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The Tim O’Brian’s short story, “Sweetheart of the Song Tra Bong”, Mary Anne Bell is a rare illustration of the innocence that is lost. In her attractive sweater, unblemished pants and free spirited attitude, no one could seem more faultless. She was the definition of a true young American teenager or at least that’s what they all assumed at first. In the beginning of the story, she is something noticeable to both the soldiers and the reader: she was expected to be a normal American girl who wanted nothing more than a family. The story of her mutation into something different, a killer, mirrors the transformation of most of the soldiers. It is a well-known fact that war changes people; there is an innocence that is forever lost. They go to war as young men and return from war as thirsty butchers. The sweetheart of the song Tra bong is not about the war or Mary Anne but it is about how Mary Anne embraced and adopted to her surrounding while everyone else ignored every single detail. Although Mary Anne felt at peace with herself and transformation, she was also disconnected from the real world.
Mary Anne was smuggled into Vietnam by her boyfriend Mark Fossie to visit him, her arrival in Vietnam brought a touch of home to everyone. She was a beautiful, innocent 17 year-old American blonde, she had on “white culottes and a sexy pink sweater” (O’Brian 91). Her bubbly personality, joyful smile, and good looks not only pleased Mark but also a good morale of all the other soldiers. For the first two weeks, the two love birds were stuck together like as if they needed each other to breathe. “Mary Anne and Fossie had been sweethearts since grammar school and since sixth grade on they had known for a fact that someday they would get marr...
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... Mary Anne’s journey, however, led to her being consumed by ambiguous darkness. If “a thing can happen and be a total lie; and another thing may not happen and be truer than the truth” (80), then maybe the final truth about Mary Anne was that she really did “know exactly who she was” (106). The ending of Mary Anne’s story could have been beautiful and civil to her, but ugly and chaotic to you, and that was her liberation. At the end of the story Mary Anne walked into the mountains and did not come. It literally means that she became part with the land. She conformed and never looked back at the one she loved.
Works Cited
"An Analysis of Tim O'Brien's How to Tell a True War Story of The Things They Carried." HubPages. N.p., n.d. Web. 18 Apr. 2014.
“O'Brien, Tim. The Things They Carried: A Work of Fiction. Prince Frederick, MD: RB Large Print, 2003. Print.
In the story, “Sweetheart of the song Tra Bong”, the reader acknowledges the similarities between average soldier and Mary Anne. In the beginning of the chapter, Rat Kiely decides to tell a story to the team about how a soldier decided to bring his girlfriend to vietnam. When Mary Anne first arrives, Rat Kiely describes her with a bubbly personality and very outgoing. But soon Mary Anne knew the truth about the war and that she had to fight in order to keep her life. Rat Kiely mentions, “ ‘...I mean, when we first got here- all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne’” (page 93). This quote shows the atrocious reality of war. It can be assumed that Mary Anne symbolizes
O’Brien writing “The Things They Carried” turned out to be a lot better than expected to both himself and others reading it. He became first novelist and National Book Award winner. Furthermore, his story was published awhile back and he still receives awards likes the Book’s highest honor, the $10,000 Fairfax Prize. Tim O’Brien has won lifetime achievement prizes for military writing and has many more stories besides this one to help him get to where he wanted to
Many times readers lose interest in stories that they feel are not authentic. In addition, readers feel that fictitious novels and stories are for children and lack depth. Tim O’ Brien maintains that keeping readers of fiction entertained is a most daunting task, “The problem with unsuccessful stories is usually simple: they are boring, a consequence of the failure of imagination- to vividly imagine and to vividly render extraordinary human events, or sequences of events, is the hard-lifting, heavy-duty, day-by-day, unending labor of a fiction writer” (Tim O’ Brien 623). Tim O’ Brien’s “How to Tell a True War Story” examines the correlation between the real experiences of war and the art of storytelling. In O’Brien’s attempt to bridge the gap between fiction and non-fiction the narrator of the story uses language and acts of violence that may be offensive to some. However some readers agree that Tim O" Brien's "How to Tell a True War Story" would lack authenticity and power without the use of crude language and violence.
In the short story, “Sweetheart of the Song Tra Bong,” by Tim O’Brien, the author shows that no matter what the circumstances were, the people that were exposed to the Vietnam War were greatly affected. A very young girl named Mary Anne Bell was brought by a boyfriend to the war in Vietnam. When she arrived, she was a bubbly young girl, and after a few weeks, she was transformed into a hard, mean killer. Mark Fossie decided he was going to sneak his girlfriend onto his base in Vietnam. When she arrived, Rat Kiley described her as, “A tall big-boned blonde.
