Violence Leading To Redemption In Flannery O'Connor's Literature

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Violence Leading to Redemption in Flannery O'Connor's Literature

Flannery O'Connor uses many of the same elements in almost all of her short stories. I will analyze her use of violence leading to the main character experiencing moral redemption. The use of redemption comes from the religious background of Flannery O'Connor. Violence in her stories is used as a means of revelation to the main character's inner self. The literature of Flannery O'Connor appears to be unbelievably harsh and violent. Her short stories characteristically conclude with horrific fatalities or an individual's emotional ruin. In all three of the stories, "Good Country People", "A Good Man Is Hard to Find", and "Revelation" the main characters experience some form of violence that leads to a learned emotional lesson.

The final scene of "A Good Man is Hard to Find", between the grandmother and the Misfit, is one of O'Connor's literal wicked truths. The grandmother is completely wrapped up in a hypocritical, condescending, selfish world, where she feels safe. That world instantly shatters at the moment just before she is shot, "His voice seemed about to crack and the grandmother's head cleared for an instant. She saw the man's face twisted close to her own as if he were going to cry and she murmured, ‘Why you're one of my babies. You're one of my own children!'" (O'Connor 442). This is the grandmother's moment of redemption. Her head literally clears, although she appears disillusioned, and more than ever she becomes aware of the situation. All her shallow thoughts seem to disappear, and she sees the Misfit for who he really is. At that moment, at her point of redemption, this is when she reaches death, "She reached out and touched him on the shoulder....

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...I don't think the story could be complete. She makes one realize that without the acts of violence in her literature, the redemptive acts may not happen. Whether O'Connor's violence leads to the character's death, loss of a prosthetic leg, or a hit in the face by a book and strangulation, all of the violence is needed to help the protagonist realize their crooked state of being.

Works Cited

O'Connor, Flannery. "A Good Man Is Hard To Find." Literature: Fiction. 9th ed. New York:

Pearson Longman, 2005. (431-442).

O'Connor, Flannery. "Good Country People." Literature: Fiction. 9th ed. New York: Pearson

Longman, 2005. (416-430).

O'Connor, Flannery. "Revelation." Literature: Fiction. 9th ed. New York: Pearson Longman,

2005. (431-442).

O'Connor, Flannery. "On Her Own Work." Literature: Fiction. 9th ed. New York: Pearson

Longman, 2005. (459-461).

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