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The relation between Dorian Gray and the picture
Picture of dorian gray symbolism
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Wilde's novel The Picture of Dorian Gray is just the sort of book that made Victorian England shiver. This decadent masterpiece is anything but a vehicle for the propagation of middle-class morality. We have in Wilde the ultimate aesthete, a disciple of Walter Pater, a dandy who in his personal life seems to have lived out Pater's quiet injunction to "burn with that hard, gemlike flame" in experiencing art and, no doubt, other things. How could Wilde's book, given its affinities with the age's decadent manifestoes--Stèphane Mallarmé's symbolist poetry, Huysmans' À Rebours (Against Nature), Aubrey Beardsley's drawings, The Yellow Book, and so on--serve as a cultural critique every bit as scathing, and perhaps more acute, than those of Carlyle, Ruskin, and Arnold? I suggest that Wilde accomplishes this task by making his characters enact the philosophy with which he himself was nearly synonymous and, in the same gesture, connecting this very philosophy with the logic of capitalistic exploitation that underlay the aristocratic façade of Dorian's England. By Wilde's time, the aristocracy could do little more than serve the capital-owning class as a kind of enhanced mirror image of its own behavior. The worst tendencies of Wilde's wealthy characters are none other than the selfishness, isolation, exploitation, and brutality that made the most perspicuous Victorians condemn capital. In Wilde's aristocracy, we see rich, idle, and decadent characters reveal from their loungechair and clubroom perspective the worst flaws in the system upon which they are parasitic. They are the dressed-up doubles, the insignificant others, of Britain's industrial class. Grown refined and idle, Wilde's aristocrats are free to exp...
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... of his own selfishness. Since Dorian is never much more than an empty container, largely filled up, or determined, by the values of the culture in which Wilde has immersed him, does it not follow that his behavior and punishment also indict the culture that has produced him? By the end of Wilde's novel, Basil the artist is dead, killed by Dorian, but that need not be taken to imply that Wilde considers art useless. Dorian's transgressions are those of an entire class, which in turn stands in for an entire economic order, an order that is not, of course, limited to the aristocracy. Ultimately, Wilde's novel concerns a sphere wide enough to encompass and criticize both the elegant circles within which Dorian and Lord Harry move and the grimy contours of Manchester. When all is said, The Picture of Dorian Gray is still with us to expose the "sins" of Victorian Britain.
In his essay, “On Being Black and Middle Class” (1988), writer and middle-class black American, Shelby Steele adopts a concerned tone in order to argue that because of the social conflicts that arise pertaining to black heritage and middle class wealth, individuals that fit under both of these statuses are ostracized. Steele proposes that the solution to this ostracization is for people to individualize themselves, and to ‘“move beyond the victim-focused black identity” (611). Steele supports his assertion by using evidence from his own life and incorporating social patterns to his text. To reach his intended audience of middle-class, black people, Steele’s utilizes casual yet, imperative diction.
As probably the best courtroom dramas of the twentieth century, Inherit the Wind is based on the famous, Scopes Monkey Trial. The play was printed virtually thirty years afterward and takes original authority in varying the true-life elements of the court case. The central conflict of the play is based on the Scopes Monkey Trial itself. Several themes are presented throughout the play, for example when Brady argues for religious values while Drummond argues for natural values and freedom of thought. The definition of a theme is an implicit or recurrent idea. We also see a theme of man versus society, furthermore, Bertram Cates versus the small town of Hillsboro. A third theme is appearance versus reality, or the difference between outward pretext and the basic truth. There are also quite a few symbols all the way through the play. A symbol is something that represents something else by association, resemblance, or convention, especially a material object used to represent something invisible. A symbol can also be an image that has multiple interpretations. For instance in Inherit the Wind, the small town mentality concept is greatly represented. The widespread significance of the court case is symbolized by the radio broadcast during the trial. External beauty is also significant when it is symbolized by the means of the rocking horse we learn about from Drummond's childhood. During the decade of the Scopes Monkey Trial, the conflict of evolution and the bible has massive relevance to the municipal and philosophical surroundings.
Within The Picture of Dorian Gray, Oscar Wilde depicts two characters that follow the philosophy of Walter Pater. These two characters are Dorian Gray and Henry Wotton. They both embody Pater’s ideal of placing as much enjoyment in one’s short life as possible. While Dorian learns of Pater’s philosophy from Henry he soon exceeds his teacher and becomes invested within the philosophy of living life to the fullest. Dorian exceeds Henry in Pater’s philosophy through his active experimentation and desire for beauty, but Dorian fails to live up to all of Pater’s expectations due to his inability to separate morality for art.
The classic novel by Oscar Wilde, The Picture of Dorian Gray inspires beauty, and romance. The main focus of the novel is aesthetics, a philosophical view detailing the nature of creation and appreciation of art and beauty. The tragedy of the young Dorian Gray after becoming misled by his companion, Lord Henry Wotton, is one that causes many to reform ideas on life and purpose. Lord Henry believes in hedonism, a thought stating that pleasure is the only true good; he declares, “The only things worth pursuing in life are beauty and fulfilment of the senses” (Wilde). This outlook is tempting for many persons, including that of the title character, Dorian Gray. In contrast to Lord Henry is an artist named Basil Hallward, whom perceives Dorian to be his muse; serving as inspiration, and purpose. Basil has many moral traits including trust, compassion, and kindness. His infatuation with Dorian causes him to change his art and style, composing an exquisite painting of the young boy. Basil states, “the work I have done, since I met Dorian Gray, is good work, is the best work of my life…his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently.” (Wilde). Dorian becomes so mesmerized by the beauty of the picture and the words of Lord Henry that he wishes for the picture to depict his sins and age, rather than his physical being. To the surprise of the young Dorian, his wish becomes fulfilled. This theme shares similarity to the Faust story, as the title character exchanges his soul for pleasures
The Supremacy of Youth and Beauty - The first principle of aestheticism, the philosophy of art by which Oscar Wilde lived, is that art serves no other purpose than beauty. Throughout The Picture of Dorian Gray, beauty reigns. It is a means to revitalize the wearied senses as indicated by the effect that Hallward's painting has on the cynical Lord Henry. It is also as a means of escaping the brutalities of the world, as Dorian distances himself from the horrors of his actions (not to mention his consciousness) by devoting himself to the study of beautiful things: music, jewels, rare tapestries. In a society that prizes beauty so highly, youth and physical attractiveness become great commodities. Lord Henry reminds Dorian of as much upon their first meeting, when he laments that the young...
