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Colonialism and its effect
Colonialism and its effect
The nature of colonialism
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Pramoedya Ananta Toer’s This Earth of Mankind is an allegorical novel describing the growth of protagonist Minke during the pre-awakening of colonized Java. Set in 1898 during the period of imperial Dutch domination over all aspects of Javan life, the novel provides a clear image of the political and social struggles of a subjugated people through the point of view of a maturing youth. Using several of his novel’s major characters as allegorical symbols for the various stages of awareness the citizens of Java have of Indonesia’s awakening as a modern nation, Toer weaves together an image of the rise of an idyllic post-colonial Indonesia with modern views of Enlightenment ideals.
Toer’s portrayal of Annelies Mellema as innocent and childish is symbolic of a naïve pre-colonial Java before the corruption of Dutch influence. Her birth being the result of a unique relationship between a Dutch colonizer and Javan concubine known as Nyai Ontosoroh, Annelies exhibits physical features of both cultures. Annelies is characterized as being a girl that is “white-skinned and refined with a European face and the hair and eyes of a Native” representing the crossing of two cultures within Java (Toer 25). Despite her capability of helping her mother Nyai Ontosoroh run their family business, Annelies remains submissive and allows various authority figures in her life like her mother, doctor, and husband Minke to make life decisions on her behalf. This, coupled with her physical fragility that is especially apparent in the form of illness whenever Minke is absent from her life for extended periods of time is Toer’s method of illustrating the weakness of pre-colonial Indonesia that is eventually conquered and forever changed by the Dutch. Despite h...
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...id”, this act of hypocrisy leads Minke to inform the masses of the injustice he is served (Toer 310). This inspires the rebellion that leads the Javan independence movement that is discussed in Toer’s later novels.
Toer’s use of allegorical and symbolic language in this novel weaves a picture of the growth of the Javan/Indonesian independence movement that led to the birth of a nation. The metaphor of Minke’s changing perspective upon his self-identity and principles of the Enlightenment reflect the turmoil Toer witnessed with his own eyes. Rather than settle for the corrupt nature of Javan society through Dutch rule, Toer asserts, through the writing of this novel, that a society that holds the ideals of modern and Enlightened thinking will rise to be successful.
Works Cited
Toer, Pramoedya Ananta. This Earth of Mankind. New York; London: Penguin, 1996. Print.
going fine, her father owning two fishing boats, and they lived in a large house
Since the publication of, Night by Eliezer Wiesel, the holocaust has been deemed one of the darkest times in humanity, from the eradication of Jewish people to killing of innocents. Wiesel was one of the Jewish people to be in the holocaust and from his experience he gave us a memoir that manages to capture the dark side of human nature in the holocaust. He demonstrates the dark side of human nature through the cruelty the guards treat the Jews and how the Jews became cold hearted to each other. Wiesel uses foreshadowing and imagery, and metaphors to describe these events.
In the novel “Between the World and Me” by Ta-Nehisi Coates, the story is a direct letter to his son. This letter contains the tools and instructions that his son will need in order to be a successful “black body” in the modern society. Coates explains his life experiences and hardships he had to overcome because of the color of his skin. Coates pushes an urgent message to the world; discrimination is still prevalent and real in today 's society, and the world is still struggling to accept an equal life for blacks. Coates writings alter the minds of his readers and allow them to experience life through a black man 's eyes. Ta-Nehisi Coates does this by the use of rhetorical strategies like, repetition and tone, metaphors and similes, and
Within his writing, Nam Le achieves autonomy by expressing authentic traits through the presence of the novel’s characters. In Le’s novel The Boat, the author introduces key behaviors and personas within the first story of the narrative. Though he could approach culture from a Vietnamese perspective, the writer offers a transnational impression throughout the story. By including various characters in numerous roles, Nam Le appropriately applies and articulates the title of his first story, “Love and Honor and Pity and Pride and Compassion and Sacrifice,” which focuses on the ideas of lineage, identity, and inspiration.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Through careful practice of intertextuality (the shaping of one text's meaning through reference or application of a previous text) and narrative experimentation in Crossing the Mangrove, Conde demonstrates that objectivity in every sense is impossible. Using the French language is not an act of capitulation to the colonizer and acceptance of all things “French” in the same way that one person’s retelling of an event is not the ultimate truth. In Crossing the Mangrove, Conde presents the strange and dark history of Francis Sancher from multiple perspectives and simultaneously works on aspects of the Western literary canon (specifically, William Faulkner). This emphasis on literary and real-life incoherency is iterated by the symbolic motif of trees and their roots throughout the novel. In analyzing Crossing the Mangrove, it is evident that the amalgamation of intertextuality, shifting narrative perspectives, and the motif of trees and their roots contextualizes the fragmented nature of diasporic identity.
