There are 3 wall hangings in the cathedral. Two in which are hung beside the altar and they represent the valley in heaven. The other is outside between the two arches and it represent Pope John Paul ll walking through the streets of Poland. With the altar decorations there are three and they include: the white tulip, gray carpet, and the Canadian flag. The white tulip that sits beside the left and right post symbolizes peace. The gray carpet in the center is where the bible is placed and represents the fallen saints of Christ. The Canadian flag represents where the cathedral is in the world. The façade on the outside wall, side/front, have a worn stone look with a hint of glass to give it that wow factor. This feature is used to attract
The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...
...e symbol of the male tradition as pastors and the symbol of women giving the Eucharist. It is the symbol of Lutheranism in the middle of a conservative and liberal world.
The towers of the church have cone-shaped tops with one being larger than the other. There is a large circle shaped window in the center of the west facade. There are windows in the towers and windows at the base. There are doors and pedestals.There are details carved into the building which include the image of holy figures.
It takes place at the back of the church as it signifies a journey in
Weisse, Daniel H. “Architectural symbolism and the decoration of the Ste.-Chapelle.” The Art Bulletin 77.2 (1995):308. Academic OneFile.
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
Weisse, Daniel H. “Architectural symbolism and the decoration of the Ste.-Chapelle.” The Art Bulletin 77.2 (1995):308. Academic OneFile. Web. 7 Apr. 2014.
The use of brick color on Memorial Hall is an important aspect of its exterior, as it creates a striped pattern and border along the outside walls. Furthermore, the slate on the roof displays a pattern to view as well. Upon examining this building one can't h...
The Lord is wearing to Christian symbols. The first symbol is his headwear. Mary Elizabeth Podles expounds that the deity’s tiara is similar to the pope, which represents the trinity (54). The trinity is the Christian expression that God is made up of the Father (God), Son (Jesus), and Spirit (Holy Spirt), and all three figures are connected to one another. This is shown in the headwear, which is made up of three layers.
The positions of the stories in the apse show the importance of the figures represented in the images. Christ's placement the center of the apse holding a book with his left hand provides a direct relationship to the Bible. His right hand held up in blessing illustrates his divine power towards the people, who receive the sacrament on the altar below him. Christ is also surrounded by stars, wh...
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
For at least fourteen hundred years the worship of God has been offered on the site of this Cathedral, and through the prayers of the Church his power and grace have shaped human lives. Ever since the murder of Archbishop Thomas Becket in the Cathedral in 1170, Canterbury has attracted thousands of pilgrims. This tradition continues to this day, and a large team of Welcomers, Guides, Cathedral Assistants and Chaplains are there to give all visitors a warm welcome.
The building is 158 meters high and has 23 floors. It also utilizes Mies Rohe’s concept of "less is more" (Zhang, 2014; He, 2010). The structure of the building is simple and symmetry. Although it is a regular hexahedron, it needs actuate calculation (He, 2010). 75% of exterior wall of the building makes by bronze-tinted glass (Abercrombie, 2013). It uses Bronze-tinted color because it is a popular color at 1952. Moreover, normal glass cause environment hot at summer and cold at winter (Masello, 2015). Also, the exterior wall adds bronze window frame. It makes the building better sense of line and extended the form of the regular hexahedron’s building. It has the window frame transmits to people a sense of relative
In traditional culture, Naxi people, who are the minorities live in the region, believe that mountains are the backbone of their culture, while water is the soul. The design honors this belief, the walls are built with stones from surrounding mountains and a reflecting pool is included in the community center courtyard. Li also believes that the design should be sustainable and respecting the nature. Therefore, he maximizes the use of local materials. Most of the local buildings are built with a type of clay-rich stone, known as “monkey-head” shown in Figure 4. Local villagers use it as an exterior walls. In Li’s design, he chose to use a white limestone, which is also abundant in local environment shown in Figure 5. The white limestone gives a different hue to the exterior walls and makes the building unique but also in harmony with the surrounding houses, which were built with “monkey-head”.
In the 1500’s an Italian named Giorgio Vasari coined the term as an insult to the French for their new way of building churches. The Germanic tribes in France had developed some new ideas on building churches so the Italians teased them for not using the traditional Greek architecture, which was ironic because part of the Goths “new” ideas was a return to realism and naturalism that the Romanesque style had abandoned.