O'Brien, T. (1990). The things they carried. The things they carried. Tim O’Brien, Author. Retrieved from http://www.illyria.com/tobsites.html
Tim O’Brien’s The Things They Carried is a very uniquely written book. This book is comprised of countless stories that, though are out of order, intertwine and capture the reader’s attention through the end of the novel. This book, which is more a collection of short stories rather than one story that has a beginning and an end, uses a format that will keep the reader coming back for more.
Bowler had been a very good-natured person in civilian life, yet war made him into a very hard-mannered, emotionally devoid soldier, carrying about a severed finger as a trophy, proud of his kill. The transformation shown through Bowler is an excellent indicator of the psychological and emotional change that most of the soldiers undergo. To bring an innocent young man from sensitive to apathetic, from caring to hateful, requires a great force; the war provides this force. However, frequently the changes are more drastic. A soldier named Ted Lavender adopted an orphaned puppy. .
The Things They Carried. N. p. : Houghton, 1990. : ill. Print.
The “Baby Boom” era occurred between the years of the late 1950s thru the 19970s and shaped America and its culture into the type of country it is today. It helps to understand these times to prevent history from repeating itself while better understanding how people were feeling during that time. Also, to better understand what was happening during that time by reading the literature that was written during that time period. Through Tim O’Brien’s “How to Tell a True War Story” to Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas”, they reflect the cultural, economic, political, and intellectual upheavals the United States was experiencing. These stories affect your way of thinking about these times, especially the war.
Passaro, Vince. "The Things They Carried (Review)." Harper's Magazine. 299.1791 (1999): 80. Expanded Academic ASAP.
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
Passaro, Vince. "The Things They Carried (Review)." Harper's Magazine. 299.1791 (1999): 80. Expanded Academic ASAP.
The soldiers feel that the only people they can talk to about the war are their “brothers”, the other men who experienced the Vietnam War. The friendship and kinship that grew in the jungles of Vietnam survived and lived on here in the United States. By talking to each other, the soldiers help to sort out the incidents that happened in the War and to put these incidents behind them. “The thing to do, we decided, was to forget the coffee and switch to gin, which improved the mood, and not much later we were laughing at some of the craziness that used to go on” (O’Brien, 29).
Mary Anne is initially introduced to the audience, narrated by Rat Kiley, as an innocent and naïve young woman present in Vietnam solely to visit her boyfriend, Mark Fossie. She arrives in “white culottes” and a “sexy pink sweater” (86), and is deemed by the other soldiers as no more than a happy distraction for her man. As Mary Anne settles in though, her abundant curiosity of Vietnam and the war heighten, and she soon enough possesses as much interest in the war as many of the men. Forward, Mary Anne’s transformation into a soldier begins as she leaves her sweet femininity behind. No longer caring for her vanity, she falls “into the habits of the bush. No cosmetics, no fingernail filing. She stopped wearing jewelry, [and] cut her hair short” (94). Mary Anne’s lost femininity is also evident when she handles powerful rifles like the M-16. Not only does the weapon literally scream out masculi...
“And then one morning, all alone, Mary Anne walked off into the mountains and did not come back” (110). Tim O’Brien’s short story “The Sweetheart of the Song Tra Bong” presents an all-American girl who has been held back by social and behavioral norms – grasping for an identity she has been deprived the ability to develop. The water of the Song Tra Bong removes Mary Anne’s former notion of being as she, “stopped for a swim” (92). With her roles being erased Mary Anne becomes obsessed with the land and mystery of Vietnam and is allowed to discover herself. Through the lenses of Mark Fossie and the men in the Alpha Company, Mary Anne becomes an animal and is completely unrecognizable by the end of the story. Mary Anne, however, states she is happy and self-aware. The men of the Alpha Company argue for virtue in that Mary Anne was “gone” (107) and that what she was becoming “was dangerous… ready for the kill” (112). They did not want to accept a woman becoming something different from what women always were. In “How Tell to a True War Story” we are told that a true war story “does not instruct, nor encourage virtue, nor suggest models of proper human behavior” (65). Mary Anne did not truly become ‘dark’, because to her this is not a story about war; this is a story about a woman attempting to overcome gender roles and the inability of men to accept it.