Use of Opinions, Voices, and Actions in Maria Concepcion
"María Concepción did not weep when Juan left her; and when the baby was born, and died within four days, she did not weep" (Porter 144). Katherine Anne Porter's used various writing techniques to develop María Concepción as a round and dynamic character. These methods included the discussion of María's actions, her speech, and by telling what other characters think about María. As a round character María Concepción expressed contradictory attitudes, and diverse personality traits. María Concepción could also be described as an unpredictable or dynamic character. She was at times a devoted, religious, and hard-working woman, but certain events caused her to exhibit contrasting traits such as envy, detachment, and fury. Porter's use of multiple styles of writing allows the reader to fully comprehend María Concepción's transformation.
Porter develops María Concepción into a round character by contrasting her attitude in the first part of the story to that the end of the story. María's transformation from a passive, laborious, and religious woman into a hateful, revenge oriented, and dominant woman becomes obvious through her actions. Her daily routine includes carrying "about a dozen living fowls, [and a] food basket to the market" (Porter 140-141). María was silent when she saw her husband run off with another woman. She "did not stir nor breathe for some seconds," instead she watched from a distance (Porter 142). María Concepción's religious faith was one of her stronger traits. "She was a good Christian. She had paid for the license which permits people to be married in the church. She had given money to the priest before she and Juan ...
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... she has had her share of troubles'" (Porter 144). Givens, another character, warned Juan not to mess with María because she was more spontaneous and determined than before he had left with María Rosa. "'Let me tell you, Juan, things haven't been going as well as you think. You be careful. Some day María Concepción will just take your head off with that carving knife of hers, You keep that in mind'" (Porter 146).
María Concepción's entire transformation, from a passive to an assertive individual, is reinforced by Porter's manipulation of characters. The use of opinions, different voices, and actions by all characters allows the reader to experience the emotional tug and pull of María Concepción's alterations. Through these various writing techniques, Porter illustrates María Concepción's various attitudes which expresses her round and dynamic nature.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
The character, Crystal who apparently grew up in the faith and at a very young age she got misfortune to become pregnant out of wedlock. The author develops her character by telling the reader that she is an innocent child and it is clearly understood that she has a few people who have affectionately attached especially the priest who is her confidant, father figure or may be considered her significant lover. Valdez creates this character in a very tactfully in touching topics involving the morality that a teenager who is not consciously aware of the responsibility
At the beginning of the short story Maggie's family is introduced, from her scrappy little brother Jimmie, to her short lived brother Tommie, her alcoholic mentally-abusive mother Mary, and her brutish father. Jimmie's friend Pete is introduced and becomes a mirror image of Jimmie later on in the book. They both are portrayed as Don Juans, the seducers of young women who treat women as objects rather than people. Maggie's father is as short-lived as her brother Tommie. However, he becomes a negative social factor in Maggie's life. Maggie’s mother was an essential symbol of hypocrisy and pessimism throughout the book, from her drinking to her last comment in the book “I'll Forgive Her” (Crane).
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
...l” (Marquez ). Normally when someone is angry, they hold a grudge for a while but not for the rest of their life. Maria’s grudge against her husband lingers from day to day and she is never able to forgive him. Humans forgive and forget, they move on from the things of the past. Maria’s grudge is another example of her insanity and her inability to move on.
9. Sherman L., Gottfredson D., MacKenzie D., Eck J., Reuter P., Bushway S. Preventing Crime: What Works, What Doesn't, What's Promising. A Report to the United States Congress. College Park, MD: University of Maryland, Department of Criminology and Criminal Justice, 1997.
In addition, Maria plays the role of the lady in waiting who essentially doesn’t do anything for herself except take orders. Later on the reader soon realizes that, Maria is a strong witty character that takes matters in to her own hands. Maria developes a strategy, first she goes for the messed up drunken Sir Toby and her goal is to straighten him out. Maria confronts Sir Toby about his drunkenness, “That quaffing and drinking will undo you: I heard my lady talk of it yesterday” (1.3.128). Sir Toby begins to take notice in Maria. Maria begins to plot with Toby to bring down Malvolio (the condescending butler) as a practical joke. Through the process of plotting against Malvolio with Toby, Maria develops a back bone something she was not known for with Olivia. Maria took the lead in the plotting and Toby starts taking her orders, “Observe him, for the love of mockery, for I know this letter will make a contemplative idiot of him” (2.5.18-19) As a result of the jokes success, Mari...
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
There was an encounter with the sister in law of a Lima merchant, a misunderstanding with Catalina’s brother over his mistress and other occasions being betrothed to women in the New World. At one point in her travels she comes very close to dying on the way to Tucman from Concepcion. Two men on horseback save her and they take her back to their mistress’ ranch. As gratitude for saving her life she helps tend to the ranch for about two weeks. The mistress is so overwhelming thankful to Catalina that she offers her daughter for her to marry. “And a couple of days later, she let me know it would be fine by her if I married her daughter—a girl as black and ugly as the devil himself, quite the opposite of my taste, which has always run to pretty faces.” (28) These instances happened a lot, where because of her hard work throughout her life she was offered many women to marry. Those engagements, however, ended after she exploited the situation and rode off with gifts and dowry
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
Hoberman, John M. 1997. Darwin's athletes: how sport has damaged Black America and preserved the myth of race. Boston, Mass: Houghton Mifflin Co
In Shakespeare’s Much Ado about Nothing, there are the usual characters that show up in most of Shakespeare’s pieces. For instance the characters Hero and Claudio could easily be compared to Romeo and Juliet. Both Hero and Juliet are innocent, quite, and beautiful young women who fall in love instantly without conversing with the other person. Likewise, Claudio and Romeo decide to marry these women within twenty-four hours. Because of these characters’ lack of unique and interesting qualities, I am intrigued by Beatrice.
Discrimination and segregation of African Americans had existed for generations. Whites and blacks were separated in schools, churches, on buses, in restaurants and on the playing fields. In the early 1900’s, there was not only continued bias towards African Americans; many lived in contiguous neighborhoods, minimizing interaction with other Americans. Sports where African Americans once demonstrated dominance such as cycling and horse racing discriminated also. Cyclist Marshall “Major” Taylor at one time dominated American cycling until “jealous white rivals colluded to force Taylor to see his sustenance in Europe by 1901” (Wiggins, p.158) Taylor was a pioneer for African American athletes. He “overcame the constraints of a society bounded by the racial hypocrisy...
Through Mariam's checkered background and the diverse people which formed her character, the reader is able to see how much the actions of others around us can contribute to the makings of one's own self-worth. Mariam experienced many conflicting ideas coming from others about what she is accredited to do and her worth in the world. However, Mariam only truly discovered her purpose when she meets Laila and her children, where she is finally able to see her own worth through the salvation of their love and