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History of Canadian colonization and the effect it had on the Indigenous population
The history of indigenous people in canada essays
Colonialism impacts in canada
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The photograph in “This is a Photograph of Me” is smeared and blurred, like the public memory of the decimation of an entire race. The photograph gets clearer at a second glance and depicts the landscape as being picturesque, as if nothing is wrong with it. At first, the photograph only allows a (mis)recognition of the Canadian landscape, with “[...]a gentle/ slope, a small frame house.” There is a casual mention of a lake and some low hills beyond, and it is in this casualty of their appearance that the reader realises that something is not right. The reader’s intuition is proved right when the poem goes on to talk about an “I” that has drowned in the lake. “I” here stands for the history of Canada’s colonialism, which cannot be seen anywhere …show more content…
The history of Canadian colonialism is out of sight at the bottom of the lake.
“This is a Photograph of Me” is, thus, an attempt by Atwood to make the “insiders” (Canadians) delve into the deepest recesses of their memories and pull out what has vanished with barely a trace. Additionally, it also urges “outsiders” (the world) to recognise the history of Canadian colonialism. For, it is only when this history receives recognition that the first steps of guilt and responsibility be taken.
“PROCEDURES FOR UNDERGROUND”
“Procedures for Underground” uses various myths to point out the harsh realities of the land the whites occupy. The poem talks about a journey to the underworld and back, which is a movement in and out of history, and thus, the residents of the underworld “are always hungry” —for
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If one survives the confrontation with the violent history of colonisation and can return to the present, Atwood believes that one will be blessed with the “gift” of recognition of the past, but it comes at the price of one’s suffering. This suffering is what Staines referred to as the duality with respect to Atwood: a white person in Canada calls it their home but there is a history of violence behind this construction of Canada as home for them. It is precisely this suffering that originates from the knowledge of the violent history of settlement that will mark these people out from the rest who are
Canadians are just recently beginning to realize the detrimental aftermath of the years of trauma experienced by Indigenous peoples of Canada, such as the survivors of the residential school system. It is often difficult for these people to overcome the impact that follows. Undoubtedly, it requires help and support from others, but these people must make their personal healing journey themselves. The passages “Rock Bottom” by Steven Keewatin Sanderson and the “Legend of the Sugar Girl” by Joseph Boyden prove that although trauma can significantly undermine groups of people, they can overcome their difficulties. Both authors illustrate how trauma negatively affects characters, causes them to fall victim
“Settling Upper Canada,” Class Notes, 8 February. Hennessy, Peter. The. “The Prison at Kingston, Canada West: 'So Irksome and so Terrible. ” The Beaver 1971, No 1, pp 12-20.
A Critical Analysis of Racism in Canadian Law and the “Unmapping” of the White Settler Society in “When Place Becomes Race” by Sherene H. Razack
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
The discrimination suffered by the “ethnic Canadians” increased during the war was inflicted by both society and the government. An example of the discrimination suffered by “ethnic Canadians” is Sarah Mann, a Canadian-German living though World War 1. Before the people of the town knew she was of German descent, she lived a normal life. But, that all changed when they found out; they vandalized her house by breaking the windows, painting harsh words in red paint or blood, which is overall person to person discrimination. However, throughout the war, it was not just the Canadian-Germans who suffered from discrimination, all ethnicities either than English-Canadian or French-Canadian. Also, they did not only receive discrimination through vandalism, and other person to person discrimination, “ethnic Canadians” faced discrimination by the Canadian government. The governments’ discrimination was caused by the pressure of frightened public experiencing panic because of the Great War. Therefore, the government took action by passing the Wartime Elections Act and the Wartime Measures Act. The Wartime Elections act meant the “ethnic Canadians” would lose their right to vote. The “ethnic Canadians” would also be put into concentration camps or have to register to the police on a regular basis. The historical significance...
Eden Robinson’s short story “Terminal Avenue” presents readers with the dystopian near-future of Canada where Indigenous people are subjugated and placed under heavy surveillance. The story’s narrator, Wil, is a young Aboriginal man who struggles with his own inner-turmoil after the suicide of his father and his brother’s subsequent decision to join the ranks of the Peace Officers responsible for “adjusting” the First Nations people. Though “Terminal Avenue” takes place in Vancouver there are clear parallels drawn between the Peace Officers of Robinson’s imagination and the Canadian military sent to enforce the peace during the stand-off at Oka, Quebec in 1990. In writing “Terminal Avenue” Robinson addresses the armed conflict and proposes
Downey, Michael. “Canada’s ‘Genocide’: Thousands Taken from Their Homes Need Help.” Acting on Words: An Integrated Rhetoric, Research Guide, Reader, and Handbook. Ed. David Brundage, Michael Lahey. Toronto: Pearson Canada Inc., 2012. 445-448. Print.
