Rysa Walker’s fantasy, dystopian story “Time Bound” takes places in modern D.C. where Kate a 16 year old teenager living in a happy little cozy apartment with her dad who is a teacher at her school, and her mom a college historian. Kate lives a happy life until her evil, power hungry, time traveling, grandpa goes back and kills her grandma, which makes her mother disappear, and her dad become someone else's dad. But she does not disappear because she is protected by a special time traveling medallion that kept her safe from the changes that happened in the past. Now she is set on fixing her world to bring back her mom and dad, and to stop her mad grandpa. One theme that this story suggests is that some people go mad and power hungry, trying …show more content…
From about page 100, Kate starts to learns why her grandpa killed her time traveling grandma in the past. In the middle of the book it says ”Saul is a devout believer only in himself, and he was convinced that the religious faith of others, if manipulated skillfully, was an excellent path to the power he sought. He was studying religions of the world in order to pick up tips on how to build his own. ‘How do you ‘build’ a religion?’ I asked. ‘Many others have done it with less, ‘Katherine said with a wry smile. ‘Saul had an excellent tool at his disposal. I think his plan was to personally go back to various places and times in history and lay a trail of appearances, miracles, and prophecy--blending a variety of religions. Just as Christianity pulled in elements of pagan religions in order to attract followers, he would incorporate elements of Christianity, Islam, and other religions, laying the path for the reign of the prophet Cyrus...who would , of course, be Saul” (Walker 115). After Kate’s grandma told her this, she realized that her suspicion where true, and her grandpa has gone crazy and mad trying to get power to literally become a god, and will kill and destroy anyone or thing that get in his way of making his …show more content…
One example is after she comes up with the plane to go back in time to collect and destroy all of the Chronos time trialing medallion. In the book kate says ” I don’t really remember going back to the car. Trey helped me inside and pulled the seat belt over me, snapping it into place. “I’m sorry Katie. I’m sorry.” There were tears in his eyes. He gave me a soft kiss on the forehead and drew me into his arms. At that point, I broke down, sobbing against his shoulder. I held on to him tightly. As much as I hated to seem needy or weak, after a day in which I had lost my mother, my father, and in every way that mattered, my own existence, I desperately needed the human contact. He held me for several minutes and then I pulled away. I was still crying, but I said, “I’m okay. We need to go.” “You don’t sound okay, but yeah...let’s get out of here.” He rummaged around in the console and found some napkins from a fast-food place. “Sorry, I don’t have any Kleenex,” he said. I took the napkins, dabbing at my eyes and nose. I glanced back at the picnic table. The youngest boy was in Dad’s lap trying to get his attention, but Dad continued to stare at the car as we drove away. He looked miserable and I felt a surge of
When everything seemed to be going well for the Wescott family, the author describes one of Katherine’s fit by saying, “Katherine was crying and moaning, her hands clutching her chest, and she was panting as though the Devil himself had chased her home” (GodBeer, 14) Although Abigail did not always believe she was telling the truth, and did not really trust her. Her and her husband, Daniel, wanted to get to the bottom of what was really wrong with Katherine. It was believed to be Daniel and Abigail’s moral obligation to take care of Katherine according to the church. Throughout the first chapter many of Kates fits happened, and there were countless witnesses, such as Ebenezer Bishop and other neighbors. Surprisingly as more attacks happened, Kate started calling out certain community members name and had stranger fits. These neighbors witness Kate scream, “Goody Clawson, turn head over heels…Now they’re going to kill me! They’re pinching me on my neck!” (GodBeer, 28) With many more attacks, and neighbors witnessing it firsthand the question of who was tormenting her became the
...ther is losing her daughter to time and circumstance. The mother can no longer apply the word “my” when referring to the daughter for the daughter has become her own person. This realization is a frightening one to the mother who then quickly dives back into her surreal vision of the daughter now being a new enemy in a world already filled with evils. In this way it is easier for the mother to acknowledge the daughter as a threat rather than a loss. However, this is an issue that Olds has carefully layered beneath images of war, weapons, and haircuts.
