“The Story of an Hour” by Kate Chopin, “The Chrysanthemums “by John Steinbeck and “The Yellow Wallpaper” by Charlotte Gilman shows each woman trying to escape their feelings of being confined or trapped because of the gender roles of being a perfect wife and mother that are afflicted upon them by those around them. Each John, the narrator's husband in “The Yellow Wallpaper”, Brently Mallard, Mrs. Mallard’s husband in “The Story of an Hour” and Henry Allen, Elisa Allen’s husband in “The Chrysanthemums” unknowingly lead their wives to a state of mental confinement through their actions taken that are meant to help them. John tells his wife to rest and not to think of her condition for the sake of him and the children which drove her mad because …show more content…
“Said he, ‘I beg of you, for my sake and for our child’s sake,as well as for your own, that you will never for one instant let that idea enter your mind!’”(Gilman, 774) shows John begging her to withhold all feelings to save herself, him, and their child from any further pain. This suppression of feeling caused the mental confinement that the narrator felt. He hadn’t known in asking her to do so, it would cause such a reaction. While, Brently Mallard’s consistent pressure of being a perfect wife on Mrs. Mallard caused her conflicting ideas on his death as her being set free. “And yet she had loved him-sometimes. Often she had not.” (Chopin, 785) shows Mrs. Mallard's rethinking of her feelings towards her husband. The release of pressure caused by her husband death caused her to rethink and find her true feelings towards him. Mr. Mallard had unknowingly applied this pressure upon his wife because it was simply what he had always thought a woman should be which is learned from society. Meanwhile, Henry Allen consistently ridicules and rejects Elisa’s ideas of breaking free of the set standards of what a woman should be not knowing the effects it had on her. “Oh, sure, some. What’s the matter, Elisa? Do you want to …show more content…
The narrator in “The Yellow Wallpaper” used her hatred but yet love towards the wallpaper in the room she was staying in to symbolize the domestic life that many women including herself are trapped in. “ Then I peeled off all the paper I could reach standing on the floor.” (Gilman, 778) shows the narrator’s escape from her mental confinement. Mrs. Mallard in “The Story of an Hour” felt that her husband's death was her source of freedom. “She could see in the open square before her house the tops of trees that were all aquiver with the new spring of life.” (Chopin, 784) shows how the world opened up before her eyes signifying she has gained her own definition of freedom which was being free of her husband. Elisa Allen in “The Chrysanthemums” never reached her own mental freedom due to the losing of her hope of something more and continued to live her simple farmer’s wife life. “She turned up her coat collar so he could not see that she was crying weakly--like an old woman.” (Steinbeck, 11) shows her giving up by weeping like a woman showing she is weak and still lives in the set standards of a
'The Yellow Wallpaper';, by Charlotte Perkins Gilman, and 'The Story of an Hour';, by Kate Chopin, are alike in that both of the women in the stories were controlled by their husbands which caused them to feel an intense desire for freedom. Both stories were also written from a feminist point of view. However, the women in the stories had different life changes and different responses to their own freedom as a result of that change.
In comparison between The Yellow Wallpaper and If I Were a Man by Charlotte Perkins Gilman there is a clear picture created of a woman coming into her own. Both stories weave a tale of two women, although very different they share a common likeness in the fact they are both entrapped by their husbands. For one it was being trapped in a room for one it was monetary restrictions. Their bondage, although seemingly built from love and protection, only seems to serve as a prison within their minds.
In the short stories "Story of an Hour" by Kate Chopin and "The Chrysanthemums" by John Steinbeck the writers convey the importance of freedom by looking at women 's lives and their role in society. Both Chopin and Steinbeck use characters Louise and Elisa, to illustrate the different roles of gender and demonstrate their oppression after marriage. Although both short stories use evidence to support their freedom which is given for a limited amount of time to both women yet, differentiates later on by their reactions from it being taken away.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
In the 19th century, women had to accept their situation because they lived in a world dominated by men. In the short story, The Yellow Wallpaper by Charlotte Perkins Gilman, a woman named Jane is suffering from postpartum depression. John, the husband of Jane is a doctor. In order to cure her illness, he tells Jane that they will go to a summer house. Once they arrive in the summer house, he orders her to stay in bed. At the beginning of the story, Jane was not sick as her husband said, all she had was postpartum depression. She was in a big house away from the others, unable to see or care for her child, in a room with ugly walls, windows with railings, without doing anything and alone, that led her to madness. Jane began to observe all objects in the room, specifically the yellow wallpaper. The yellow wallpaper symbolizes the way women were perceived in the 19th century by society. The illness of the narrator explains the problems of imprisonment, captivity and the lack of freedom that the women were going through in the period of the time. The yellow wallpaper acts as a metaphor of how Jane and the
The central characters in both “The Yellow Wallpaper” and A Doll’s House are fully aware of their niche in society. In “The Yellow Wallpaper”, the narrator’s husband believes her illness to be a slight depression, and although she states "personally, I disagree with their ideas,” she knows she must acquiesce their requests anyway (Gilman 1). She says, “What is one to do?” (Gilman 1) The narrator continues to follow her husband’s ideals, although she knows them to be incorrect. She feels trapped in her relationship with her husband, as she has no free will and must stay in the nursery all day. She projects these feelings of entrapment onto the yellow wallpaper. She sees a complex and frustrating pattern, and hidden in the pattern are herself and othe...
