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F. Scott Fitzgerald influence on Modern Literature
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Born in 1896 on September 24. He married the woman he loved, Zelda, but later, as he descended into drinking Zelda suffered and mental breakdown. He was named after Francis Key Scott, who happened to have written the Star Spangled Banner. After graduating from the Newman School in 1913 he decided to stay in New Jersey and continue his artistic development at Princeton. This Side of Paradise, which is a largely autobiographical story about greed and love. It was centered on Amory Blaine, who was an ambitious Midwesterner who fell in love with two girls from high-class families. Ultimately he gets rejected by both. The novel was published in 1920. Almost overnight, Fitzgerald, at 24 became one of the country’s most promising new young writers.
Francis Scott Key Fitzgerald was born on September 24, 1896 in St. Paul, Minnesota. There, he attended Saint Paul Academy, where his passion for writing began. At thirteen, he completed his first story, which was published in the Academy’s newspaper. Later, Fitzgerald moved to New Jersey and attended the Newman school for two years from 1911 to 1913. Fitzgerald went on to attend Princeton University; there he wrote scripts and lyrics for the musicals performed at the University.
In “A Rose for Emily”, Charles Faulkner used a series of flashbacks and foreshadowing to tell Miss Emily’s story. Miss Emily is an interesting character, to say the least. In such a short story of her life, as told from the prospective of a townsperson, who had been nearly eighty as Miss Emily had been, in order to tell the story from their own perspective. Faulkner set up the story in Mississippi, in a world he knew of in his own lifetime. Inspired by a southern outlook that had been touched by the Civil War memory, the touch of what we would now look at as racism, gives the southern aroma of the period. It sets up Miss Emily’s southern belle status and social standing she had been born into, loner or not.
Fitzgerald’s “This Side of Paradise” follows less the thread of a story, rather it provides a sketch portrait of Amory and his quest to understand the world. The story is told by a knowledgeable third person narrator who follows and adds to Amory’s point of view, interjecting his own thoughts in the narrative from time to time. Amory is the center of the narrative, much like the American youth is the center of their own. It’s a purely American approach to life – that is, you are the star of it, the rest are just secondary minor characters to your main story. The portraits of the other character in the novel a...
It is the mainstay of many pieces of classic American literature, especially those that fall into the category of 'pulp', to have thin, cardboard-cutout characters with obvious emotions and intentions for which their only purpose is to drive the story to a predetermined end. The seductive and dangerous femme fatale; codgerly old men; the badgering and nagging housewife, adorned with dress and apron; and etc... These characters, and the many like them, are set into a story to play a specific role—namely as a reactor—and force the protagonist in some direction. After all, what would a hero do if there was nothing heroic to be done? Sit around? Twiddle their thumbs...? These characters are, in some degree, necessary for the purpose of advancement, and the only reason I have spent this first paragraph going into them, however briefly, is that I feel the need to distinguish between a person and a character. Ostensibly, they are the same thing, at least from an outward point of view. One might say, “A story has people,” which is practically the same thing as saying, “A story has characters.” But, the obnoxious semantics aside, these are not both the same thing—it's a case of the uncanny...Characters, though appearing to be people, are not. They are posters of people, images of people—used to meet some plot obligation and/or bring out characterization in a real person. As confusing as this could sound, it's really simple: Characters are not people. They are merely ideas or archetypes1 of a human form, used to push the story along. People are real. They react to things, sometimes stupidly, sometimes intelligently, and above all, when written into a story believably, give the verisimilar appearance of truth and correctness (even when doing...
Throughout many of Toni Morrison?s novels, the plot is built around some conflict for her characters to overcome. Paradise, in particular, uses the relationships between women as a means of reaching this desired end. Paradise, a novel centered around the destruction of a convent and the women in it, supports this idea by showing how this building serves as a haven for dejected women (Smith). The bulk of the novel takes place during and after WWII and focuses on an all black town in Oklahoma. It is through the course of the novel that we see Morrison weave the bonds of women into the text as a means of healing the scars inflicted upon her characters in their respective societies.
In the story "So Much Water So Close To Home" a young girl is raped, killed and found in a river where four men are fishing. What makes this story interesting is that after discovering the body they did not report it until after they left, three days later. When one of the men who discovered her, the husband of the narrator, Stuart returns home he doesn't tell his wife about the incident until the following morning. Because of this, Claire believes that all men are responsible for the murder of the girl. Due to these facts she acts irrationally, suspiciously, and with distrust not only towards her husband, but also to all men in general.