Since Connie is a teenager, she relies on her parents to take care of her and provide for her. Even though she fights against her family, they are still the foundation of the only life Connie knows. Her constant need of approval from men becomes a habit for Connie because she doesn’t get approval at home, instead she gets disapproval. “Why don’t you keep your room clean like your sister? How’ve you got your hair fixed-- what the hell stinks? Hair spray? You don’t see your sister using that junk.” Because of this criticism, she isolates herself from her parents. For her, her only way of getting approval is to be independent from her parents and those who are trying to protect her. Connie’s search for independence only comes to her but only in a harsh
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
The award-winning book of poems, Brown Girl Dreaming, by Jacqueline Woodson, is an eye-opening story. Told in first person with memories from the author’s own life, it depicts the differences between South Carolina and New York City in the 1960s as understood by a child. The book begins in Ohio, but soon progresses to South Carolina where the author spends a considerable amount of her childhood. She and her older siblings, Hope and Odella (Dell), spend much of their pupilage with their grandparents and absorb the southern way of life before their mother (and new baby brother) whisk them away to New York, where there were more opportunities for people of color in the ‘60s. The conflict here is really more of an internal one, where Jacqueline struggles with the fact that it’s dangerous to be a part of the change, but she can’t subdue the fact that she wants to. She also wrestles with the issue of where she belongs, “The city is settling around me….(but) my eyes fill up with the missing of everything and everyone I’ve ever known” (Woodson 184). The conflict is never explicitly resolved, but the author makes it clear towards the end
The book follows Dana who is thrown back in time to live in a plantation during the height of slavery. The story in part explores slavery through the eye of an observer. Dana and even Kevin may have been living in the past, but they were not active members. Initially, they were just strangers who seemed to have just landed in to an ongoing play. As Dana puts it, they "were observers watching a show. We were watching history happen around us. And we were actors." (Page 98). The author creates a scenario where a woman from modern times finds herself thrust into slavery by account of her being in a period where blacks could never be anything else but slaves. The author draws a picture of two parallel times. From this parallel setting based on what Dana goes through as a slave and her experiences in the present times, readers can be able to make comparison between the two times. The reader can be able to trace how far perceptions towards women, blacks and family relations have come. The book therefore shows that even as time goes by, mankind still faces the same challenges, but takes on a reflection based on the prevailing period.
The novel, “A Visit From The Goon Squad” by Jennifer Egan is told through a span of forty years by several loosely connected people. The two main characters, who are the most closely linked are Bennie Salazar and Sasha, for most of the novel, Bennie is a record producer and Sasha is his assistant. There is no real chronology in the story, making it difficult to follow because each chapter is another person’s story. The interwoven thread throughout the novel and embedded into each chapter is the seeking of some form of redemption, as well as trying to buy or turn back time to redeem past actions. The story ends in the near future, leaving the sense that each person has gone as far as they will go towards redemption and if someone is going to
In the novel Kindred by Octavia E. Butler, Butler tells a story of an African- American woman named Dana who travels from 1976 in California to the 1800’s in Maryland. Dana goes back in time to save Rufus, her ancestor, every time he is faced with life threatening situations. Throughout her journey in Maryland she gets life experience of what being a slave was like in the past. In the novel we learn of two slaves, Sarah and Alice, who live on the Weylin plantation. Sarah, an older slave, is the cook on the plantation who seems to make herself adjust to life as a slave. Alice who is owned by Rufus struggles to make their relationship work. Through the characters of Dana, Alice, and Sarah the reader is able to understand the emotional endurance of the psychological toll of slavery.
The book starts off with Jeannette, a successful adult, taking a taxi to a nice party. When she looked out the window, she saw a woman digging through the garbage. The woman was her mother. Rather than calling out to her or saying hi, Jeannette slid down into the seat in fear that her mother would see her. When asking her mother what she should say when people ask about her family, Rose Mary Walls only told her, “Ju...