Upper class white’s in colonial America possessed the highest level of power and wealth. Middle class entailed working- class whites, who were better off than poor- lower class white. Indentured servants ranked slightly higher in this social stratification system although they were enslaved persons in the institutionalization of slavery with Indians and Africans. Not only do you see the manifestation of social stratification in American society, but during the Atlantic experience with the separation of whites and slaved Africans. “Once in place, this partition would serve as a barrier to “Keep our negroes apart from our white men” (Smallwood73). The essence of small woods argument highlights that the conventions of social hierarchy ordered English life abroad ships no less than they did on
Self-hatred of the Filipino heritage is demonstrated throughout the novel "Dogeaters," which bases many of its circumstances on factual statistics of the Philippines. The history of the Philippines allows us to see the roots of their self-hatred. For instance, the four hundred year long colonization of the Philippines by Spain and other foreign countries led to oppression and self-hatred of Filipino culture. Even the title of the book, "Dogeaters," amplifies a common American stereotype of Filipinos, suggesting that Filipino people are uncivilized and even animalistic. By being exposed to negative stereotypes and oppression for such a long duration, shame and self-hatred are inevitable. We see this with the narrator, Rio who is a sensitive young girl growing up in the Philippines. She narrates the first scene in the movie theater: "I am powerless, I am only ten years old. I remembered ...
The story “Inherit the Wind” holds many themes which are revealed in many ways throughout the story. It is important to know the different themes of a story so there is a better understanding of the book. Appearance vs. reality, the importance of free thought, and man vs. society are few of the major themes that are revealed more than once throughout the story.
The Picture of Dorian Gray can be defined as a symbolic representation of a dialectic between two aspects of Wilde's personality. Dorian is an archetypal image by which both aspects are fascinated. This suggests that his behaviour symbolizes Wilde's unconscious (i.e. unacknowledged) attitudes. Dorian is characterized by his evasiveness and his obsession with objets d'art. For example, when Basil comes to console him about Sibyl's death, he is unwilling to discuss the matter. He does not want to admit the possibility that his behaviour was reprehensible. He tells his friend: "If one doesn't talk about a thing, it has never happened. It is simply expression, as Harry says, that gives reality to things" (107). Later, after murdering Basil, he again seeks to avoid acknowledging what he has done: "He felt that the secret of the whole thing was not to realize the situation" (159).
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
In Oscar Wilde’s The Picture of Dorian Gray it is unequivocal that a large part of Dorian’s corruption is attributed to Lord Henry Wotton and his cynical, paradoxical teachings. However, it is evident, upon closer inspection, that Dorian’s own nature and the portrait of Dorian himself – although inanimate – plays a much larger part in the deterioration and ultimate demise of Dorian Gray. Throughout the novel it is easy to get caught up in Dorian’s ever-prominent obsession with Lord Henry and his book and forget that Dorian’s own disposition and actions play the most dominant role in his demise.
In the Victorian Era of mid nineteen to early twentieth century, a woman’s role in society remained to be in the household, away from the business and cares of men. The feminine side is portrayed as negative, powerless, and lacking (Kileen 49). Society discouraged women from having power in society and neglecting women represented normal in the eyes of most men and women. However, Victorian novels such as The Picture of Dorian Gray illustrate the consequences of disregarding women. In Oscar Wilde’s only novel, the lack of importance surrounding the female characters and their careless treatment from men results in the selfishness of the male characters exemplified through Dorian Gray’s acts of evil.
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence,” Mr. Gray. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms from an innocent young man, to a wicked deceitful man. Lord Henry knowingly influences Dorian, “People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.”
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
Literature is a very powerful tool that is used to make a huge impact on society or in someone’s perspective. Literature comes in different forms and each literature form fits in a certain category or role to help understand the true meaning of it. From playwrights to short stories, each one has moral lesson, a message or a reflection of the author. I have witnessed the power of literature several times. Literature has moved teens to better being; it has motivated unfortunate people to fame, used as an educational process of teaching and most of all, entertainment. Back in the day, plays were on of the most famous forms of entertainment. Without television and radio present, plays served as a substitute to entertain certain groups of people like the royal family or just for the whole public. This was one way of making money by the actors and the authors that wrote the play. Also present during those times were the poem recitals. This is similar to a play but fewer people are present in the stage or sometimes solo performance. Today, Literature is still being used as a form of entertainment and educational intentions. Hollywood made a lot of money by revising the great masterpieces of famous authors such as “Rome and Juliet” by William Shakespeare. Also, they made movies out of hundreds of literary works for educational purposes and better understanding of the literature piece. Each form of literature has its own style. The style determines how it influences the audience to absorb the true meaning and moral of the story or poem. William Shakespeare and Benjamin Franklin were truly persuasive while Washington Irving and Edgar Allan Poe mixed mystery and adventure to their works. The style touches the readers which really makes a good relationship from the reader to the author’s literary masterpieces.