In the “Yellow-Paper,” the protagonist seeks to relinquish her forms of imprisonment in hopes to escape her mental illness, yet she is still oppressed by those around her and forced to hide her coping mechanism, her journal; from this she is not able to escape her mental illness. The torment caused by the role society consigns for her husband is depicted when he states, “‘What is it little girl’ he said. ‘Don’t go walking about like that - you’ll get cold’” (Gilman 652). Her husband controls her every action and she lacks her needed self expression. She only frees herself after she tears down the wallpaper, freeing the girl inside, which represents her hidden non-expressed self. Similarly, a coinciding of this theme is presented in “The Story of An Hour,” in which Louise Mallard seeks refuge from oppression resulted from a male-dominated society. Mrs. Mallard states, “She said it over and over her breath: ‘free, free, free!’...There would be no one to live for during those coming years; she would live for herself” (Chopin 2). Ecstatic at the thought of being released from the propriety enforced throughout the nineteenth century, Mallard exclaims that she is able to do the things she is ambitious about. Wanting to live away from the roles of marriage, her short-lived passion is later diminished at the sight
Both “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” display women discovering freedom from society’s standards during the setting’s time period. In “The Story of an Hour,” Louise locks herself in her room after discovering that her husband has died and at that point in the story she finds herself more confident in herself. She exclaims, “Free! Body and soul free!” (Chopin 83). After she believed her husband died she finally had reason to take initiative in life and did not have to live a life were nothing was expected of her. She found freedom in locked quarters. Just as John’s wife did in “The Yellow Wallpaper.” As the wife’s sickness progressed, her anxiety over the yellow wallpaper increased. The patterns developed within the walls showed the image of a woman creeping along, and as the shadows of the bars from the window cast across the woman. This can symbolize how she is like the shadow, imprisoned in her room and mansion. As time moved forward, the wife fully identifies with the image in the wall, and by the end of the story she locks herself in her room and frees the woman behind the bars by pealing off most of the wallpaper.
Restraints are set by parents on their children to aid with the developmental process and help with the maturity level. Restrictions and the ability to control exist in our society and our lives. We encounter restraints daily: job, doors, people, and the most frequently used and arduous become intangible. In the following stories tangible and intangible scenarios are presented. Autonomy, desires, and talents spurned by the husbands in John Steinbeck’s “The Chrysanthemums and Charlotte Gilman’s “The Yellow Wallpaper.” The authors share views regarding a similar theme of male domination and imprisonment. “The Yellow Wallpaper” involves the treatment of a depressed woman who is driven insane in a male imposed detention in her own room. On the other hand, Elisa Allen in the “The Chrysanthemums” struggles internally to find her place in a fully male dominated society with definite gender roles. The mirror-like situations bring upon a different reaction for both the women in different ways. The importance of symbolism, control from their husbands, and the lack of a healthy marriage will be discussed in this paper in two stories.
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
On my first reading of Charlotte Perkins Gilman's "The Yellow Wallpaper", I found the short story extremely well done and the author, successful at getting her idea across. Gilman's use of imagery and symbolism only adds to the reality of the nameless main character's sheltered life and slow progression into insanity or some might say, out of insanity.
William Faulkner’s “A Rose for Emily,” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” are two short stories that incorporate multiple similarities and differences. Both stories’ main characters are females who are isolated from the world by male figures and are eventually driven to insanity. In “The Yellow Wallpaper,” the unidentified narrator moves to a secluded area with her husband and sister-in-law in hopes to overcome her illness. In “A Rose for Emily,” Emily’s father keeps Emily sheltered from the world and when he dies, she is left with nothing. Both stories have many similarities and differences pertaining to the setting, characterization, symbolism, and their isolation from the world by dominant male figures, which leads them to insanity.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.