The book is a first person point of view about slavery on a plantation in the antebellum south. The author gives detailed and vividly explains the beatings, attempted rape, and constant verbal abuse. “Instead he stopped me with one hand, while he held me with the other. He spoke very softly. ‘You got no manners nigger, I’ll teach you some.’”(Butler, Kindred 41). The cause of the trauma originates from the brutality of slavery. The site of the trauma is adaptation. The audience sees a dynamic change in having to adapt not only in Dana, but also Rufus and Kevin. While traveling back in time, Dana begins to discover her roots and the origins of her ansestors. Before time traveling back to 1815 Dana takes her freedom for granted. Traviling back in time she has to adapt and find her identity in a foreign place. Marie Varsam argues that the “past should be, even must be, retained and manipulated in order to formulate a cohesive identity in the present” (Varsam). Every time Danan returns to
“At first I thought what I was feeling was just exhaustion, but with it came an overriding sense of panic that I had never felt before. Rowan kept crying, and I began to dread the moment when Chris would bring her back to me. I started to experience a sick sensation in my stomach; it was as if a vise were tightening around my chest. Instead of the nervous anxiety that often accompanies panic, a feeling of devastation overcame me. I hardly moved. Sitting on my bed, I let out a deep, slow, guttural wail. I wasn’t simply emotional or weepy, like I had been told I might be. This was something quite different. In the past, if I got depressed or if I felt sad or down, I knew I could counteract it with exercise, a good night’s sleep, or a nice dinner with a friend. If PMS made me introspective or melancholy, or if the pressures of life made me gloomy, I knew these feelings wouldn’t last forever. But this was sadness of a shockingly different magnitude. It felt as if it would never go away ( "Brooke's Story." Brooke's Story. N.p., n.d. Web. 01 May 2014). That is an excert from the testimony of Brooke Shields the Actress and survivor of Postpartum Depression.
The history of slavery in America is one that has reminders of the institution and its oppressive state of African Americans in modern times. The slaveholders and the slaves were intertwined in a cruel system of oppression that did not yield to either side. The white slaveholders along with their black slaves became codependent amongst each other due to societal pressures and the consequences that would follow if slaves were emancipated with race relations at a high level of danger. This codependency between the oppressed and the oppressor has survived throughout time and is prevalent in many racial relationships. The relationship between the oppressed and the oppressor can clearly be seen in Octavia Butler’s novel Kindred. In this novel, the protagonist Dana Franklin, a black woman, time travels between her present day 1977 and the antebellum era of 19th century Maryland. Throughout her journeys back to the past, Dana comes in contact with her white ancestor, Rufus Weylin, a white slave owner and Dana ultimately saves his life and intermingles with the people of the time. Butler’s story of Dana and her relationship with Rufus and other whites as she travels between the past and the present reveals how slaveholders and slaves depended on and influenced one other throughout the slaves bondage. Ultimately, the institution of slavery reveals how the oppressed and the oppressor are co-dependent; they need each other in order to survive.
In the story Everyday Use by Alice Walker, we learn about a family that includes a mom called “Mama” and two very different daughters named Dee and Maggie. One daughter, Dee, has had a much easier life than her sister, Maggie, in many aspects. The relationship between Mama and her daughters provides the basis for Mama’s actions. The story is told from the perspective of Mama, allowing readers to learn about her thoughts and the motivation behind her actions. At the beginning of the story, Mama worries about what Dee thinks of her and tries to please her by giving her anything she asks for. By the end of the story, we see Mama changes because she stands up to Dee, resulting in her finally able to give Maggie something she desires. Mama changes because she realizes Dee shouldn’t control her actions and that Maggie deserves better treatment. Mama’s choice to stand up to Dee is crucial to understanding her character because we’ve seen how Dee has controlled Maggie and Mama for a long time and this action shows a turning point in all of their lives.
For an example in one particular scene, Tiffany has an episode of irritability towards her sister with assumption that her sister hates her; which included loud inappropriate comments and an abrupt exit. There were also symptoms shown such as an excess desire for sex. Tiffany casually talks about all the men she has slept with since her husband’s death, including “the whole office” at her previous job. This is a way she has learned how to deal with her depression.
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...