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Ernest hemingway influence on american literature
Analysis soldier home by ernest hemingway
Soldier's home ernest hemingway character analysis
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The main point of “Vagueness and ambiguity in Hemingway’s “Soldier’s Home” two puzzling passages” is to describe what made Ernest Hemingway’s character Krebs such a mysterious dynamic character and how was his influences impacted on who he is. Milton Cohen describes how Hemingway use the “iceberg technique” to enhance readers to figure out the missing idea on what’s being interpreted in Krebs mind. At the beginning of the article Cohen use the word “vagueness” which means to not have a clear sight or any other senses that is recognizable in an indefinite way (Cohen 159). Statements that Cohen have noted about Hemingway’s story being too vague included the two passages that exaggerating his war stories towards others and the idea for Krebs to
In “Soldier’s Home,” the main character Krebs exhibits grief, loneliness. When he returns home with the second group of soldiers he is denied a hero's return. From here he spends time recounting false tales of his war times. Moving on, in the second page of the story he expresses want but what he reasons for not courting a female. A little while after he is given permission to use the car. About this time Krebs has an emotional exchange with both his little sister and his mother. Revealing that “he feels alienated from both the town and his parents , thinking that he had felt more ‘at home’ in Germany or France than he does now in his parent’s house”(Werlock). Next, the story ends with his mother praying for him and he still not being touched. Afterwards planning to move to Kansas city to find a job. Now, “The importance of understanding what Krebs had gone through in the two years before the story begins cannot be overstated. It is difficult to imagine what it must have been for the young man”(Oliver). Near the start of the story the author writes of the five major battles he “had been at”(Hemingway) in World War I- Bellaue Wood, Soissons, Champagne, St.Mihiel, and Argonne. The importance of these are shown sentences later that the
A photo of Krebs during World War I shows him with a corporal and two German girls on the Rhine River. One's first thought of this picture may be of a lighthearted sightseeing trip on leave from the front. However, in the photograph, Krebs and the other corporal are described as "too big for their uniforms," the German girls as "not beautiful," and the Rhine does not even appear in the photograph (154). This is how Ernest Hemingway begins "Soldier's Home," the story of a young war veteran named Harold Krebs who has recently returned home. Everything that Krebs says and does is to make his life as smooth and have as few complications as possible, more than likely a stark contrast to his life in Europe.
The authors have created these characters in the short stories to undergo changes, which help make it through tough events. The character development in the stories is important because it shows the changes and events that help shape and create the main characters of the story. Both authors shape the characters through contrasting events, making the characters change from a static to a dynamic character by the end of the story. The authors tie in both the past with the present to create a twist on the future of the main characters. “Soldier's Home,” by Ernest Hemingway, and “Battle Royal,” by Ralph Ellison, are both short- fictional stories sharing a common literary characteristic of character development, influenced by the other characters and events in the story.
In Hemingway’s short story “Soldier’s Home”, Hemingway introduces us to a young American soldier, that had just arrived home from World War I. Harold Krebs, our main character, did not receive a warm welcome after his arrival, due to coming home a few years later than most soldiers. After arriving home, it becomes clear that World War I has deeply impacted the young man, Krebs is not the same man that headed off to the war. The war had stripped the young man of his coping mechanism, female companionship, and the ability to achieve the typical American life.
“Don’t talk about the war,” he says after abandoning the front, “it was over…but I did not have the feeling it was really over” (Hemingway 245). For Frederic the war captured his mind in a way that he
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
When Krebs was in the army, he had a defined identity as a soldier and when he returns home Krebs’s reluctance to take the defined identity of the everyday joe shmoe that is awaiting him. Krebs difficulty to involve himself with the girls in his hometown reflects his refusal to conform to society’s expectation of him. Krebs associates his hometown girls as death to his individualism. All the girls in Krebs hometown look alike with their “round Dutch collars above their sweaters... their silk stockings and flat shoes,” (Hemingway; 49) and “their bobbed hair and the way they walked” (49). The strict uniformity of the girls that Krebs observes can be interpreted to resemble the uniformity of soldiers. Hemingway utilizes diction to illustrate Krebs’s opinion on the army’s forced conformity; “but they lived in such a complicated world of already defined alliances and shifting feuds that Krebs did not feel the energy or the courage to break into it” (49). In context of war, “alliances” is a word used between countries and in World War I it meant The Allies. Krebs using word “alliances...
Hopeless Suffering in A Farewell to Arms Near the end of A Farewell to Arms Ernest Hemingway has Fredrick Henry describe the time he placed a log full of ants on a fire. This incident allows us to understand a much larger occurrence, Catherine's pregnancy. Combined, both of these events form commentary on the backdrop for the entire story, World War One. After he finds out his son was stillborn, Lt. Henry remembers the time when he placed a log full of ants on a fire.
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Hemingway’s characters exemplify the effects of combat because World War I had a negative impact on them; the veterans lead meaningless lives filled with masculine uncertainty. Jake and his friends (all veterans) wander aimlessly throughout the entire novel. Their only goal seems to be finding an exciting restaurant or club where they will spend their time. Every night consists of drinking and dancing, which serves as a distraction from their very empty lives. The alcohol helps the characters escape from their memories from the war, but in the end, it just causes more commotion and even evokes anger in the characters. Their years at war not only made their lives unfulfilling but also caused the men to have anxiety about their masculinity, especially the narrator Jake, who “gave more than his life” in the war (Hemingway). Jake feels that the war took away his manhood because he is unable to sleep with Brett as a result of an injury. Although he wants to have a relationship with Brett, and spends most of his time trying to pursue her, she rejects him because he cannot have a physical relationship with her. At several points in the novel, Brett and Jake imagine what their lives could have been like together, had he not been injured during the war. Thus, his physical injury gives him emotional distress because he cannot have a relationship with the woman he always wanted. The traditional American perception of...
Hemingway, Ernest. "Soldier's Home." The Bedford Introduction to Literature, 6th Edition. Ed. Michael Meyer. New York: Bedford/St. Martin's. 2002. 152-57.
The story has different elements that make it a story, that make it whole. Setting is one of those elements. The book defines setting as “the context in which the action of the story occurs” (131). After reading “Soldier’s Home” by Ernest Hemmingway, setting played a very important part to this story. A different setting could possibly change the outcome or the mood of the story and here are some reasons why.
Stewart, Matthew C. "Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War." Papers on Language & Literature 36.2 (2000): 198-221.