In one of Shakespeare's play called Twelfth Night, Orsino is the Duke of Illyria and he is a wealthy man who is respected by many people. Throughout the course of the play, the readers can see that the character shows little changes, and even when Orsino was still in love with Olivia, when he found out that ‘Cesario’ (Viola) turns out to be a female, he became in love with her and asked her to marry him immediately.
Orsino is a really passionate and desperate character and it can be seen when he always relates his love to Olivia with music. In the play, Orsino is really passionate about the idea of love and that is probably one of the reasons why he tries so hard to get Olivia to love him. This character is interesting because even though
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The movie would be a musical feature set in the 18th century with old time period clothing. The language would be a normal everyday language and a little of old period language so the modern audience will understand it more easily. Most of the cast will have to have the ability to sing well and have an experience in starring in a dramatic movie. Most part of this movie would have the same setting as the original play but in the movie, it will have a few changes to it. The main difference this movie will have from the play is that Malvolio and Orsino will have more screen time while Sir Toby, Sir Andrew, and Maria will appear less in the movie. Moreover, when Orsino found out that ‘Cesario’ turns out to be a woman named Viola, Orsino will have some time to think before he marries Viola. Another thing that would be different is there will be more rivalry between Malvolio and Orsino. Similar to the movie adaptation of the play called Twelfth Night or What You Will by Trevor Nunn, Orsino will be wealthy so he would have a large place to live, and the same thing goes with Olivia. The actress that would be good to play Viola is Scarlett Johansson because she has a deep voice and her short hair makes her look great playing a female character that’s pretending to be a …show more content…
Scott Hipwell is a normal and happy character at first but when he found out that his wife is murdered, he became deeply affected by it so he gradually became isolated by staying in his house all day and became desperate for his wife to come back. This relates to Orsino’s character because, in the play, Orsino is also isolated when he listens to depressing music in a dark room and stays in his house all day.
Evans’s protagonist character and his portrayal of desperate for love trait of the character can also be seen in a British dystopian drama movie called High-Rise directed by Ben Wheatley, where he plays a character named Richard Wilder. Richard Wilder is a character who desperately wants love attention from other female characters, and he does that by always bothering and flirting with them. This relates to Orsino’s character because Orsino is always bothering Olivia by asking her to marry him, and Richard Wilder is constantly bothering other women to make love with
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
Orsino is seen to be very much in love with Olivia. He seems to be so
RISING ACTION: Cesario, which is Viola, was asked by Orsino to court Olivia for him: Once Viola is hired to work for Orsino she automatically falls in love with him. Since Orsino thinks of Viola to be a man, he has no clue she is in love with him. Olivia is not impressed with Orsino’s poetry that Cesario reads to her, yet she is attracted to t...
This movie begins in the year 1593 when there are two playhouses in London (The Curtain Theatre and The Rose Theatre) that are competing with one another for playwrights and audiences. The Rose Theatre hires Shakespeare (played by Joseph Fiennes) to write the comedy, "Romeo and Ethel the Pirate’s Daughter", in a drastic attempt to bring in some cash. William agrees to write this piece, but also offers it to the Curtain Theatre, seeing where it will be of more profit. The only trouble is, he is currently suffering a severe case of writer’s block that can only be cured by finding himself a muse.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
We see this exaggerated one-sided love play out in many forms throughout the play. Viola, for example, says in this line, “I’ll do my best To woo your lady: Aside. Yet a barful strife! Whoe 'er I woo, myself would be his wife.” (1.4.44-46) This tells us that Viola, having just met Orsino a few days ago, has a desire to be wed to Orsino. This kind of desire that Viola has for Orsino can only be conjured up from a fairytale due to the sheer passion and irrationality of falling in love with an acquaintance. Shakespeare also uses diction in deceptive forms. This is evident when Orsino uses the word “violets” (1.1.6) in his speech and to display the deception that is played out in the play. The word “violets” comes from the comes from the latin word viola. Some readers would be deceived, as many might not even notice the hint that Orsino gives in his own speech. We know this deception to be true in the form of Viola when she disguises herself as a eunuch to Orsino in his own courts as evidence in this line, “For such disguise as haply shall become The form of my intent. I 'll serve this duke: Thou shall present me as an eunuch to him”
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Finally, Olivia officially tells Viola (Caesario) that she loves him after Viola delivers another message to Olivia. Olivia tells Caesario that she has been in love with him ever since she first saw him, and that she cannot hold it anymore. She cares not about what her society would think about her for falling in love with a person not from her class. The reader knows that Viola is not interested at all in Olivia since she is in love with Orsino. Lady Olivia’s love for Caesario illustrates a universal truth about life that when someone is in love, he/she will do whatever it takes to show the other person that they love them. They are willing to sacrifice everything they’ve got for their love. In this case, Olivia is sacrificing her social status and reputation.
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
The opening soliloquy of Act I Scene I, given by Duke Orsino, is another perfect example of Shakespeare using music to show the upcoming storyline of the play. At first, Orsino is using music as a metaphor that feeds the appetite of love. He speaks for a minute about his love for the music playing, and then changes abruptly by saying, “Enough; no more” (7). Already Shakespeare is foreshadowing Orsino’s fickleness when it comes to music which in turn stands for love. Of course, further into the play, it is shown that Orsino truly is fickle when it comes to love. As soon as he finds out that Cesario is in fact the woman Viola, he instantly forgets all the passion he had for Olivia and marries Viola.
Duke Orsino’s repeated usage of poetical verse and poetic devices to describe his woes from love set him apart from other character. By using deep metaphorical language and flowing poetic structure, Shakespeare conveys Orsino’s melodramatic nature. In Orsino’s first speech, he takes a complicated and metaphorical approach to explain his love for Olivia instead of directly stating his desires. Instead of using prose, Orsino speaks in blank verse which is significantly fancier and floral in language. He says, “If music be the food of love, play on; /Give me excess of it, that, surfeiting, /The appetite may sicken, and so die” (1.1 3-5) to compare his love for Olivia to his love of music. Orsino wants the “excess of it”, so that he can become bored of music and therefore his love for Olivia. This also shows that he is excessively wordy throughout his speech and often prolongs sentences with repetitive phrases such as “…,play on/Give me excess of it, that, surfeiting” (1.1.3-4) and “…may sicken, and so die” (1.1.5) that have the same meaning. His long-winded language illustrates the dramatic quality...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...