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In “Ode to the only Black kid in the class”, Clint Smith uses metaphors, negative diction, and similes, to demonstrate how it's like being the only person of color in class. The author uses metaphors to illustrate how it is to be different from others. For example when the author says “Before they watch you turn to dust”. In other words the speaker is saying being so different, feels like they're being targeted because he is so easy to find. When the author says “Here you are star before they render you asteroid”. This paragraph basically means that look who is ready to do something. From this, I infer that the use of metaphors explain… By using negative diction, the the author is saying that everything… For instance, in the text it states
In conclusion, in Conley’s memoir he focuses on his experience of switching schools, while in the third grade, from a predominantly African American and Latino school to a predominantly caucasian elementary school. His memoir focuses on the differences in his experiences at each school and how race and class further separated the similarities between his two schools. Conley focuses equally on race and class and how they both influenced and shaped his life, but class was the primary influence on Conley’s
counted, I count the holes they leave. (Smith 34) It shows that every time there would be always an incident where blacks are the victim and some of them die without committing justice. Moreover, an example that I would analyze is “Not an elegy for Mike Brown.” Smith states: “You get when you are looking at your child, turn your head, then, poof, no more child. That feeling that’s black.” (Smith 21) It explains that the incident that blacks experiencing are also passed down to their children because people will also judge them as one of ordinary blacks where people judge their skin color. It also shows that blacks are always experiencing the same pain over and over again as a child and as they grow old.
When the people laugh at these kids, they are exemplifying an implicit social view of the African Americans: it’s one of contemptuous amusement for the people on the bus. James plays into this negative view of African Americans by pretending to hit her and having the people laugh at them again when the girl ducks down beside her mother (232). This exchange shows how conscious James is of what White people think of him, e.g., “ I look toward the front where all the white people
Analysis of Why are All the Black Kids Sitting Together in the Cafeteria by Beverly Daniel Tatum
"My Children are black. They don't look like your children. They know that they are black, and we want it recognized. It's a positive difference, an interesting difference, and a comfortable natural difference. At least it could be so, if you teachers learned to value difference more. What you value, you talk about.'" p.12
“’One nigger down and eight to go’.. (page 150),” segregationists chanted while the Little Rock Nine heard while leaving school. This illustrates the verbal harassment and mistreatment that the group had to go through during the school year. But it was also a reminder that they had to be strong and make it through. “The boys had been taunting her, sticking their feet in the aisle to trip her, kicking her, and calling her names.. (page 149)” White people had believed African-Americans were beneath them, consequently the other students at Central High bullied Minnijean. This quote shows that, and also gives the reader an
“…it is said that there are inevitable associations of white with light and therefore safety, and black with dark and therefore danger…’(hooks 49). This is a quote from an article called ‘Representing Whiteness in the Black Imagination’ written by bell hooks an outstanding black female author. Racism has been a big issue ever since slavery and this paper will examine this article in particular to argue that whiteness has become a symbol of terror of the black imagination. To begin this essay I will summarize the article ‘Representing Whiteness in the Black Imagination’ and discuss the main argument of the article. Furthermore we will also look at how bell hooks uses intersectionality in her work. Intersectionality is looking at one topic and
In ‘How it feels to be colored me’ Neale Hurston opens up to her pride and identity as an African-American. Hurston uses a wide variety of imagery, diction using figurative language freely with metaphors. Her tone is bordering controversial using local lingo.
Throughout Hughes’ Not Without Laughter, we see the long-term effect of generations of prejudice and abuse against blacks. Over time, this prejudice manifested itself through the development of several social classes within the black community. Hughes’, through the eyes of young Sandy, shows us how the color of one’s skin, the church they attend, the level of education an individual attained, and the type of employment someone could find impacted their standing within the community and dictated the social class they belonged to. Tragically, decades of slavery and abuse resulted in a class system within the black community that was not built around seeking happiness or fulfillment but, equality through gaining the approval of whites.
the reality of a racist society. He must also discover for himself that his father is wrong
...eparation between blacks and whites, and he uses both positive and negative word choices. One example shows how McKay, along with all the other African Americans of America, are “sharp as steel with discontent”, and how they are proud to express their frustration to the world. This communicates his hopeful attitude because it encourages other black citizens to do the same. He proves his tone when he tells African Americans to stay strong and to ignore the discrimination happening around them.
In the poem, “Theme for English B” although the speaker is talking about a college student he is speaking for an entire race. He talks about segregation and inequality. “…and I come to the Y the Harlem Branch Y, where I take the elevator up to my room” (Lines 13-15). After years of slavery the blacks were still separated from white people and it was the majority of white people who wanted things this way. During this time blacks were largely discriminated against, they still had to fight for equal rights and fair treatment. However, in the poem he makes a very interesting statement. “Sometimes perhaps you don’t want to be a part of me. Nor do I want to be a part of you. But we are, that is true” (34-36). The speaker is humbly realizing and hoping that his white audience will understand that if not for one another, neither would be in the position that they are now in. Although whites were, “somewhat more free” (40) black and white people learned from each other, and continue to do
The same consistent, expressive voice introduces Ms. Angelou's effective strategy of comparison and contrast. By comparing what the black schools don't have, such as 'lawn, nor hedges, nor tennis courts, nor climbing ivy,' reveals not only a clear illustration of what luxuries the white schools in the forties had but also how unjust the system was. The adults at the graduation focus on the differences that were previously left unspoken. The black principal's voice fades as he describes "the friendship of kindly people to those less fortunate then themselves" and the white commencement speaker implies that" the white kids would have a chance to become Galileo's.... and our boys would try to be Jesse Owenes..." The author's emotions vary from the first proclamation that "I was the person of the moment" to the agonizing thoughts that it "was awful to be a Negro and have no control over my life" to the moment of epiphany: "we are on top again."
I was late for school, and my father had to walk me in to class so that my teacher would know the reason for my tardiness. My dad opened the door to my classroom, and there was a hush of silence. Everyone's eyes were fixed on my father and me. He told the teacher why I was late, gave me a kiss goodbye and left for work. As I sat down at my seat, all of my so-called friends called me names and teased me. The students teased me not because I was late, but because my father was black. They were too young to understand. All of this time, they thought that I was white, because I had fare skin like them, therefore I had to be white. Growing up having a white mother and a black father was tough. To some people, being black and white is a contradiction in itself. People thought that I had to be one or the other, but not both. I thought that I was fine the way I was. But like myself, Shelby Steele was stuck in between two opposite forces of his double bind. He was black and middle class, both having significant roles in his life. "Race, he insisted, blurred class distinctions among blacks. If you were black, you were just black and that was that" (Steele 211).
The narrator was unaware of his “colored” origin early on in his life. He was observant of his surroundings, but never...