Trainspotting as a Success
Trainspotting is a drama/fantasy film directed by Danny Boyle. Famous
actors included Ewan McGregor, who plays Renton, a Scottish junkie who
wastes his life by having his life evolve around drugs until he gets
sent to court and then hospital; he then decides to clean up his act
and clean up.
The film starts off with Renton (McGregor) running through the street
with friends, he explains his life and friends. We get the impression
from him he thinks drugs are good and he doesn’t care about anything
else apart from having a good time.
Teenager and young males who are middle-lower class are most likely to
watch this film as some people may be able to relate to this film
especially drug users who are now clean. Trainspotting attracts a
niche audience rather than a mass audience because people may not want
to watch a film which involves awful material such as drugs, sex and
abuse as this may offend people. It is more aimed at audiences who are
able to select and reject the information given; active audiences.
The typical generic conventions of the place where Renton is staying
is a council house which is messy, walls falling apart, mould,
mattresses of floor, tatty clothes and old television and sofa. This
tells us that he is lower class and a typical drug user. We also get
the impression like they are squatters from the state of the house and
all the people living in there.
The narrative in the film is non linear and has a montage sequence, by
doing this it keeps us interested because it isn’t straight forward
like most films. We are also put in different situations such as when
Renton takes drugs but then we are put in the situation when Renton is
off drugs so by being put in different situations we are kept
interested and involved in the film.
The film is very art house as it has many scenes which are unreal but
we know that it is and are able to accept this.
actor and best film editing. The elements in this film such as music, sound, picture, and visual
The directing in this movie, however, was really poor. The props, murders, and camera direction left much to be desired. The director Dario Argento was highly decorated throughout the 1960s, but he really showed his bad side of directing. This movie had such high potential but he really destroyed that potential.
Even more difficult than defining art is coming to an agreement of what constitutes art. Along this extensive history of debate came the consideration of whether film is art. Films were not considered an art form and had not been seriously debated until film theorist Rudolf Arnheim challenged what art could be with his theory. Arnheim, who claims that the more a film differs from reality the more it should be considered art, would certainly argue that a film like Black Swan (Aronofsky, 2010) is art in that it significantly displaces the viewer from their lived reality. He rejects the “assertion that film is nothing but the feeble mechanical reproduction of real life” (“Film Theory and Criticism” 228), instead postulating that human perspective and choices should be involved in the process of making a film to meaningfully shape elements of our lived experience. In Black Swan, director Darren Aronofsky uses multiple tools and aspects of the medium of film to create a surreal narrative. The film Black Swan qualifies as art by Rudolf Arnheim’s standards because of the ways that the viewers’ experience of the film differs from our experience of reality.
During this film, the first thing noticed that classified this film as an art film was the very first scene, when the music is playing and the earth slowly rises with the sun in the background. This goes on for about 3 minutes ...
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
I like the artistic picture in the film and I think that the true story conforms enough. In my opinion, this film does not reach the top mark, mostly because of the perceived missing sequences. I would give the film the mark 4 out of 5.
Fellini is what some many call a magician, as he is able to incorporate all of these magical scenes discreetly into all off his films. He has proved himself over and over again to be the vision of Cinema, and his film 8 ½ is the last building block in his puzzle.
Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choicesvariables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are deliveredit might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.
first violent act came not more than ten minutes into the movie. It was when
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
To begin, the idea of two realisms is first illustrated in the opening sequence of the film and continues throughout the length of the story. For example, the neighborhood shown in the film is very staged, with warm and soft lighting, providing a calm, serene feeling.
Baz Luhrmann has done this film in a unique and brilliant way, with help of the above, and of course a great loved story as a base.
Martin Scorsese truly captures the film with his evocative directing where he often use slow-mo camera shots and dark, eye-wielding camera angles to capture the decay of New York City. Scorsese is in top form with his directing where he makes the camera use as a viewpoint of Bickle¡¯s character or as a third party watching Bickle¡¯s descent into paranoia and madness. Even with the film¡¯s final act whe...
Due to the film’s quality and interest it became an award winning film. The film had excellent sound effects such as the battle scenes. The image quality was also outstanding; it used many different angles to depict the actor to make you feel involved in the scenes. In the action scenes the most common viewpoint used was a close up shot which allows the audience to see and feel the intensity of the scene. The second viewpoint mostly used was a tracking shot due to the actors c...