Theme Of The Metamorphosis

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Parasitic: The Progression of Characters in Kafka’s “The Metamorphosis” The dominating theme in Franz Kafka’s “The Metamorphosis,” as the title suggests, is change. From the very first sentence of the story, we are presented to Gregor the protagonist who awakens one fateful morning from a bad dream and finds himself “transformed” into a monstrous insect-like creature (Kafka 3). Along with his overall new physique, we are also presented to Gregor’s morals, attributes, and mind—who despite the title of the story, arguably, do not change very much. Even in the earliest stages of his metamorphosis Gregor is oblivious about anything and everything except taking care of his family and ensuring their happiness. A hardworking, respectful, and dutiful …show more content…

Was that the same man who had lain exhausted and buried in bed in earlier days when Gregor was setting out on a business trip, who had received him on the evenings of his return in a sleeping gown and arm chair, totally incapable of standing up, who had only lifted his arm as a sign of happiness, and who in their rare strolls together a few Sundays a year and on the important holidays made his way slowly forwards between Gregor and his mother (who themselves moved slowly), always a bit more slowly than them, bundled up in his old coat, all the time setting down his walking stick carefully..” (Kafka …show more content…

Furthermore, we see an interesting shift in the strange “parasitic-like” effect that the story’s characters have on one another. At the beginning, Gregor’s family have this parasitic-like effect on his overall life, with Gregor having to work day in and out, forced to work and maintain for them. Towards the end of the story, the tables turn, and Gregor’s family is faced with the new task of maintaining for not only themselves, but also for Gregor. Scott Johnson, explains in his analysis “Structural Elements in Franz Kafka’s The Metamorphosis,” “The members of the Samsa household move constantly back and forth across parental and sibling boundaries-Grete is now sister, now mother; Gregor is now head of the house, now vermin; mother is now reminding Gregor he is late for work, now fainting at the sight of him; father is now incapacitated, now all business-assuming and relinquishing executive and sibling roles in a confusing and contradictory manner” (Johnson 154) —a constant confusing shift of authority is displayed throughout the story that leads into the following conclusion; life can only remain tolerable when the aspect of wasted living is ignored in an hopeful obviousness. Although change, transformation and metamorphosis are the predominant themes in Kafka’s “The Metamorphosis,” we must

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