In reading, one finds that a common thread runs through the fabric of the material that one encounters within the pages of literary works. Zora Neale Hurston’s Sweat, A Jury of Her Peers by Susan Glaspell, and The Yellow Wallpaper, penned by Charlotte Perkins Gilman, all deal with the interpersonal relationships shared by a man and wife. The three selections shared a familiar theme and, as it turned out, characters with similar circumstances hosted the tales. While each couple came from different backgrounds, Sykes and Delia, Minnie and John Wright, and Ann and John managed to turn the concept of wedded bliss inside out. Perhaps love is universal, but spouses rarely survive in a perfect manner.
To address the common themes, one must first consider the ingredients that resulted in this potent concoction. Sweat was based in Florida in the midst of the 1920s and the meat of the story unfolded in a
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A woman of broken spirits is not really living. In each of these cases, abuse within the marriage occurred over a period of time, and eventually the wives broke. In two of the scenarios, the abusive husbands lost their lives; however, in the third, the wife finally appeared to have completely lost her wits. The male roles in these pieces of literature did not validate the female roles; women were made to feel inferior, as if they didn’t know better. As stated here, men were commonly found “leaving women to unravel mysteries and then keep real stories hidden in a dark pocket where men will never think to look.” (“Literary Interpretation”) Love did not triumph--neglect and abuse won out in all three scenarios. In each of the stories, some sort of escape or revenge prevailed for the wife. Abuse and neglect must eventually go hand-in-hand with escape and revenge in a more concise manner than the idea that marriage and love go hand-in-hand with one
Symbolism is a literary device in which words, phrases or actions allude to something more than their literal meanings. In the short story “A Jury of Her Peers”, a major example of symbolism is the quilt. The quilt is perhaps the biggest example because it can be tied to many other examples of symbolism within the story, and can also be interpreted in different ways.
Love waxes timeless. It is passionate and forbidden and a true head rush. Marriage, on the other hand, is practical, safe, a ride up the socioeconomic ladder. In "The Other Paris," Mavis Gallant weaves the tale of Carol and Howard, a fictional couple who stand on the verge of a loveless marriage, to symbolize the misguided actions of the men and women in the reality of the 1950s, the story's setting. By employing stereotypical, ignorant, and altogether uninteresting characters, Gallant highlights the distinction between reality and imagination and through the mishaps and lack of passion in their courtship mockingly comments on society?s views of love and marriage.
Harwood uses poetry to document her experiences and observations of marriage. She opens her life to the reader as she shares personal and intimate reflections on her choices in life. By this Harwood is able to re-create a vivid image of a life of a married lady during the 1940’s. Gwen Harwood was married during the year 1945 and moved with her husband, William Harwood, to Tasmania and away from her beloved childhood home in Brisbane. This change in Harwood’s life was a struggle as she did not completely agree to the move that will forever be thought of negatively. Harwood’s struggle of acceptance of her new life was evident in her poem “Iris”. In the poem Harwood looks at the positives and negatives of a marital relationship. Harwood uses the word ‘…singularity…’ to describe her relationship, this word makes the point that her and her husband have become one unit in which they walk through life and experience the good and the bad together. As well as having positive co...
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
"The Yellow Wallpaper" and the "Astronomer's Wife" both portray the idea that over time lust and love that is not true love fades. Both of these stories are based on marriages where love is nonexistent. There may have been some form of love or affection in the beginning, but it was not true love. Neither of the marriages in these stories have the warmth and comfort that is usually associated in marriage. In "The Yellow Wallpaper" the marriage is more like a doctor-patient relationship rather than a husband-wife relationship. The marriage in the "Astronomer's Wife" is more l...
It is safe to say that the box next to the “boring, monotone, never-ending lecture” has been checked off more than once. Without the use of rhetorical strategies, the world would be left with nothing but boring, uniform literature. This would leave readers feeling the same way one does after a bad lecture. Rhetorical devices not only open one’s imagination but also allows a reader to dig deep into a piece and come out with a better understanding of the author’s intentions. Ursula K. Le Guin’s “The Wife’s Story” is about a family that is going through a tough spot. However, though diction, imagery, pathos, and foreshadowing Guin reveals a deep truth about this family that the reader does not see coming.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
In Zora Neale Hurston’s short story “Sweat” the author not only focuses on portraying different gender roles but also focuses on the theme of good versus evil within the marriage of Sykes and Delia. Hurston portrays Delia as the good in the marriage and Sykes as the evil. The use of religious symbolism and imagery is the support that makes this theme so strong and influential. As the short story progresses you witness the transition of a clean, moral woman who overcomes evil.
Essentially, to acquire a healthy marriage, a few keys to success are commitment, good communication skills, trust, and patience. Without these qualities, marriages can immerse in negativity which often leads to divorce. In Bobbie Ann Mason’s “Shiloh” and Raymond Carver’s “Cathedral”, a failing marriage seems to be the similar theme. Both short stories provide instabilities in their relationships and how they lack these fundamental qualities. In “Shiloh,” Leroy and Norma Jean deal with the loss of a child; the grief and unsupportive environment leaves their marriage questionable. In “Cathedral,” the nameless narrator becomes jealous when his wife, who is also nameless, invites an old friend Robert to stay the night after the visitor’s wife
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Can a story contain more than one antagonist? In “The Yellow Wallpaper” by Charlotte Perkins Gilman there is an overwhelming amount of conflict the unnamed narrator must endure. The protagonist of “The Yellow Wallpaper” is the narrator who is suffering from depression and is taken to a house for the summer to rest. In “The Yellow Wallpaper”, the wallpaper is the antagonist because it causes the narrator to have a breakdown at the end of the short story; John, the narrator’s husband, cannot be the antagonist because he is doing what he believes is best for her, and the narrator cannot be the antagonist because she wants to improve her mental state.
Edith Wharton, was the first woman to win a Pulitzer Prize in literature, she wrote a lot of stories that focused on marriage. Many of her stories are set in the high society world of America in the 1900’s. An example of this, is the short story she wrote called “The Other Two” which takes place in 1904 in New York. “The Other Two” discuss the concepts divorce in the early 1900’s and adaptive behavior which is based on Darwin’s theory of “Survival of the fittest”.
The bleak tone of this story takes a particularly sad and disturbing tinge when the wife illustrates a scene from early on in her marriage where she tries to get her husband to satisfy her desire and provide her with mutual satisfaction, only to have him rebuke and reprimand her. In fact, the husband responds in such a particularly brusque and hysterical manner that the reader can see how traumatized the wife would have been at ...
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion