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Elements of narrative in film
Narrative of film
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The Gran Torino was first made in 1968; and for Walt, this car is his happiness. In the film, Gran Torino, directed and starring Clint Eastwood, Walt Kowalski is a bitter, aggressive, and racist Polish-American man, who through the course of time learns to accept his surroundings. Through his neighbors Thao and Sue, Walt learns to appreciate and greatly care for the Hmong people. Gran Torino symbolizes Walt’s past, Walt’s masculinity, and the progression of Walt’s character over time attributed to Thao by their friendship.
Thao’s attempt to steal Walt’s Gran Torino created an unexpected relationship between the two.Throughout this friendship, Walt goes from being a racist, bitter old man to a more revived, friendlier individual. During his week of penance, Walt shows Thao the “American” way of working by telling him that “some WD-40, vise grip, and duct tape” is all a needed to fix any problem there was (Gran Torino). Initially, Walt completely despised his Hmong neighbors; however, after learning from his neighbor Sue that they had fought on the American side during the war, his views changed slowly. Walt took it upon himself to raise Thao into a man, by teaching him the expressions most commonly used in America. It is speculated that Walt treated Thao almost like his son, and not only Thao, but he was like a father figure to Sue also. This may stem from the fact that after he returned home from the war, the bitter memories possessed him, and in turn they kept him from loving children completely. This undefined affection for Thao peaked when Walt confessed the story of when he murdered an innocent soldier trying to give up. He never wants Thao to have the “sin of killing another man;” Walt does not want Thao to feel the same in...
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..., then he even did with his own family. He allowed a Hmong priest to give him a reading, which reveals how Walt is slowing beginning to understand the Hmong people and not only that, but also “lighten up” to them. The Gran Torino is an old relic, and it is the source of happiness to Walt. It may be the only thing, besides his dog, Daisy, that he truly cares for. Walt has a strong attachment to the car because it symbolizes a much happier time, with his wife, and also, before the war. The car is American made, which shows how no matter how much time passes by, no matter who moves in and out, and no matter how diverse his surroundings get, he will always be an American.
Walt’s character progression is phenomenal throughout the film. His masculinity, his past, and his affection towards Thao developed through their friendship, are symbolized through his Gran Torino.
himself. Walt McCandless said, “How is it that a kid with so much compassion could cause his
McCandless doesn’t have the best relationship with his parents. He decides to keep things to himself and learns how to deal with situations in silence. He addresses an issue he had with his parents in a letter he wrote to his sister Carine, “I’ve told them a million times that I have the best car in the world ... a car that I will never trade in, a car that I am very strongly attached to---yet they still ignore what I say and think I’d accept a new car from them!” (21). McCandless talks about how his parents try to gift him a new car after telling them that he doesn’t want a new car. His parents tend to make decisions for him a lot and McCandless doesn’t want them to. Another major problem he has with his parents is the discovery he made about his father’s affair. This is the main reason he cut all his connections with this family. McCandless discovers that “Walt continued his relationship with Marcia in secret, dividing his time between ...
...his antagonist proves to be their own inner character which determines the trajectory of their decisions. As they all become aware, the consequences of their decisions prove to have an extensive impact on themselves and those around them.
At first, Walter starts as a man who does not have many traits and characteristics that a leader in the family should has. He feels frustrated of the fact that his mother can potentially support his sister, Beneatha, in her education career. Walter complains and feels depressed about his current life when he has many aspects that not many African men had during his time. Walter has a happy family, a loving wife, and an acceptable occupation. Unfortunately, Walter wants more in his life, and he feels hopeless and depressed when something does not go in his ways. Walter starts to change when he experiences and learns Willis’s betrayal, his father’s hard work, his son’s dream of becoming a bus driver, and his mother’s explanation about the Africans’ pride. Through many difficulties, Walter becomes the man of the family, and he learns the importance of accepting and living a happy life with his family. Like Walter, many African men had to overcome the challenges and obstacles. They had to face and endure through racism. These two ideas often led to many tragic and depressed incidents such as unequal opportunities, inequality treatments, segregation, and
Redemption is a capacity that both Amir from the remarkable novel Kite Runner, written by Khaled Hosseni along with Walt Kalwoski the main character of the unforgettable movie Gran Tornio, directed by Clint Eastwood, withhold. Both Walt and Amir were collided with life changing events that later shaped the individuals they are today. Nevertheless, throughout both stories, the protagonists are faced with opportunities to redeem themselves, often at the risk of hurting their loved ones more than they already have. “There is a reason for everything” and in Walt and Amirs case that saying is quite evident. Walt and Amir are two completely divergent characters with opposite personalities. However, this doesn’t interfere with the fact that both carry the weight of guilt and regret upon their shoulders. In spite of that, both characters atone to their faults by PUT POINTS HERE. Kite Runner and Gran Torino, both, break the ice with introducing the characters and efficiently showcasing their complications. As mentioned earlier, Amir is the protagonist of the novel. Typically, a main character that discusses their problems in the opening of a novel, catches the readers attention, let alone makes the reader them self feel sympathetic for this character. However, Amir is far beyond that statement. Amir expresses his feelings about his relationship with his father, Baba, and his shenanigans with Hassan. Amir struggles with his selfish conscious. Nevertheless, his adult view point when recollecting memories of the past, reminiscing on childhood events, isn’t as different. Running away is the one thing Amir tends to be best at. Running from his problems, people, past etc, As for Walt, Walt Kowalski is the main character of the film Gran Torino. ...
The first reason I believe that Walter is the protagonist is because he isn’t a selfish man. What I mean by this is when he is talking about issues he tends to discuss family issues above his own personal things. Though at times in the play when he is drunk and loses his temper he does start speaking selfishly, I believe that his overall attitude in the play is for his family to move up the world. I believe that Walter’s son Travis is the main reason why he acts so unselfishly. He seems to want the best for this son and doesn’t want his son to feel that there isn’t anything he can’t have or do.
The movie “Gran Torino” has many instances of inequality. Inequality in the United States of America is a problem that has been around and will continue to be around until the United States no longer exists. Since Clint Eastwood’s character, Walt Kowalski, is a racist, inequality abounds in this movie. The movie shows the interactions Walt has with his grandchildren and, more importantly, the Hmong people. Walt has a problem communicating with any non-white person. He is wildly inappropriate and seems to enjoy being that way. He is the stereotypical, racist white man that sits on his porch yelling and screaming at everyone that walks on his lawn. He has no use for anyone except himself.
Mama talks to Walter about her fears of the family falling apart. This is the reason she bought the house and she wants him to understand. Walter doesn't understand and gets angry. "What you need me to say you done right for? You the head of this family. You run our lives like you want to. It was your money and you did what you wanted with it. So what you need for me to say it was all right for? So you butchered up a dream of mine - you - who always talking 'bout your children's dreams..." Walter is so obsessive over money that he yells at his mom for not giving him all of it. He doesn't know that what his mom is doing is for the family. He thinks that having money will make the family happy, when in reality the family doesn't need anymore than what they have to be happy.
This is a culture aspect for the Hmong. Walt realizes that the neighborhood looks bad. This is when classism is displayed. Thao works for Walt to improve the class of the neighborhood. Thao starts to fix the gutters of the house across the street. He also paints the house and removes the dead bushes. He also tries to take out a dead tree. Thao has the honor to wash the Gran Torino. Thao works in the garden and responds with it being women's work which is an example of a sexism. Thao gets a job for a construction company and Walt buys his equipment. Thao gets mugged by the gang on his way home from work. Walt hears about this and beats up one of the gang members. The gang retaliates with a drive by on the Vang Lor family and raping Sue. This causes Thao to seek revenge with Walt. The priest knows Walt wants to retaliate with Thao but doesn’t want him to. Walt locks Thao in his basement to keep him from going with Walt to the gang’s house. Walt talks to the gang while the entire neighborhood watches. Walt pulls a cigarette and puts it in his mouth. The gang is jumpy and pull out guns. Walt then reaches for a lighter and is shot multiple times by the gang. The police arrest the gang members. Walt does this to protect the Vang Lor family for the future. In his will, he gives the Gran Torino to
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
In a different situation, Walter would not display his selfish intentions. This behavior can be attributed to working in a degrading, underpaid position and not seeing results. Metaphorically speaking, Walter can be related to the furniture in the small apartment,?tired and broken in spirit?. Every black male in America can be regarded as a provider for his family. However, society does not afford black males the benefit of feeling secure about providing for their families....
Though many story arcs are used to work with each other, the one that sticks out is the telling of a tragic hero. Walter White is a modern day Hamlet, Oedipus, and Macbeth. And I think that is one of the reasons that I am attracted to this type of story. In the comparison to those characters, I can see the qualities that made Walter White who he is. From the traits of hubris and hamartia all the way down to catharsis, everything is there working together. As a filmmaker, it’s interesting to put it all into context and see that Breaking Bad is not something brand spanking new. It made me realized what made a story bad and not relatable. It’s no reason Breaking Bad is used a ton in storytelling classes and as a Bible for writers. It also leaves a lot of questions for the audience and how they choose to relate to Walter White. For me, I felt pity and sadness and would consider him a tragic hero. However, other people would disagree and say that his sidekick is the hero and Walter is a complete psycho. And no one would be wrong. That’s important in literature and movies. There should be no one right answer and linear path otherwise what are we going to talk
About 20 years after Vietnam, Walter is still obsessed with his service in the Vietnam War and views his entire life and the world around him through its lens. He wears an army vest over his bowling shirt, carries a pistol with his ball, and is very quick to anger. We are given the impression that perhaps during the war, Walter was a man, but has been stuck in those glory days ever since, never allowing himself to change or be flexible, something central to the Coen Brothers...
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
For Thao, the car is a symbol of his newfound independence. Automoblies are significant representations of the American dream because of “the unrestrained capacity to move,” which became equated early in the American cultural imagination with personal reinvention and self-determination. Those who could control their own movement were deemed self-sufficient, independent agents” (Heitmann & Uhlman). For Thao, he is no longer restrained by the gang to follow his dreams. The last scene in the movie, at 1:50:00, is the true embodiment of the American Dream.