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Similarities between Victor Frankenstein and the monster
Frankenstein literary analysis
Literary analysis on frankenstein the creature
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Some similarities that both Victor Frankenstein and the time traveler have is their traits to of getting past appearances, in which they both view “ugliness” in negative ways. In both ‘Frankenstein’ and ‘The Time Machine’, both main characters use of words in the each of the two novels, and due large in part to this, shows similarities how they view ugliness. Due to the appearance of the creature, the types of words that victor use to call the creature is "wretch," "monster,", and this is showed in the novel ‘The Time Machine’, in which the time travel use the words like "wretch," "monster," to describe the Morlocks. The reason for Victor view the creature in a negative way is based on his reaction to created a “perfect” being. The creature is far from the image that Victor desired. While in the case of the time travel, the expectation that he had about the future was wrong …show more content…
The looks of the Morlocks left an hatred toward the Morlocks due to their appearances and behaviours (east the Eloi). The looks of both the Creature and Morlocks, left both Victor and the time travel to view them in a negative way.
As a scientist, both characters demonstrate their knowledge through the interest of science life, and the reanimation of life and traveling though time. But their area that shows that they are quality that both Victor and the time travel are lacking that later result in many downfalls as both characters later face this inevitable truth in the novel. As a scientist, the time travel is a character that is know to a top-inventor due to him creating the time machine, but also the lack of trust that his showed in novel from his audience is area, in which he as the main characters’ lack. During the introduction, when the time traveler tries to explain his idea of travelling through time and also presents evidence of the how pro-type time machine works
Rousseau's ideology of education and nature laid the basic groundwork for many of the Gothic novels. Frankenstein, by Mary Shelley, was able to forge a bridge of thought that was able to span the chasm formed by the age of reason between the supernatural and reason. As a predecessor of the romantic movement, the Gothic novel was a direct reaction against the age of reason. The predominate idea of the age being that the world which is governed by nature is rationally ordered and given man's ability to reason, analyze and understand nature, man possesses the innate ability to use nature to create a rational society based on nature's dominate principles. The Gothic novel allowed the reader to pass from reason and order of the day to a region born of the supernatural which inspired dread and abounds in death and decay as nature's only true end.
Dr. Victor Frankenstein and the Creature seem different from each other throughout the whole story, however, they actually share many similarities when the story is looked at deeper. Both the Creature and Frankenstein share a connection with nature, a desire for more knowledge, a need for family, and experiences in isolation.
Throughout our existence, there is one emotion that we all must have or at least experience and that is compassion. The gothic novel Frankenstein by Mary Shelley introduces appearance vs. reality. However, we get to know that Victor Frankenstein comes from a respectable family and ideally good. As time passes he goes on to pursue his education. Frankenstein created what he thought would be beautifully turned out to be horrendous. Then on we notice a reaction from Frankenstein and flees as a result. People judge or judged based on appearance. Like everyone else, we want to be accepted, we want to be of value. The monster yearns for it but being the way that he is, it made it much harder for him to reach.
creature is not to blame - it is the creator. For this reason, we feel
Victor was born into a happy family and they lived in Geneva. His parents then adopted Elizabeth, whom he immediately felt a strong sense of possession towards. At a young age, Victor was always obsessed with alchemy and constantly divulged in experiments to prove the words of the mad men who wrote the ancient texts. When his mother died after her attempt to care for Elizabeth, Victor was sent to Ingolstadt where his interest swayed from alchemy to modern knowledge. In Ingolstadt, he became fascinated with the human body: “One of the phenomena which had peculiarly attracted [his] attention was the structure of the human frame, and, indeed, any animal endued with life” (36). Learning from his professor M. Krempe, he decided to delve into the discovery of “the secrets of heaven and earth” (23).
In Mary Shelley’s Frankenstein, Victor and the monster go through a journey filled with love, betrayal, and ambition. However, there are key differences between the two of them. Victor leads a good life, but has an inner spark within him that leads him to rebel against the normal world and seek glory. The monster starts off with derelict beginnings and simply wishes for the basic needs that every human gets to experience such as love, affection, and friendship. Eventually, they both face problems, and as a result, devise evil plans, and yet their motivations and rationale cause the reader to have more sympathy for the monster than Frankenstein.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
In Mary Shelley’s novel, Frankenstein, many similarities can be seen between the creature and his creator, Victor Frankenstein. While Victor and the creature are similar, there are a few binary oppositions throughout the book that make them different. The binary oppositions in the novel serve as thematic contrast; and some of the most illustrative oppositions between the two characters are on the focus of family, parenthood, isolation and association with others.
The monster does not resemble Victor physically; instead, they share the same personalities. For example, Victor and the monster are both loving beings. Both of them want to help others and want what is best for others. Victor and the monster try to help the people that surround them. Victor tries to console his family at their losses, and the monster assists the people living in the cottage by performing helpful tasks. However, Victor and the monster do not reflect loving people. The evil that evolves in Victor’s heart is also present in the monster.
Mary Shelley book Frankenstein, is a dark romantic novel that was published in the 19th century. Social prejudice based on physical appearance impacts a person's character negatively. Individuals make misjudgments based on physical aspects which affect how they treat the individual. Mary Shelly brings out the theme of appearance and prejudice in the novel Frankenstein. "The monster created by Victor Frankenstein highlights societal prejudice (Russell)."
Do not judge a book by its cover. A famous American proverb that says a person’s character cannot by judged by their appearance. A prime example of this is the monster from Frankenstein. On the outside, he has a terrible appearance but he is a kind soul simply looking for a little compassion. He is a victim however due to his monstrous appearance and is left in bitter misery in the story. Both the book and the play present him as a sufferer in a cruel world but ultimately the book does a better job portraying his pain and creating compassion for him. The monster in the book details his suffering in greater detail, is more eloquent and persuasive and also experiences a more tragic ending and as a result a reader feels more sympathy towards him than an audience member would feel towards the monster in the play.
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.
Near the end of Frankenstein by Mary Shelley, the creature stands by Frankenstein’s dead body and curses himself: “Polluted by crimes and torn by the bitterest remorse, where can I find rest but in death?” Although he murders the younger brother, best friend, and wife of his creator, the creature remains a sympathetic character, as his demise was caused by his rejection from society. In comparison to his creator, Victor is not much different. Victor and the creature are both very innocent when they first appear in the novel, slowly developing into their prime and dangerous selves.
Mary Shelley’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.