Much about Kogawa's novel makes it difficult not only to read but also to classify or categorize. First, Obasan blurs the line between nonfiction and fiction. Kogawa draws from actual letters and newspaper accounts, autobiographical details, and historical facts throughout the novel, but she artistically incorporates this material into a clearly fictional work. In addition, Kogawa's narrative operates on multiple levels, from the individual and familial to the communal, national, political, and spiritual. Stylistically, the novel moves easily between the language of documentary reportage and a richly metaphorical language, and between straightforward narrative and stream-ofconsciousness exposition. This astonishing variety in Kogawa's novel can, at times, become bewildering and unsettling to the reader. But as many readers and critics have noted, Kogawa's style and method in Obasan also constitute the novel's unique strength. Kogawa writes in such a way that ambiguity, uncertainty, irony, and paradox do not weaken her story but instead paradoxically become the keys to understanding it.
Tan’s writings are characterized by untold stories written in untranslatable language between the two generations of women. McAlister
Gordon accurately depicts the varied and vibrant Asian culture, by showing the reader this world instead of simply describing it. Each of the men whom Gordon uses to tell the story undertakes expeditions which are mixed with hardships and triumphs. The varied spectrum of Asian cultures is covered. Readers will find Gordon’s take on tackling this topic fresh and straightforward.
God and the Indian is a two person play written by Drew Hayden Taylor. In this play we have a man named George that was a former priest at a residential school. We also have a lady named Johnny Indian that was a former student at said residential school. In the play Johnny accuses George of having molested her as a child. George tells Johnny that she is delusional and will not admit to his wrongdoings. The author tells the story from both George and Johnny’s sides. I think what the author is really trying to portray here is the denial of the people that worked in the name of the church at residential schools years after they had left and/or been shut down.
Dao, Bei. “Notes from the City of the Sun.” One World of Literature. Ed. Lim, Shirley G., and Spencer, Norman A. Boston: Houghton Mifflin, 1993. 231-233. Print.
...heir superiority. Achebe embraces the beauty of humanity while simultaneously addressing its flaws. With his ability to contemplate conflicting perspectives, Achebe illustrates the benefits of cultural relativity. Achebe does not target religion or even the colonizers; he addresses people universally, encouraging global consideration and individual reflection. To accentuate the forcefulness of the colonizers, Achebe contrasts it with his own temperateness—he portrays his characters without generalization, he presents his opinions with a carefully restrained perspective, and remains calm in his writing, never resorting to hatred. Instead of passively resenting his village’s colonization, Achebe productively channels his specified anger into global compassion, showing his readers the value in considering different cultures with objective and thoughtful rationality.
Throughout the narrator’s elaborate life; he experienced love, friendship, and sickness; as well as many other things described in his book: Love in Exile. This book discusses the different cultures and personalities that the narrator observes, the love of the narrator’s life, Brigitte, and the life of Bahaa Taher in general and the kinds of cultures he experiences.
Pramoedya Ananta Toer. "Inem". Contemporary Literature of Asia. Arthur Biddle et al (ed.) Blair: Upper Saddle River, NJ, 1996. 139-148.
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.