Paul through the inspiration of the Holy Spirit says in Romans charter eight verse twenty-eight “And we know that for those who love God all things work together for good, for those who are called according to his purpose.” All Christians can rest assured that God works all things for their good—even when those things include loss and pain. Three great examples of good being worked through pain come through the short stories, “Gwilan’s Harp” by Ursula K. Le Guin, “The Washwoman” by Isaac Bashelvis Singer, and “The Last Leaf” by O. Henry. All three have moments of tragic loss, or even loss that manifest itself throughout the whole story. However, the writer always uses the moments of tragedy to teach a lesson to the reader. All in all, “Gwilan’s Harp”, “The Washwoman”, and “The Last Leaf” each display loss and the moral of that loss in a unique in intriguing way. To begin with, the theme of loss dominates the short story “Gwilan’s Harp”. Although, at the very beginning of the story Gwilan, the main character, lives a live of satisfaction and ease, loss eventually rains down on …show more content…
However, it does not contain nearly as much loss as “Gwilan’s Harp”, as a result, the story has a much happier voice. The main example of loss in “The Washwoman” comes at the very end of the story when the family the washwoman works for, finds out that she dies. The narrator of the story recounts it in this way “But she never came back. The wash she had returned was her last effort on this earth.” (Singer). Just the opposite of “Gwilan’s Harp” the main theme of loss does not come till the end of the story, while joys fills the rest of the story. Although the story ends with loss, Singer leaves the reader with a great example of perseverance and good integrity. In the end, the utilization of loss in “The Washwoman” contrast sharply with its use in “Gwilan’s Harp”, but similarly, it also teaches a precious
In Alistair McLeod’s collection of short stories the Lost Salt Gift of Blood; death seems to be a constant companion. Death is important and perhaps even symbolic in this collection of short stories. It is important because it has the power to affect people and relationships, invokes freedom and even predetermines ones future, through the death of animal’s people and the impending death of others.
In the fiction short story “Greasy Lake” author Bruce Springsteen writes about three young adults who think of themselves as tough characters only to have a run-in with actual bad people which put into perspective how they were merely acting like rebels and that they didn’t truly have it in them. There are many notions of epiphany and evolution in “Greasy Lake”. The protagonist which is also the narrator of the story tells the events in a sorrowful way. He forms his sentences in a way that lets the reader know that he doesn’t feel the same way anymore. This regret, this remorse is a rhetorical appeal known as pathos, which focuses on emotions. Author Springsteen uses pathos in his bildungsroman, more distinctly realism and foils in order to persuade the reader of the epiphany and evolution that the protagonist now has in his life.
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into for a deeper understanding of the choice death for these characters.
Metaphor is an underlying element used in this memoir to depict the relationship between family and nature, and the profound understanding of oneself, through the sequence of life and death, and the rebirth that proceeds. Using metaphoric references, Williams explores the continual unpredictab...
Dave Lucas’s “November” and Mark Bibbins’ “Groupie” have similar themes and tone but different topics, settings, and poetic stylings. These poems express the melancholy of unrelated endings. By exploring the poet’s goals and examining theme, tone, poetic diction, end-stop, enjambment, and use of color in imagery, the reader can see how the poems reflect each other in their exploration of mournful endings.
Terrible heartbreak plagues the reader: “And the mother’s shrieks of wild despair / Rise ...
Throughout his villanelle, “Saturday at the Border,” Hayden Carruth continuously mentions the “death-knell” (Carruth 3) to reveal his aged narrator’s anticipation of his upcoming death. The poem written in conversation with Carruth’s villanelle, “Monday at the River,” assures the narrator that despite his age, he still possesses the expertise to write a well structured poem. Additionally, the poem offers Carruth’s narrator a different attitude with which to approach his writing, as well as his death, to alleviate his feelings of distress and encourage him to write with confidence.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
The main character in this story, Louise Mallard shows us her dream of freedom and proves these people wrong when her husband, Brently Mallard, dies. Louise’s husband was on a list of people that died in a railroad disaster. They tell her carefully since she has a heart condition. She starts crying, but afterwards she begins to think of all the positive things that come from his death. Her sister, Josephine goes upstairs to make sure she is okay,and once she finds out she is they come down. As they walk down the stairs she sees the door being opened and her husband comes in. Having her heart condition, she dies. The doctors thought “she had died from heart disease-of joy that kills.” However, she didn't die from the joy of getting to see her living husband but from losing her future filled with freedom.
“Paradise Lost.”* The Norton Anthology of English Literature. Ed. Stephen Greenblatt and M.H. Abrams. New York: W.W. Norton, 2006. *(page). Print.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
In the poem “A song of Despair” Pablo Neruda chronicles the reminiscence of a love between two characters, with the perspective of the speaker being shown in which the changes in their relationship from once fruitful to a now broken and finished past was shown. From this Neruda attempts to showcase the significance of contrasting imagery to demonstrate the Speaker’s various emotions felt throughout experience. This contrasting imagery specifically develops the reader’s understanding of abandonment, sadness, change, and memory. The significant features Neruda uses to accomplish this include: similes, nautical imagery, floral imagery, and apostrophe.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
Janwillem Van De Wetering says, “Greed is a fat demon with a small mouth and whatever you feed it is never enough.” Guy De Maupassant’s “The Necklace” tells of Mrs. Mathilde Loisel’s longings for the finer things in life. Her desires are so intense she risks her husband’s affections, the friendship of an old chum, and even her mediocre lifestyle to pursue these cravings. One small decision based on an ill-placed desire causes a slow drawn out death of the spirit, body and relationships.