for this was there was little to no understanding by the soldiers as to why they were fighting this war. They felt they were killing innocent people, farmers, poor hard working people, women, and children were among their victims. Many of the returning soldiers could not fall back in to their old life styles. First they felt guilt for surviving many of their brothers in arms. Second they were haunted by the atrocities of war. Some soldiers could not go back to the mental state of peacetime. Then there were soldiers Tim O’Brien meant while in the war that he wrote the book “The Things They Carried,” that showed how important the role of story telling was to soldiers. The role of stories was important because it gave them an outlet and that outlet was needed both inside and outside the war in order to keep their metal state in check.
War changes people, with some changes being very dramatic and very quick. This is evident in the behavior of Norman Bowker, Bob “Rat” Kiley, and Tim O’Brien. These changes affected each person differently, but they all had dramatic changes to their personalities. These changes had very severe effects on each
Tim O’Brien’s The Things They Carried has readers and critics alike scratching their heads with wonder about the meaning of “story-truth” and “happening-truth.” Although, he served in the Vietnam War from 1968 until 1970, he fabricates the events of the war throughout The Things They Carried. At the same time, he insists that the truth lies at the heart of the emotion in the story, an idea that many readers question. Furthermore, it is pointless for the reader to attempt to sort through the stories and differentiate between the “story-truth” and “happening-truth,” because it is nearly impossible. This tactic is one of O’Brien’s more ingenious writing methods. He does not want the reader to know the difference between the two because in his opinion that fact is irrelevant. O’Brien obviously thinks outside the box and has everyone questioning reality. However, this fact is truly ironic, because the point is not to care what type of “truth” it is, but to instead feel the raw beauty of the emotion and to accept it as the truth. While trying to define “story-truth” and “happening-truth,” a couple chapters in particular focus on the idea of truth, “How to Tell a True War Story,” “The Man I Killed” and “Good Form.” O’Brien believes that the most important thing for a reader is to experience the emotion of the story, be it “story-truth” or “happening-truth,” as long as the real emotion is conveyed and understood by the reader, then it is as true as it could possibly be.
Tim O'Brien's story, "Speaking of Courage," is an allegory that opens up the hearts of soldiers. O'Brien's use of metaphor allows the reader to relate on a personal level with the soldiers of the war. Men who fight for their country and die on the battlefield are more than just a number or a casualty. These men all have a bond that most of the world does not understand.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
In the novel, “The Things They Carried” by Tim O’Brien, he describes parts of his war experiences through the stories told throughout the book. O’Brien discusses the gory detailed chaos of the Vietnam war and his fellow “soldiers.” As O’Brien gives detail of the his “fictional” experiences, he explains why he joined the war. He also describes a time where his “character” wanted to escape a draft to Canada.
Through The Things They Carried, Tim O’Brien moves beyond the horror of fighting in the Vietnam War to examine with sensitivity and insight the nature of courage and fear. Included, is a collection of interrelated stories. A few of the stories are brutal, while others are flawed, blurring the distinction between fact and fiction. All the stories, however, deal with one platoon. Some are about the wartime experiences of soldiers, and others are about a 43-year-old writer reminiscing about his platoon’s experiences. In the beginning chapter, O’Brien rambles about the items the soldiers carry into battle, ranging from can openers, pocketknives, and mosquito repellent o Kool-Aid, sewing kits, and M-16 assault rifles. Yet, the story is truly about the intangible things the soldiers “carry”: “grief, terror, love, longing… shameful memories (and) the common secret of cowardice” (Harris & O’Brien 21).
"The war was over and there was no place in particular to go" (157). Thoughts of sorrow and loss overwhelm the Vietnam veterans upon their return back home. Crushed from the horror of war, they come back to even bigger disappointments and sadness. Instead of the mellow lives they lead before they left their native country and the presence of warm and caring everyday life, most of them encounter empty beds, cold family ambiance and overall loss. Already physically and emotionally defeated, they find betrayal instead of recuperating trust. There is nothing to nourish their depleted and deprived psyches; they do not find anything to rely on. Even in instances of supportive partners, the inevitable horrors of the war haunt them in sleep or come back to them in daydreaming. They all came back with multitude of disorders, predominately with a post traumatic stress disorder with the common symptoms of recurring nightmares, hypersensitivity, avoidance behavior, and intrusive thoughts, feelings and memories-commonly found in war vets. The Things They Carried represents a compound documentary novel written by a Vietnam veteran, Tim O'Brien, in whose accounts on the Vietnam war one encounters graphical depictions of the PTSD. Thus, the stories "Speaking of Courage," "The Man I Killed," "How to Tell a True War Story," "Enemies" and "Friends, " "Stockings," and "The Sweetheart of The Song Tra Bong "all encompass various examples of PTSD.
Some authors choose to write stories and novels specifically to evoke certain emotions from their readers as opposed to writing it for just a visual presentation. In order to do this, they occasionally stretch the truth and “distort” the event that actually occurred. The Things They Carried, by Tim O’Brien, is a compilation of short stories about the Vietnam War with distortion being a key element in each of them.