Nine patriarchs found a town. Four women flee a life. Only one paradise is attained. Toni Morrison's novel Paradise revolves around the concept of "paradise," and those who believe they have it and those who actually do. Morrison uses a town and a former convent, each with its own religious center, to tell her tale about finding solace in an oppressive world. Whether fleeing inter- and intra-racial conflict or emotional hurt, the characters travel a path of self-isolation and eventual redemption. In her novel Paradise, Toni Morrison uses the town of Ruby and four broken women to demonstrate how "paradise" can not be achieved through isolation, but rather only through understanding and acceptance.
A situation can be interpreted into several different meanings when observed through the world of poetry. A poet can make a person think of several different meanings to a poem when he or she is reading it. Langston Hughes wrote a poem titled "I, Too." In this poem he reveals the Negro heritage and the pride that he has in his heritage and in who he is. Also, Hughes uses very simple terms that allow juvenile interpretations and reading.
This Side of Paradise is the debut novel of Francis Key Scott Fitzgerald, which made him a literary prowess of his age. Written with a well-organized structure in two books and an interlude, This Side of Paradise serves as a premise for Fitzgerald’s later, more successful novels. M. Lee Huffaker defines Psychological anguish in an article as :
This Side of Paradise is a semi-autobiographical coming of age story about Amory Blaine. Amory is talented, charming, and handsome, the trinity of egotism. Like many of F.Scott Fitzgerald’s works This Side of Paradise takes place during the early 20th century, a time of extravagance and the rise of the Flapper: a woman whose dress, dance, and demeanor differed drastically from prior generations. Amory spends most of his youth life traveling from place to place with his mother Beatrice. After a nervous breakdown, Amory is left with his Aunt and Uncle, in Minneapolis. He spends two brief years there before accepting admissions to a boarding school named St. Regis Prep, in Connecticut. Early on he struggles with school and making friends, but
"If a story is in you, it has to come out" (William Faulkner, The wild Palms [if I forget thee, Jerusalem]). An American writer in American and southern literature, Faulkner was a spellbinding author known for experimental style with perfect attention to usage and rhythm. Faulkner's works were highly influenced by own personal interest, history and personal outlook on faith. Being intensely rooted in the old America, the America in which was molded by the First World War.
In 1897, consequently to the collapse of Edwards business, the family moved to New York, in order for Edward to take up a job as a salesman for Proctor and Gamble. Be that as it may, their moved was brief after Edward was let go from his employment in 1908, inciting a move back the St. Paul where the Fitzgerald’s lived off the McQuillan family fortune, (Fitzgerald, Bruccoli and Baughman, 1995). For the next 14 years, Scott invested the larger part of his time at boarding school, at Princeton University, in the army, and in New York City (Ibid, 1995). Fitzgerald’s writing career began to take off in 1920 after the publication of his first novel, This Side of Paradise (Bruccoli and Smith, 1981). The novel received glowing reviews (Ibid, 1981) and secured Fitzgerald’s place as one of the country’s most promising young
This scene takes place in Katherine Hilbery’s house. It is situated at the moment when neither Ralph nor Katharine were sure of what they felt for each other. In this extract, it is clearly seen that Ralph is lost in his thoughts mostly because of the different feelings he has for Katharine. He cannot make the difference between reality and what he believes is reality. Therefore, by proceeding to a deep analysis of what is happening in Ralph’s head, Virginia Woolf, being the omniscient narrator, shows us the trouble and lost Katharine Hilbery has created into Denham’s mind. To express her ideas, she uses multiple stylistic features which contribute in adding a certain consistence to the themes she wants to highlight. Subsequently, two themes may be identified in that extract which are the inability to distinguish the real from the intangible and Ralph’s unconscious infatuation with Katharine.
In William Faulkner's "A Rose for Emily," we see how past events affect the life of the main character Miss Emily, especially her inability to accept change. Throughout the story Miss Emily goes to extreme measures to protect her social status. Miss Emily lives in the past to shield herself from a future that holds no promises and no guarantees. William Faulkner illustrates Miss Emily's inability to accept change through the physical, social and historical settings, all of which are intimately related to the Grierson house.
Every historical period has its own hero of the time. It can be an active businessman or a sensitive aristocrat that fits the time best. In the poem I Sit and Look Out, Walt Whitman describes the horrors of the oppressive age he was living in. However, he does not try to change the situation and only "sits and look out". The question is whether being a spectator is enough to make the life of the oppressed better. The author is the mirror of the cruel 19th century reality, and this is a huge step towards democratization of the overall situation in the society. Even though such hero of the time does not fight for the rights of the oppressed, he makes the reading audience hear the lamenting choir of voices, who wait to be liberated.