According to conservative conflict theory, society is a struggle for dominance among competing social groups defined by class, race, and gender. Conflict occurs when groups compete over power and resources. (Tepperman, Albanese & Curtis 2012. pg. 167) The dominant group will exploit the minority by creating rules for success in their society, while denying the minority opportunities for such success, thereby ensuring that they continue to monopolize power and privilege. (Crossman.n.d) This paradigm was well presented throughout the film. The European settlers in Canada viewed the natives as obstacles in their quest of expansion by conquering resources and land. They feared that the aboriginal practices and beliefs will disrupt the cohesion of their own society. The Canadian government adopted the method of residential schools for aboriginal children for in an attempt to assimilate the future generations. The children were stripped of their native culture,...
Although re-colonization may not be acknowledged or intentional, the impact of religion on the TRC’s procedures work to assimilate the wrongs of the past into Canadian culture on the grounds of confession. Principally, confession, in this context, acts as an artificial form of justice or repentance when concerning post-colonialization because when the TRC bypass the wrongs of the past, the government accepts the assimilation of those wrongs into today’s
Despite the overwhelming use in political rhetoric, it is difficult to establish the Government of Canada’s precise definition of reconciliation. It is equally unclear as to what reconciliation entails substantively— as either a process or an outcome —in reconceiving the colonial relationship between Indigenous peoples, Settlers, and the Canadian government. For my Reconciliation Essay, I intend to problematize the very term of reconciliation as used in Canadian politics by drawing primarily on its use in the Royal Commission on Aboriginal Peoples and Prime Minister Stephen Harper’s 2008 Residential Schools Apology. I will argue that the concept reconciliation as exercised in the political discourse of federal government is neither a meaningful gesture, nor consistent with Indigenous conceptions of same term. In fact, reconciliation as presented by the Government of Canada serves only as a tool to recolonize Indigenous peoples, in that its connotations leave the colonial relationship largely
Thompson, John Herd, and Mark Paul Richard. "Canadian History in North American Context." In Canadian studies in the new millennium. Toronto: University of Toronto Press, 2008. 37-64.
In An Indigenous Peoples’ History of the United States, historian Roxanne Dunbar-Ortiz’s reexamines the American historical record and moves it passed the typical narratives of colonialism, revolution, and American exceptionalism. Dunbar-Ortiz’s analysis will impact the field of Native Studies and even general United States history with its examination and focus on settler colonialism as a genocidal policy. It is, as Dunbar-Ortiz argues, impossible to write American history without the acknowledgment of Indigenous peoples. Dunbar-Ortiz shatters the myth of “free land” and conquered Natives. She instead focuses on “the absence of a colonial framework (7),” which she believes is the reason that most historians overlook Indigenous history. In other words, historians need to view colonization as an ongoing process and not a
She starts by bringing a pessimistic view to photographs of nature, by describing what may or may not lie just outside the boundaries of the picture. Mockingly she leads the reader to assume that there are no real nature photos left in the world, but rather only digitaly enhanced photos of nature wit...
In Thomas King’s novel, The Inconvenient Indian, the story of North America’s history is discussed from his original viewpoint and perspective. In his first chapter, “Forgetting Columbus,” he voices his opinion about how he feel towards the way white people have told America’s history and portraying it as an adventurous tale of triumph, strength and freedom. King hunts down the evidence needed to reveal more facts on the controversial relationship between the whites and natives and how it has affected the culture of Americans. Mainly untangling the confusion between the idea of Native Americans being savages and whites constantly reigning in glory. He exposes the truth about how Native Americans were treated and how their actual stories were
Every human being, in addition to having their own personal identity, has a sense of who they are in relation to the larger community--the nation. Postcolonial studies is the attempt to strip away conventional perspective and examine what that national identity might be for a postcolonial subject. To read literature from the perspective of postcolonial studies is to seek out--to listen for, that indigenous, representative voice which can inform the world of the essence of existence as a colonial subject, or as a postcolonial citizen. Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.