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Why study Shakespeare
Shakespeare female characters analysis
Why study Shakespeare
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The Necessity of Cross-dressing Twelfth Night
The action of Twelfth Night begins shortly after a damaging tempest shipwrecks the heroine, casting her upon foreign shores. Upon arrival in this strange seaport, Viola--like the Princess Leonide--dons male disguise which facilitates both employment and time enough to orient herself in this unfamiliar territory.
Viola's transvestism functions as emblematic of the antic nature of Illyrian society. As contemporary feminist and Shakespearean scholars are quick to point out, cross-dressing foregrounds not only the concept of role playing and thus the constructed or performative nature of gender but also the machinations of power. Viola can only make her way in this alien land if she assumes the trappings--and with these garments the--privileges of masculinity. Her doublet and hose act as her passport and provide her with a livelihood, a love interest, and friendship (just as Leonide's breeches allow her passage into Hermocrate's garden).
Viola's male masquerade also calls attention to the more general theme of masking. As Cesario, Viola suggests that things are not always as they seem, that identities are protean, that self-deception rivals self-knowledge and that only Time can untie complicated "knots." Coppelia Kahn points out that the cross-dressing in Twelfth...
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... Critical Interpretations, ed. Harold Bloom (New York: Chelsea House Publishers, 1987) 43. For further discussion on renaissance gender performance and identity politics among Shakespeare's cross-dressed heroines, see Michael Shapiro's Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: The University of MIchigan Press, 1994).
6- Elliot Krieger, "Malvolio and Class Ideology in Twelfth Night," Modern Critical Interpretation, ed. Harold Bloom
(New York: Chelsea HousePublishers, 1987) 24.
7- J.M. Lothian and T.W. Craik, "In troduction," The Arden Shakespeare: Twelfth Night , ed. Lothian and Craik (New York: Routledge, 1991) lvi.
In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period. Instead it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry. The first idealizes women as a catalyst to male virtue, insisting on their absolute purity. The second fears and mistrusts them for their (usually fantasized) infidelity, an infidelity that requires their actual or temporary elimination from the world of men, which then re-forms [sic] itself around the certainty of men’s shared victimization (Neely 127).
The Canadian Press. U.S. wouldn't have recognized Quebec independence in wake of Yes vote in 1995. (The Montreal News, March 14, 2014) Retrieved March 26, 2014 from http://montreal.ctvnews.ca/u-s-wouldn-t-have-recognized-quebec-independence-in-wake-of-yes-vote-in-1995-1.1730253
From 1949 to 1954, the citizens of the United States were overcome with terror of the possibility of being accused of Communism. Joseph McCarthy was an anti-communist zealot obsessed with rooting out perceived Communist spies and activities in the United States. Common opinion showed that McCarthy was a bully and a liar. The Senate condemned him for it because at the time, there was no evidence to support him. However, in recent years, evidence has come out that confirms the basis of what McCarthy said. There were Communists infiltrating America, and it seemed McCarthy was the only one who actively trying to find it. McCarthy governed the U.S. people with fear for three year, was censored, and now is being proven correct, despite people trying to hide the truth.
From 1347 to 1350, the Black Death hit Northern Europe. Although, this was not the first time this type of disease was record. The plague was documented to have affected North Africa and the Middle East during the Classical Time. There are several speculations that this certain type of virus had been the cause of other epidemics, such “the pestilence described as striking the Philistines in the biblical book of 1 Samuel” (plague 9) although this is not verified. When it hit Europe in the 14th century, the main cause was black rats and fleas that carried the virus, as well as the disease being spread by poor sanitary. During this time period, about “one-fourth to one-third of the total population of Europe, or 25 million persons” (plague 10) died. The infected black rats were believed to have been carried over by Central Asian trade routes, fleas are believed to have become infected by biting an already infected rat. How a person would get infected was in two ways; either, normally one was bitten by a tainted flea or rat and unfortunately, the virus could live in the host indefinitely. Once a person became infected, it wouldn’t take too long for those around them to also become infected. Not only was the plague spread by rats and fleas, but the disease was insa...
Joseph, Bertram. Rev. of The Twelfth Night of Shakespeare’s Audience, by John W. Draper. Review of English Studies 3.10 (1952): 170-71. Print.
Though its primary function is usually plot driven--as a source of humor and a means to effect changes in characters through disguise and deception—cross dressing is also a sociological motif involving gendered play. My earlier essay on the use of the motif in Shakespeare's plays pointed out that cross dressing has been discussed as a symptom of "a radical discontinuity in the meaning of the family" (Belsey 178), as cul-tural anxiety over the destabilization of the social hierarchy (Baker, Howard, Garber), as the means for a woman to be assertive without arousing hostility (Claiborne Park), and as homoerotic arousal (Jardine). This variety of interpretations suggests the multivoiced character of the motif, but before approaching the subject of this essay, three clarifica- tions are necessary at the outset.
Sophocles. “Oedipus Rex.” The Heath Introduction to Drama. Ed. Jordan Y. Miller. Toronto: D.C. Heath and Company, 1996. 29-72.
The USA Patriot Act is very important to everyone in the United States of America. There are many people that are anti-patriot act because they feel it infringes on there constitutional rights. At the same time, there are enormous amounts of people that are pro-patriot act putting the safety of the home front as their number one priority. This act was very instrumental in giving our intelligence agencies the tools necessary to intercept terrorist messages and fore warn us of any possible attacks.
Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge, New York, New Rochelle, Melbourne, Sydney: Cambridge U, 1986.
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
This shows that femininity and masculinity in itself is an identity, not just physical and biological. This makes Viola’s disguise even more difficult to overcome. Biologically she can relate to a woman’s folly and weaknesses, while being able to exert her newly found masculinity. She is not between these two worlds, they are now glued together and she is right in the middle of it. As a result, she has a heavy crown because of this, and it consists of all of the accumulated deceit. It also puts her in situations where she has to pick between her femininity while she appears to be in a man’s body. She understands that a woman’s heart can be weak and fickle when it comes to finding love, but while she is in a new identity, she finds that some characteristics between the two sexes do not add
However, the law allows exceptions for religious slaughter . Indeed, it states that the Jewish method of killing called Schechita and the Muslim one called Dhabihah are permitted as long as they avoid un...
play. Viola is a young woman who has disguised herself as a eunuch in order to gain the
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...